Leonardo Da Collection (#14)

Studies of heads, c1500 (1954). Artist: Leonardo da Vinci
Studies of heads, c1500 (1954). Found in the collection of the Uffizi, Florence. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Grotesque couple, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Grotesque couple, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Reflections of the sun on water, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Reflections of the sun on water, late 15th or early 16th century (1954). Codex Atlanticus, 208v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Profile of a mans head and studies of two riders, c1490 and c1504 (1954). Artist: Leonardo da Vinci
Profile of a mans head and studies of two riders, c1490 and c1504 (1954). Found in the collection of the Galleria dell Accademia, Venice. A print from Leonardo da Vinci by Ludwig H Heydenreich

Plan of Imola, Italy, c1502 (1954). Artist: Leonardo da Vinci
Plan of Imola, Italy, c1502 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Designs for a fortress, 1500-1505 (1954). Artist: Leonardo da Vinci
Designs for a fortress, 1500-1505 (1954). Codex Atlanticus, 43v-a. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Design for a parabolic swing bridge, 1480-1490 (1954). Artist: Leonardo da Vinci
Design for a parabolic swing bridge, 1480-1490 (1954). One of Leonardo da Vincis designs for lightweight, transportable bridges for military use. Codex Atlanticus, 312r-a

Cannon foundry, 1487 (1954). Artist: Leonardo da Vinci
Cannon foundry, 1487 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Sketch for Romorantin Castle, 1517-1518 (1954). Artist: Leonardo da Vinci
Sketch for Romorantin Castle, 1517-1518 (1954). Codex Arundel, 270v. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Plan for an ideal city, 1488-1490 (1954). Artist: Leonardo da Vinci
Plan for an ideal city, 1488-1490 (1954). MS. B, 16r. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Designs for a central church, c1488-1490 (1954). Artist: Leonardo da Vinci
Designs for a central church, c1488-1490 (1954). MS. B, 17v. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Designs for a central church, c1488 (1954). Artist: Leonardo da Vinci
Designs for a central church, c1488 (1954). MS.B, I8v/19r. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Designs for a centralized building, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Designs for a centralized building, late 15th or early 16th century (1954). MS.B, I8v/19r. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Studies for the central cupola of Milan cathedral, late 15th century (1954) Artist: Leonardo da Vinci
Studies for the central cupola of Milan cathedral, late 15th century (1954). Found in the Codex Atlanticus. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Studies for the Trivulzio Monument, c1508 (1954). Artist: Leonardo da Vinci
Studies for the Trivulzio Monument, c1508 (1954). In 1508 Gian Giacomo Trivulzio, a Milanese aristocrat and military commander and governor of the city

Study for the Trivulzio Monument, c1508 (1954). Artist: Leonardo da Vinci
Study for the Trivulzio Monument, c1508 (1954). In 1508 Gian Giacomo Trivulzio, a Milanese aristocrat and military commander and governor of the city

Study in proportion of a horses leg, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Study in proportion of a horses leg, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor

Study for the casting of the Sforza Monument, c1493 (1954). Artist: Leonardo da Vinci
Study for the casting of the Sforza Monument, c1493 (1954). In the 1480s Ludovico Sforza, Duke of Milan, commissioned Leonardo da Vinci to produce a great bronze equestrian statue of his father

Studies for the Sforza Monument, c1488-1493 (1954). Artist: Leonardo da Vinci
Studies for the Sforza Monument, c1488-1493 (1954). Study for the great bronze equestrian statue of Francesco Sforza, Duke of Milan, commissioned by his son and successor, Ludovico

Emblem; Hostinato Rigore (detail), late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Emblem; Hostinato Rigore (detail), late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor

Costume Study, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Costume Study, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Costume Study, 1954. Artist: Leonardo da Vinci
Costume study, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study for The Battle of Anghiari, 1503 (1954). Artist: Leonardo da Vinci
Study for The Battle of Anghiari, 1503 (1954). Found in the collection of the Galleria Dell Accademia, Venice. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of a garment for St Anne, 1503-1517 (1954). Artist: Leonardo da Vinci
Study of a garment for St Anne, 1503-1517 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Studies for The Virgin and Child with St Anne and John the Baptist, 1503 (1954). Artist: Leonardo da Vinci
Studies for The Virgin and Child with St Anne and John the Baptist, 1503 (1954). Found in the collection of the British Museum. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait of Isabella d Este, 1500 (1954). Artist: Leonardo da Vinci
Portrait of Isabella d Este, 1500 (1954). Found in the collection of the Louvre, Paris. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait study of a man, 15th century(?) (1954). Artist: Leonardo da Vinci
Portrait study of a man, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait study of a young girls head, 15th century(?) (1954). Artist: Leonardo da Vinci
Portrait study of a young girls head, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Study of Judas for The Last Supper, c1495 (1954). Artist: Leonardo da Vinci
Study of Judas for The Last Supper, c1495 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of a girls head, c1483 (1954). Artist: Leonardo da Vinci
Study of a girls head, c1483 (1954). Found in the collection of the Biblioteca Reale in Turin. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of a rocky cavern with ducks, 1482-1485 (1954). Artist: Leonardo da Vinci
Study of a rocky cavern with ducks, 1482-1485 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Studies for a half length female figure, 15th century(?) (1954). Artist: Leonardo da Vinci
Studies for a half length female figure, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Studies for The Adoration of the Magi, 15th century, (1954). Artist: Leonardo da Vinci
Studies for The Adoration of the Magi, 15th century, (1954). Found in the collection of the Wallraf-Richartz-Museum, Cologne. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Self Portrait of Leonardo da Vinci, c1512-1515 (1954). Artist: Leonardo da Vinci
Self Portrait of Leonardo da Vinci, c1512-1515 (1954). Found in the collection of the Biblioteca Reale in Turin. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study for the Sforza Monument, c1488-1493 (1954). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1488-1493 (1954). Study for the great bronze equestrian statue of Francesco Sforza, Duke of Milan, commissioned by his son and successor, Ludovico

A bust of a warrior in profile, 1882. Original facsimile of a silver point drawing. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Beatrice d Este (1475-1497), c1490. Artist: Leonardo da Vinci
Beatrice d Este (1475-1497), c1490. Beatrice d Este was the duchess of Milan and one of the most beautiful and accomplished princesses of the Italian Renaissance

Leonardo da Vinci (1452-1519), 16th century (1849). Da Vinvi was an Italian artist, engineer, scientist and inventor whose drawings featured ideas such as a spinning wheel and a flying machine

Drawing after Leonardo de Vinci, c1710-1765 (1924) Artist: Caylus, Anne-Claude-Philippe de
Drawing after Leonardo de Vinci, c1710-1765 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

The Last Supper, 1843. Artist: J Jackson
The Last Supper, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Pen and ink sketches by Leonardo De Vinci, 1913. Artist: Leonardo da Vinci
Pen and ink sketches by Leonardo De Vinci, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Head of an Old Man, 1913. Artist: Leonardo da Vinci
Head of an Old Man, 1913. A sanguine drawing, Wauters Collection. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Study of a Knight, by Leonardo De Vinci, 1913. Artist: Leonardo da Vinci
Study of a Knight, by Leonardo De Vinci, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Study of a Knight, by Leonardo De Vinci, 1913. Artist: Leonardo da Vinci
Study of a Knight, by Leonardo De Vinci, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

The head of the Madonna, 15th century (1930s). Artist: Leonardo da Vinci
The head of the Madonna from the cartoon of St Anne, 15th century, 1930. From Apollo magazine, volume XII, no 71 (November 1930)

Study for the head of St James and an architectural drawing, 15th century (1930). Artist: Leonardo da Vinci
Study for the head of St James and an architectural drawing, 15th century (1930). Found in the Windsor collection. From Apollo magazine, volume XII, no 71 (November 1930)

Studies for The Adoration of the Magi and The Last Supper, 15th century (1930). Artist: Leonardo da Vinci
Studies for The Adoration of the Magi and The Last supper, 15th century (1930). Found in the collection of the Louvre, Paris, France. From Apollo magazine, volume XII, no 71 (November 1930)

Study for The Adoration of the Magi, 15th century (1930). Artist: Leonardo da Vinci
Study for The Adoration of the Magi, 15th century (1930). Found in the collection of the Louvre, Paris, France. From Apollo magazine, volume XII, no 71 (November 1930)

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Leonardo da Vinci, a name synonymous with genius and artistic mastery. With his unparalleled talent and insatiable curiosity, he left an indelible mark on the world of art and science. From his captivating portraits to his intricate anatomical studies, Leonardo's works continue to captivate audiences centuries later. In "Head of a Bear, " created around 1480, we catch a glimpse of Leonardo's ability to bring life to even the most ferocious creatures. The intensity in the bear's eyes is both mesmerizing and intimidating. "The Last Supper, " recreated by Raphael Morghen and Teodoro Matteini in 1800, pays homage to one of Leonardo's most iconic masterpieces. This depiction captures the profound emotions that permeate this sacred moment. One cannot discuss Leonardo without mentioning "Lady with an Ermine. " Painted around 1490, this portrait showcases not only his technical skill but also his ability to convey emotion through subtle gestures. "A Condottiere" transports us back to Renaissance Italy as we witness Leonardo's fascination with military figures. The attention to detail in every stroke reveals his dedication to capturing authenticity. In "The Armenian Letters, " dating back to 1928, we see another facet of Leonardo's creativity - his talent for calligraphy. Even in something as seemingly mundane as writing letters, he infuses beauty into every stroke. His study of hands from the 15th century demonstrates not only his meticulous observation skills but also highlights how hands can be vessels for expression and communication beyond words themselves. Of course, no discussion about Leonardo would be complete without mentioning perhaps his most famous creation - "Mona Lisa. " Painted circa 1505, her enigmatic smile continues to intrigue viewers worldwide while showcasing Leonardo's mastery over light and shadow. But it wasn't just paintings that fascinated him; he delved into scientific exploration too. His drawing of the human venous system displays an astonishing understanding of anatomy, a testament to his insatiable thirst for knowledge.