Hanoverian Collection (page 13)

1765866; out of copyright

Portrait of Sophie Charlotte (1744-1818)
BAL170635 Portrait of Sophie Charlotte (1744-1818) by Dance-Holland, Nathaniel (1734-1811); 238x146 cm; State Hermitage Museum, St

The Battle of Fontenoy, 11th May 1745 (oil on canvas) (detail)
XZL148157 The Battle of Fontenoy, 11th May 1745 (oil on canvas) (detail) by Blarenberghe, Louis Nicolas van (1716-94); ChAteau de Versailles, France; French, out of copyright

1127672; out of copyright

Dr Samuel Johnson (1709-84) (engraving) (b / w photo) (also see 344380)
XJF211529 Dr Samuel Johnson (1709-84) (engraving) (b/w photo) (also see 344380) by English School; Private Collection; English, out of copyright

Samuel Johnson (1709-84) (engraving) (b / w photo)
XJF211528 Samuel Johnson (1709-84) (engraving) (b/w photo) by Reynolds, Joshua (1723-92) (after); Private Collection; English, out of copyright

Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving)
KW189088 Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

Daniel Defoe (1660-1731) from Gallery of Portraits, published in 1833
KW189085 Daniel Defoe (1660-1731) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

Edmund Cartwright (1743-1823) from Gallery of Portraits, published in 1833
KW189066 Edmund Cartwright (1743-1823) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

Self Portrait, from Gallery of Portraits, published in 1833 (engraving)
KW189057 Self Portrait, from Gallery of Portraits, published in 1833 (engraving) by Hogarth, William (1697-1764) (after); Private Collection; Ken Welsh; English, out of copyright

Self Portrait, from Gallery of Portraits, published in 1833 (engraving)
KW189053 Self Portrait, from Gallery of Portraits, published in 1833 (engraving) by Reynolds, Joshua (1723-92) (after); Private Collection; (add.info)

Sir Samuel Romilly (1757-1818) from Gallery of Portraits, published in 1833
KW189051 Sir Samuel Romilly (1757-1818) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

King George III (1738-1820) (engraving)
KW166411 King George III (1738-1820) (engraving) by English School, (19th century); Private Collection; (add.info.: King of Britain, Ireland)

Frederick V (1596-1632) Elector Palatine 1610-1623, King of Bohemia 1619-1620 known as The Winter King. Married Elizabeth, daughter of James I of Great Britain and VI of Scotland

Coronation procession of George IV (1762-1830), St James Park, London, 19 July 1821. The balloon in the sky on right is Charles Green s, making the first successful flight using coal gas

Economy : Lord Brougham as John Bull, calling on the Prince Regent (later George IV) to retrench and curb his extravagance and to think of the people

Victoria (1820-1901) Queen of Great Britain and Ireland, with the Prince of Wales (later Edward VII) as a boy. Lithograph published c1897 to mark the Queens Jubilee

Sick of the property tax or ministerial influnza : Prince Regent (later George IV) gouty and on crutches labelled More Money, and Increase in Income

A Voluptuary under the horrors of digestion George IV ( Prince Regent 1811-1820) when Prince of Wales, showing his extravagance, grossness and self-indulgence

Victoria (1819-1901) Queen of Great Britain from 1837. Victoria as a young woman. Lithograph

George IV (1672-1830) King of Great Britain from 1820 on the death of his father, George III. He had served as Prince Regent since 1811 during his fathers illness

George II (1683-1760) king of Great Britain and Ireland and elector of Hanover from 1727. Member of the Hanoverian dynasty. Wood engraving c1900

William IV (1765-1837) king of Great Britain from 1830: third son of George III, uncle of Victoria. Member of the Hanoverian dynasty. Wood engraving c1900

George I (1660-1727) king of Great Britain and Ireland from 1714, Elector of Hanover from 1798. First Hanoverian monarch of the United Kingdom. Wood engraving c1900

George IV (1762-1830), son of George III, Prince Regent from 1811due to his fathers illness. King of Great Britain and Ireland from 1820. Member of the Hanoverian dynasty. Wood engraving c1900

Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), Fifth son of George III of Great Britain. On the death of William IV

The Wreck Of The hanoverian At Portugal Cove
The Wreck Of The " hanoverian" At Portugal Cove, Trepassey Bay, Newfoundland: Professor Bell Trying To Pacify The Passengers (left); Blue-jackets Saving Women And Children (right)

The Wreck of the hanoverian at Portugal Cove, Trepassey Bay, Newfoundland
The Wreck of the " hanoverian" at Portugal Cove, Trepassey Bay, Newfoundland: Passengers Encamped on Shore at Midnight

George II (1683-1760) King of Great Britain and Ireland and Elector of Hanover from 1727. Wood engraving

A black Hanoverian stallion, side view

5 month old hanoverian foal with black mare

For sale as Licensed Images

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.