High And Late Renaissance Collection (#4)

Baccio Bandinelli, Italian Renaissance history painter. 1817 (etching)
7236211 Baccio Bandinelli, Italian Renaissance history painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Baccio Bandinelli)

Portrait of Albrecht Durer, 1817 (etching)
7236193 Portrait of Albrecht Durer, 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Albrecht Durer, 1471-1528, German painter)

Giulio Romano, Italian Mannerist painter and architect. 1817 (etching)
7236293 Giulio Romano, Italian Mannerist painter and architect. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Giulio Romano, c.ÔÇë1499-1546)

Portrait of Michelangelo (1475-1564), Italian sculptor and painter1817 (etching)
7236207 Portrait of Michelangelo (1475-1564), Italian sculptor and painter1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info)

Paolo Veronese, Italian Renaissance painter. 1817 (etching)
7236305 Paolo Veronese, Italian Renaissance painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Profile portrait of Paolo Caliari, 1528-1588)

Bernard van Orley, Flemish Renaissance artist. 1817 (etching)
7236175 Bernard van Orley, Flemish Renaissance artist.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Bernard van Orley, 1487-1541)

St Vitalis and the horse, detail, c. 1523 (fresco)
3660814 St Vitalis and the horse, detail, c.1523 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); San Giovanni Evangelista, Parma, Emilia-Romagna, Italy; (add.info.: Left aisle, second chapel)

Putto, detail, c. 1523 (fresco)
3660813 Putto, detail, c.1523 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); San Giovanni Evangelista, Parma, Emilia-Romagna, Italy; (add.info.: Parma)

St Agatha, detail, c. 1523 (fresco)
3660812 St Agatha, detail, c.1523 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); San Giovanni Evangelista, Parma, Emilia-Romagna, Italy; (add.info.: Left aisle, first chapel)

St Lucy and St Apollonia, c. 1523 (fresco)
3660810 St Lucy and St Apollonia, c.1523 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); San Giovanni Evangelista, Parma, Emilia-Romagna, Italy; (add.info.: Left aisle first chapel)

View of the Room of Giants (southern wall), detail with the lighting (fresco)
7240575 View of the Room of Giants (southern wall), detail with the lighting (fresco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

Adoration of the Shepherds, 15th century (tempera)
7240574 Adoration of the Shepherds, 15th century (tempera) by Granacci, Francesco (1477-1543); Accademia delle Arti del Disegno, Florence, Italy; Ghigo Roli

Madonna and Child with Saints. 16th century (Oil on Wood)
7216082 Madonna and Child with Saints. 16th century (Oil on Wood) by Marti, Agostino (1482-1540); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints. Oil on Wood)

Vanity (engraving)
7201595 Vanity (engraving) by Gheyn, Jacob II de (1565-1625) (after); Private Collection; (add.info.: Vanity. Illustration from Illustrierte Sittengeschichte von Mittelalter bis zur Gegenwart)

Barcelona: Una Fachada del Renacimiento (b / w photo)
7189410 Barcelona: Una Fachada del Renacimiento (b/w photo) by Busquets, Fernando Rus (1871-1914); Private Collection; (add.info.: Una Fachada del Renacimiento)

View of the Room of Giants (southern wall), detail with the lighting (fresco)
7240579 View of the Room of Giants (southern wall), detail with the lighting (fresco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

View of the Loggia of Cupid and Psyche (photo)
2646188 View of the Loggia of Cupid and Psyche (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646183 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384766 Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall
2384770 Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall, detail of 2384753

Room of Diana and Actaeon, detail of 2384753, 1524
2384758 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

The Baby proclaiming the innocence of the Mother, the Northern Wall, School of the Saint
2195617 The Baby proclaiming the innocence of the Mother, the Northern Wall, School of the Saint, detail of 2195188 and 2195385

The Baby proclaiming the innocence of the Mother, the Northern Wall, School of the Saint, detail of 2195188
2195385 The Baby proclaiming the innocence of the Mother, the Northern Wall, School of the Saint, detail of 2195188, 1511 (fresco) by Titian (Tiziano Vecellio) (c.1488-1576)

Isaiah, by the Master of Becerril, ca. 1525 (oil on panel)
FIA5393744 Isaiah, by the Master of Becerril, ca. 1525 (oil on panel) by Maestro de Becerril, (fl.1530-1540); Prado, Madrid

The Gradual. Initial R: The Resurrection, c. 1500 (tempera, gold leaf and ink on parchment)
FIA5391766 The Gradual. Initial R: The Resurrection, c.1500 (tempera, gold leaf and ink on parchment) by Monza, Antonio da (fl.1480-1505); 64.1 x 43.5 cm; J. Paul Getty Museum, Los Angeles, USA

Renaissance architecture: view of the balcony of the House of the Dead (Casa de las Muertes) by Juan de Alava (d)
AIS5371915 Renaissance architecture: view of the balcony of the House of the Dead (Casa de las Muertes) by Juan de Alava (d. 1537), 16th century (photo) by Alava, Juan de (c)

The Deposition (detail), 1507 (oil on panel)
5901252 The Deposition (detail), 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Borghese, Rome, Lazio

Baptism of Christ, 1510
6298470 Baptism of Christ, 1510 by Perugino, Pietro (c.1445-1523); Cattedrale dei SS Gervasio e Protasio, Citta della Pieve, Umbria, Italy; (add.info.: Citta della Pieve, Cathedral of St)

The King of France Francois I (1494-1547) at the Battle of Marignan on 13 and 14 September 1515
XEE4177273 The King of France Francois I (1494-1547) at the Battle of Marignan on 13 and 14 September 1515. Engraving of 1914 by Emmanuel Blanche (1880-1946).DR Private collection

Renaissance stalls of 1589 and episcopal throne in the arms of Bishop Jean Barde, Cathedral of Saint Vincent of Bayeux
7135114 Renaissance stalls of 1589 and episcopal throne in the arms of Bishop Jean Barde, Cathedral of Saint Vincent of Bayeux by Lefebvre, Jacques (16th century); Bayeux, Normandy

View of the Room of Giants (southern wall) (fresco)
7240572 View of the Room of Giants (southern wall) (fresco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

Room of Giants: view of the northern wall (fresco)
7240567 Room of Giants: view of the northern wall (fresco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

The vault of the Room of Giants. The gods of Olympus, commanded by Jupiter
7240557 The vault of the Room of Giants. The gods of Olympus, commanded by Jupiter, are preparing to counter the attack of the Giants, Palazzo Te, Mantua, Italy (photo) by Romano

Enthroned Virgin among St. Gervase, Protasio, Paul and Peter, 1510
6298633 Enthroned Virgin among St. Gervase, Protasio, Paul and Peter, 1510 by Perugino, Pietro (c.1445-1523); Cattedrale dei SS Gervasio e Protasio, Citta della Pieve, Umbria

Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco)
6204244 Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco) by Perugino, Pietro (c.1445-1523); Museo di San Francesco, Montefalco, Perugia

The return of the battle of Marignan Armees of Francois I returning from Marignan (Maregnano) on 14 / 09 / 1515
JLJ4602889 The return of the battle of Marignan Armees of Francois I returning from Marignan (Maregnano) on 14/09/1515. Painting by Hippolyte Lecomte (1781-1857) 1829 Sun

View of the vaults of the Loggia of Cupid and Psyche
2646190 View of the vaults of the Loggia of Cupid and Psyche, by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

The Three Wise Virgins and Three Foolish Virgins, 1530-39 (fresco)
3660863 The Three Wise Virgins and Three Foolish Virgins, 1530-39 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); Sanctuary of Santa Maria della Steccata, Parma, Emilia-Romagna

Decoration detail with flowers and fruit, c. 1523 (fresco)
3660811 Decoration detail with flowers and fruit, c.1523 (fresco) by Parmigianino (Francesco Mazzola) (1503-40); San Giovanni Evangelista, Parma, Emilia-Romagna, Italy; (add.info.: Parma)

Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384761 Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma)

St Anthony reattaching the foot to a young man, School of the Saint, detail of 2197268 (fresco)
2197317 St Anthony reattaching the foot to a young man, School of the Saint, detail of 2197268 (fresco) by Titian (Tiziano Vecellio) (c.1488-1576); Basilica of Saint Anthony, Padua

St Anthony reattaching the foot to a young man, School of the Saint (fresco)
2197268 St Anthony reattaching the foot to a young man, School of the Saint (fresco) by Titian (Tiziano Vecellio) (c.1488-1576); Basilica of Saint Anthony, Padua, Italy; (add.info.: Padova)

Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384769 Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Room of Diana and Actaeon, detail of 2384753, 1524
2384755 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Renaissance stalls of 1589, cathedral of Saint Vincent de Bayeux
7135108 Renaissance stalls of 1589, cathedral of Saint Vincent de Bayeux by Lefebvre, Jacques (16th century); Bayeux, Normandy

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The High and Late Renaissance period, spanning from the 15th to the 17th century, was a time of great artistic and intellectual flourishing. It was during this era that renowned philosophers Pythagoras and Euclid made significant contributions to mathematics, paving the way for future scientific advancements. In 1437, a stunning marble tile depicting Pythagoras and Euclid was created as a testament to their influential work. This intricate piece showcases the beauty of mathematical concepts in art. Moving forward in time, in 1614, the University of Leiden in the Netherlands was established. This engraving captures the grandeur of this esteemed institution that continues to thrive today as one of Europe's leading universities. Artistic masterpieces also emerged during this period. The Battle of Ostia fresco from 1516-17 depicts a dramatic scene filled with action and emotion. Its vibrant colors bring history alive on the walls it adorns. Another captivating fresco is "The Coronation of Charlemagne, " painted in 1511. This detail highlights an exquisite moment within the larger composition, showcasing meticulous attention to detail by its creator. Religious themes were prevalent throughout this era as well. In Pope Urban I between Iustitia and Caritas fresco from 1520-24, we witness a powerful depiction of faith intertwined with justice and charity – values deeply cherished during those times. The Ducal Palace floor plan provides insight into architectural design during this period. Its intricate layout exemplifies precision and elegance that characterized Renaissance architecture. Artists like Michelangelo Merisi detto il Caravaggio continued pushing boundaries with their works even into later centuries. His painting "Saint Jean Baptiste" exudes baroque style while capturing religious devotion through skillful brushstrokes. Not all artworks focused solely on religious or academic subjects; some delved into social commentary too. A caricature depicting King Henry III as a homosexual monster serves as a reminder of the complexities and controversies that existed during this time.