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High And Late Renaissance Collection (#7)

The High and Late Renaissance period, spanning from the 15th to the 17th century, was a time of great artistic and intellectual flourishing

Background imageHigh And Late Renaissance Collection: Milan, S. Pietro in Gessate Church, Grifi Chapel, Volta, Bernardino Butinone

Milan, S. Pietro in Gessate Church, Grifi Chapel, Volta, Bernardino Butinone and Bernardo Zenale 1489 / 93
7227401 Milan, S. Pietro in Gessate Church, Grifi Chapel, Volta, Bernardino Butinone and Bernardo Zenale 1489/93, Radial of Red Cherubs and Circle of Praying Angels and Musicians by Butinone

Background imageHigh And Late Renaissance Collection: A Renaissance Interior with figures : The Birth of St John, c. 1600-49 (oil on copper)

A Renaissance Interior with figures : The Birth of St John, c. 1600-49 (oil on copper)
7240837 A Renaissance Interior with figures : The Birth of St John, c.1600-49 (oil on copper) by Steenwyck, Hendrik the Younger (c.1580-1649); 12.5x17.8 cm; The Weston Park Foundation, Shropshire

Background imageHigh And Late Renaissance Collection: Adlocutio of the roman Emperor Constantine, 1517-1524 (fresco)

Adlocutio of the roman Emperor Constantine, 1517-1524 (fresco)
7232616 Adlocutio of the roman Emperor Constantine, 1517-1524 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Battle of Milvian bridge, detail. 1517-1524 (fresco)

Battle of Milvian bridge, detail. 1517-1524 (fresco)
7232614 Battle of Milvian bridge, detail. 1517-1524 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Battle of Milvian bridge)

Background imageHigh And Late Renaissance Collection: Allegory of Abundance, 1512-1514 (fresco)

Allegory of Abundance, 1512-1514 (fresco)
7232638 Allegory of Abundance, 1512-1514 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Allegory of Abundance (1512-1514)

Background imageHigh And Late Renaissance Collection: Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)

Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)
7232586 Lower monochrome section of the Room of the Signature, 1508-1511 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Expulsion of Heliodorus from the Temple. 1511-1512 (fresco)

Expulsion of Heliodorus from the Temple. 1511-1512 (fresco)
7232621 Expulsion of Heliodorus from the Temple. 1511-1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Baptism of Constantine by pope Sylvester 1. 1517-1524 (fresco)

Baptism of Constantine by pope Sylvester 1. 1517-1524 (fresco)
7232613 Baptism of Constantine by pope Sylvester 1. 1517-1524 (fresco) by Penni, Giovanni Francesco (il Fattore) (c.1488-1528); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)

Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)
7232588 Lower monochrome section of the Room of the Signature, 1508-1511 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Ceiling of the Room of Heliodorus, whole. 1511-1514 (fresco)

Ceiling of the Room of Heliodorus, whole. 1511-1514 (fresco)
7232640 Ceiling of the Room of Heliodorus, whole.1511-1514 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Expulsion of Heliodorus from the Temple, detail. 1511-1512 (fresco)

Expulsion of Heliodorus from the Temple, detail. 1511-1512 (fresco)
7232622 Expulsion of Heliodorus from the Temple, detail. 1511-1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Battle of Milvian bridge, detail. 1517-1524 (fresco)

Battle of Milvian bridge, detail. 1517-1524 (fresco)
7232615 Battle of Milvian bridge, detail. 1517-1524 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Battle of Milvian bridge)

Background imageHigh And Late Renaissance Collection: Triumph of Chritianity. 1585 (fresco)

Triumph of Chritianity. 1585 (fresco)
7232617 Triumph of Chritianity. 1585 (fresco) by Laureti, Tommaso (c.1530-1602); Vatican Museums and Galleries, Vatican City; (add.info.: Triumph of Chritianity)

Background imageHigh And Late Renaissance Collection: Frescoe of justice, detail. 16th century

Frescoe of justice, detail. 16th century
7232568 Frescoe of justice, detail. 16th century by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Frescoe of justice, detail)

Background imageHigh And Late Renaissance Collection: Theological Virtues, with Gregory IX depicted as Julius II, 16th century (fresco)

Theological Virtues, with Gregory IX depicted as Julius II, 16th century (fresco)
7232564 Theological Virtues, with Gregory IX depicted as Julius II, 16th century (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Meeting between St. Leo the great and Attila. 1511-1514 (fresco)

Meeting between St. Leo the great and Attila. 1511-1514 (fresco)
7232625 Meeting between St. Leo the great and Attila. 1511-1514 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco)

lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco)
7232623 lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Expulsion of Heliodorus from the Temple. 1511-1512 (fresco)

Expulsion of Heliodorus from the Temple. 1511-1512 (fresco)
7232620 Expulsion of Heliodorus from the Temple. 1511-1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: School of Athens, Detail. Plato and Aristotle. 1509 (fresco)

School of Athens, Detail. Plato and Aristotle. 1509 (fresco)
7232572 School of Athens, Detail. Plato and Aristotle. 1509 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: School of Athens)

Background imageHigh And Late Renaissance Collection: French womens costumes of the Renaissance, 16th century. 1850 (engraving)

French womens costumes of the Renaissance, 16th century. 1850 (engraving)
7233261 French womens costumes of the Renaissance, 16th century. 1850 (engraving) by Grevin, Alfred (1827-1892); Private Collection; (add.info.: French womens costumes of the Renaissance)

Background imageHigh And Late Renaissance Collection: lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco)

lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco)
7232624 lower monochrome section of the Room of Heliodorus, 1511-1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: the ceiling of the Hall of Constantine, detail. 1585 (fresco)

the ceiling of the Hall of Constantine, detail. 1585 (fresco)
7232619 the ceiling of the Hall of Constantine, detail. 1585 (fresco) by Laureti, Tommaso (c.1530-1602); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)

Lower monochrome section of the Room of the Signature, 1508-1511 (fresco)
7232589 Lower monochrome section of the Room of the Signature, 1508-1511 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageHigh And Late Renaissance Collection: Frescoe of justice, detail. 16th century

Frescoe of justice, detail. 16th century
7232567 Frescoe of justice, detail. 16th century by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Frescoe of justice, detail)

Background imageHigh And Late Renaissance Collection: Deposition, 1507. Oil on Panel

Deposition, 1507. Oil on Panel
7224993 Deposition, 1507. Oil on Panel. by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Borghese, Rome, Italy; (add.info.: Deposition, 1507. Oil on Panel)

Background imageHigh And Late Renaissance Collection: Leda and the Swan, Oil on canvas

Leda and the Swan, Oil on canvas
7224990 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: Leda and the Swan)

Background imageHigh And Late Renaissance Collection: Leda and the Swan, Oil on canvas

Leda and the Swan, Oil on canvas
7224989 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: VillaLeda and the Swan)

Background imageHigh And Late Renaissance Collection: 'Portrait de dame'(Portrait of a lady) Ils agirait soit de la poetesse Ginevra Rangone soit de

"Portrait de dame"(Portrait of a lady) Ils agirait soit de la poetesse Ginevra Rangone soit de Veronica
FIA5331936 " Portrait de dame" (Portrait of a lady) Ils agirait soit de la poetesse Ginevra Rangone soit de Veronica Gambara (1485-1550), personnalites de la ville de Correggio

Background imageHigh And Late Renaissance Collection: 'La conversion de saint Paul sur la route de Damas'Peinture de Girolamo Francesco Maria Mazzola ou

"La conversion de saint Paul sur la route de Damas"Peinture de Girolamo Francesco Maria Mazzola ou Mazzuoli
FIA5394871 " La conversion de saint Paul sur la route de Damas" Peinture de Girolamo Francesco Maria Mazzola ou Mazzuoli dit il Parmigianino surnomme Le Parmesan (1503-1540)

Background imageHigh And Late Renaissance Collection: The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), c

The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), c. 1502-03 (oil on poplar)
5895042 The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), c.1502-03 (oil on poplar) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageHigh And Late Renaissance Collection: Suzanne and the old men, detail. 1570 (painting)

Suzanne and the old men, detail. 1570 (painting)
LRI4699010 Suzanne and the old men, detail.1570 (painting) by Veronese, (Paolo Caliari) (1528-88); 175x320 cm; Collezione numismatica Banca Carige, Genoa, Italy; (add.info.: Suzanne and the old men)

Background imageHigh And Late Renaissance Collection: Adrian Willaert, Flemish composer (litho)

Adrian Willaert, Flemish composer (litho)
7149734 Adrian Willaert, Flemish composer (litho) by European School, (16th century); Private Collection; (add.info.: Adrian Willaert (c1490-1562), Flemish composer

Background imageHigh And Late Renaissance Collection: Procession pulling a chariot (woodcut)

Procession pulling a chariot (woodcut)
7157538 Procession pulling a chariot (woodcut) by Italian School, (15th century) (after); Private Collection; (add.info.: Procession pulling a chariot)

Background imageHigh And Late Renaissance Collection: Little ship or mirror of fools (engraving)

Little ship or mirror of fools (engraving)
7157533 Little ship or mirror of fools (engraving) by European School, (16th century); Private Collection; (add.info.: Little ship or mirror of fools)

Background imageHigh And Late Renaissance Collection: Certosa di Pavia, Italy (engraving)

Certosa di Pavia, Italy (engraving)
7157476 Certosa di Pavia, Italy (engraving) by European School, (19th century); Private Collection; (add.info.: Certosa di Pavia, Italy)

Background imageHigh And Late Renaissance Collection: Medieval candlestick, censer, monstrance and chalice (chromolitho)

Medieval candlestick, censer, monstrance and chalice (chromolitho)
7173093 Medieval candlestick, censer, monstrance and chalice (chromolitho) by French School, (19th century); Private Collection; (add.info.: Medieval candlestick, censer, monstrance and chalice)

Background imageHigh And Late Renaissance Collection: Costumes of English noblewomen, 15th-16th Century (chromolitho)

Costumes of English noblewomen, 15th-16th Century (chromolitho)
7173072 Costumes of English noblewomen, 15th-16th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: Costumes of English noblewomen, 15th-16th Century)

Background imageHigh And Late Renaissance Collection: Clock and four watches, 6th Century (chromolitho)

Clock and four watches, 6th Century (chromolitho)
7173048 Clock and four watches, 6th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: Clock and four watches, 6th Century)

Background imageHigh And Late Renaissance Collection: Francis I, King of France (chromolitho)

Francis I, King of France (chromolitho)
7173042 Francis I, King of France (chromolitho) by French School, (19th century); Private Collection; (add.info.: Francis I (1494-1547), King of France

Background imageHigh And Late Renaissance Collection: Le Revers du jeu des Suysses, believed to be the oldest political cartoon

Le Revers du jeu des Suysses, believed to be the oldest political cartoon, 15th Century (chromolitho)
7173041 Le Revers du jeu des Suysses, believed to be the oldest political cartoon, 15th Century (chromolitho) by French School

Background imageHigh And Late Renaissance Collection: Moses and the brazen serpent (chromolitho)

Moses and the brazen serpent (chromolitho)
7173036 Moses and the brazen serpent (chromolitho) by French School, (19th century); Private Collection; (add.info.: Moses and the brazen serpent (Numbers 21), medieval miniature

Background imageHigh And Late Renaissance Collection: Old age and poverty (chromolitho)

Old age and poverty (chromolitho)
7173033 Old age and poverty (chromolitho) by French School, (19th century); Private Collection; (add.info.: Old age and poverty, miniatures from the Roman de la Rose, 15th Century)

Background imageHigh And Late Renaissance Collection: Miniatures from illuminated manuscripts, 14th Century (chromolitho)

Miniatures from illuminated manuscripts, 14th Century (chromolitho)
7173030 Miniatures from illuminated manuscripts, 14th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: Miniatures from illuminated manuscripts)

Background imageHigh And Late Renaissance Collection: Depictions of Jesus Christ from medieval manuscripts (chromolitho)

Depictions of Jesus Christ from medieval manuscripts (chromolitho)
7173017 Depictions of Jesus Christ from medieval manuscripts (chromolitho) by French School, (19th century); Private Collection; (add.info)

Background imageHigh And Late Renaissance Collection: Enthronement of Holy Roman Emperor Otto III (chromolitho)

Enthronement of Holy Roman Emperor Otto III (chromolitho)
7173015 Enthronement of Holy Roman Emperor Otto III (chromolitho) by French School, (19th century); Private Collection; (add.info.: Enthronement of Holy Roman Emperor Otto III)

Background imageHigh And Late Renaissance Collection: Maisons flamandes de la Renaissance, a Bruges (engraving)

Maisons flamandes de la Renaissance, a Bruges (engraving)
7179779 Maisons flamandes de la Renaissance, a Bruges (engraving) by French School, (19th century); Private Collection; (add.info.: Maisons flamandes de la Renaissance, a Bruges)

Background imageHigh And Late Renaissance Collection: Saint Jean de Latran (Rome) (engraving)

Saint Jean de Latran (Rome) (engraving)
7179390 Saint Jean de Latran (Rome) (engraving) by French School, (19th century); Private Collection; (add.info.: Saint Jean de Latran (Rome)

Background imageHigh And Late Renaissance Collection: Seals of the guilds of Bruges, 14th Century (chromolitho)

Seals of the guilds of Bruges, 14th Century (chromolitho)
7173194 Seals of the guilds of Bruges, 14th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: Seals of the guilds of Bruges, 14th Century)




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The High and Late Renaissance period, spanning from the 15th to the 17th century, was a time of great artistic and intellectual flourishing. It was during this era that renowned philosophers Pythagoras and Euclid made significant contributions to mathematics, paving the way for future scientific advancements. In 1437, a stunning marble tile depicting Pythagoras and Euclid was created as a testament to their influential work. This intricate piece showcases the beauty of mathematical concepts in art. Moving forward in time, in 1614, the University of Leiden in the Netherlands was established. This engraving captures the grandeur of this esteemed institution that continues to thrive today as one of Europe's leading universities. Artistic masterpieces also emerged during this period. The Battle of Ostia fresco from 1516-17 depicts a dramatic scene filled with action and emotion. Its vibrant colors bring history alive on the walls it adorns. Another captivating fresco is "The Coronation of Charlemagne, " painted in 1511. This detail highlights an exquisite moment within the larger composition, showcasing meticulous attention to detail by its creator. Religious themes were prevalent throughout this era as well. In Pope Urban I between Iustitia and Caritas fresco from 1520-24, we witness a powerful depiction of faith intertwined with justice and charity – values deeply cherished during those times. The Ducal Palace floor plan provides insight into architectural design during this period. Its intricate layout exemplifies precision and elegance that characterized Renaissance architecture. Artists like Michelangelo Merisi detto il Caravaggio continued pushing boundaries with their works even into later centuries. His painting "Saint Jean Baptiste" exudes baroque style while capturing religious devotion through skillful brushstrokes. Not all artworks focused solely on religious or academic subjects; some delved into social commentary too. A caricature depicting King Henry III as a homosexual monster serves as a reminder of the complexities and controversies that existed during this time.