Hanoverian Collection (page 7)

The Marriage of Cupid & Psyche, pub. 1797 (hand coloured engraving)
3035678 The Marriage of Cupid & Psyche, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Elizabeth Farren (c.1759-1829); Edward Smith-Stanley

The Grand Signior retiring, pub. 1796 (hand coloured engraving)
3035672 The Grand Signior retiring, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George)

Waltzer au Mouchoir, pub. 1800 (hand coloured engraving)
3051738 Waltzer au Mouchoir, pub. 1800 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Dandy, Hanoverian Period, 1800 (colour litho)
3643109 Dandy, Hanoverian Period, 1800 (colour litho) by English School, (20th century); Private Collection; (add.info.: Dandy, Hanoverian Period, 1800)

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub
2962523 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving) by Gillray

Portrait of King George III (colour litho)
2775388 Portrait of King George III (colour litho) by Bone, Henry (1755-1834); Private Collection; (add.info.: Portrait of King George III)

The Marriage of the Duke and Duchess of York, 1791 (oil on canvas)
487904 The Marriage of the Duke and Duchess of York, 1791 (oil on canvas) by Singleton, Henry (1766-1839); 102.2x127 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Prince Frederick)

King George III (oil on board)
CPB90789 King George III (oil on board) by West, Benjamin (1738-1820); 29.2x24.1 cm; Private Collection; (add.info.: this painting is a partial copy of the large group portrait)

The Procession From Westminster Hall at the Coronation of George III and Queen Charlotte
STC360917 The Procession From Westminster Hall at the Coronation of George III and Queen Charlotte, September 22nd, 1761, from The Illustrated London News, 1902 (litho) by Wilson

The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)
BAL42772 The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving) by Gillray, James (1757-1815); O Shea Gallery, London, UK; (add.info.: Parody of the famous Marlborough Gem cameo)

Search Night, or The State Watchmen Mistaking Honest-men for Conspirators
NCO190410 Search Night, or The State Watchmen Mistaking Honest-men for Conspirators, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)
NCO193152 The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Soldiers Return, or Rare News for Old England, published by Hannah Humphrey in
NCO193141 The Soldiers Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO190143 Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Sun setting in the Fog, with the Old Hanover Hack defending, published by J
NCO193112 A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching) by Gillray

H. R. H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802
NCO190117 H.R.H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)
NCO189717 The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Sir Isaac Newton (1642-1727) from Gallery of Portraits
KW189091 Sir Isaac Newton (1642-1727) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

James Bradley (1693-1762) from Gallery of Portraits
KW189028 James Bradley (1693-1762) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info.: James Bradley, 1693-1762)

A Lady putting on her Cap, published in 1795 (hand-coloured etching)
NCO191283 A Lady putting on her Cap, published in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

A Slice of Gloster Cheese, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO191262 A Slice of Gloster Cheese, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); 25.1x12.5 cm; Courtesy of the Warden and Scholars of New College

Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO191241 Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Nuptial Bower with the Evil-One peeping at the Charms of Eden
NCO191216 The Nuptial Bower with the Evil-One peeping at the Charms of Eden, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)
NCO191205 Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204) by Gillray, James (1757-1815); 25.2x20.5 cm; Courtesy of the Warden and Scholars of New College

The Theatrical Bubble: being a new specimen of astonishing Powers in the great
NCO190473 The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing

L Assemblee Nationale, or Grand Cooperative Meeting at St
NCO190427 L Assemblee Nationale, or Grand Cooperative Meeting at St. Anns Hill - respectfully dedicated to the admirers of a Broad Bottom d Administration

God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton
NCO190419 God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching
NCO190195 Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Rodney Triumphant, or Admiral Lee-Shore in the Dumps, 1782 (hand-coloured etching)
NCO190187 Rodney Triumphant, or Admiral Lee-Shore in the Dumps, 1782 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull
NCO193177 The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799
NCO190166 Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

View of the Hustings in Covent Garden, published by Hannah Humphrey in 1806
NCO190159 View of the Hustings in Covent Garden, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint) by Gillray

Wet Under Foot, published by Hannah Humphrey in 1812 (hand-coloured etching)
NCO190151 Wet Under Foot, published by Hannah Humphrey in 1812 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in
NCO190137 Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Windy Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190132 Windy Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Sad Sloppy Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190131 Sad Sloppy Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning
NCO190116 Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray

A portrait, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO189796 A portrait, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Wide Awake, published by Hannah Humphrey in 1806 (hand-coloured etching) (see also 189788
NCO189789 Wide Awake, published by Hannah Humphrey in 1806 (hand-coloured etching) (see also 189788) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Voluptuary under the Horrors of Digestion, published by Hannah Humphrey in 1792
NCO189772 A Voluptuary under the Horrors of Digestion, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804
NCO189762 A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Vices Overlook d in the New Proclamation, published by Hannah Humphrey
NCO189718 Vices Overlook d in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Charons Boat, or The Ghosts of the All Talents
NCO189707 Charons Boat, or The Ghosts of the All Talents Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint) by Gillray

The Feast of Reason, & the Flow of the Soul - i. e. The Wits of the Age
NCO191732 The Feast of Reason, & the Flow of the Soul - i.e. The Wits of the Age, setting the Table in a Roar, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Exaltation of Faros Daughters, published by Hannah Humphrey in 1796
NCO191727 Exaltation of Faros Daughters, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Matins at D-wn-ng College, Cambridge, published by Hannah Humphrey in 1810
NCO191719 Matins at D-wn-ng College, Cambridge, published by Hannah Humphrey in 1810 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Settling the Odd Trick: satire lampooning womens hairstyles and the mania for gaming, 1778 (engraving)
5997529 Settling the Odd Trick: satire lampooning womens hairstyles and the mania for gaming, 1778 (engraving) by Fairholt

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.