Martinican Collection
"Exploring the Martinican Identity: A Glimpse into History and Culture" In the late 19th century, a vivid chromolithograph captures a scene in Macouba, Martinique
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"Exploring the Martinican Identity: A Glimpse into History and Culture" In the late 19th century, a vivid chromolithograph captures a scene in Macouba, Martinique. Black workers, under the control of a white settler, laboriously move barrels of rum. This image reflects the complex dynamics of power and race that shaped the island during this era. Traveling back further in time to the 18th century, an illustration by Gaston Henry Darien introduces us to a young creole woman from French Antilles. Her portrait offers a glimpse into the rich cultural heritage of Martinique's inhabitants during this period. Shifting our focus to politics, we encounter Cyrille Charles Auguste Bissette - an influential figure who passionately advocated for the abolition of slavery in France. Engravings from both Chartres Museum of Fine Arts and Musee des Beaux-Arts immortalize his dedication towards freedom. A statue erected in Fort de France pays homage to Victor Schoelcher (1804-1893), another prominent figure who fought against slavery. The inscription on its base boldly declares that no French land can bear slaves - emphasizing Martinique's commitment to liberation. Examining historical atlases like M. Vuillemin's "France and its Colonies, " we gain insights into how Martinique was perceived as an overseas department within France during different periods. Satirical illustrations from L'Assiette au Beurre shed light on colonization practices across various regions such as England Great Britain, Algeria, Madagascar, Morocco, Tunisia, Tonkin – including Martinique – highlighting anti-colonial sentiments prevalent at that time. Auguste de Berard's drawing provides us with a captivating view of Saint Pierre - once known as "the Paris of the Caribbean. " Its vibrant streetscapes were tragically destroyed by Mount Pelée's eruption in 1902.