Neoclassicism Collection (page 6)

Dante Alighieri, 1865, (marble)
7129716 Dante Alighieri, 1865, (marble) by Dupre, Giovanni (1817-82); MAG Alto Garda Museum, Italy, Riva del Garda, Trentino-Alto Adige, Italy; (add.info.: Dante Alighieri, 1865, Giovanni Dupre)

Italian Pavilion, Paris World Fair, 1937 (b/w photo)
1730981 Italian Pavilion, Paris World Fair, 1937 (b/w photo) by French Photographer (20th century); (add.info.: World fair, Paris, 1937 : pavilion of Italy : the tourism)

View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style
YOU4420081 View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er

France, Ile-de-France, Paris (75): The Arc de Triomphe du Carrousel with the buildings in ruins of the Tuileries
LUX4702254 France, Ile-de-France, Paris (75): The Arc de Triomphe du Carrousel with the buildings in ruins of the Tuileries imperiales, 1871 by Percier, Charles (1764-1838) & Fontaine

Paris - Arc du Carrousel
GYS5006623 Paris - Arc du Carrousel by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info.: Paris - Arc du Carrousel); © Herve Gyssels. All rights reserved 2022

France, Ile-de-France, Paris (75): Arc de triomphe du Carrousel, 1855
LUX4817250 France, Ile-de-France, Paris (75): Arc de triomphe du Carrousel, 1855 by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info.: France, Ile-de-France)

Paris 1er - Arc du Carrousel
GYS5006632 Paris 1er - Arc du Carrousel by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info.: Paris 1er - Arc du Carrousel); © Herve Gyssels. All rights reserved 2022

View of the triumphal arch of the Carrousel in Paris (photo)
YOU4418633 View of the triumphal arch of the Carrousel in Paris (photo) by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); © Kim Young Tae. All rights reserved 2022

France, Ile-de-France, Paris (75): the Arc de Triomphe du Carrousel with the ruins of the Tuileries imperiales in
LUX4701874 France, Ile-de-France, Paris (75): the Arc de Triomphe du Carrousel with the ruins of the Tuileries imperiales in the back, 1871 by Percier, Charles (1764-1838) & Fontaine

Arc de Triomphe du Carrousel in Paris
3561059 Arc de Triomphe du Carrousel in Paris by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info.: Paris, place du Carrousel)

Arc de Triomphe du Carousel. Tuileries Garden, Paris (photo)
AIS5341940 Arc de Triomphe du Carousel. Tuileries Garden, Paris (photo) by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); © Iberfoto

France, Paris, Tuileries Quarter, four horses and gilded golden statue of victory on top of the Arc de Triomphe du
UIG5431964 France, Paris, Tuileries Quarter, four horses and gilded golden statue of victory on top of the Arc de Triomphe du Carrousel

Paris - Arc du Carrousel (detail)
GYS5006654 Paris - Arc du Carrousel (detail) by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info.: Paris - Arc du Carrousel (detail)); © Herve Gyssels

Postcard/Arc de Triomphe du Carrousel/Paris/Seine/Ile de France/France
HFE4469588 Postcard/Arc de Triomphe du Carrousel/Paris/Seine/Ile de France/France by Percier, Charles (1764-1838) & Fontaine

The Arc de Triomphe of the Carousel in Paris in the 19th century
THT4305158 The Arc de Triomphe of the Carousel in Paris in the 19th century. by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info)

Three Women, 1817 (chalk on paper)
LAF470936 Three Women, 1817 (chalk on paper) by David, Jacques Louis (1748-1825); 13.5x19.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Man in a Hat (oil on canvas)
471082 Man in a Hat (oil on canvas) by David, Jacques Louis (1748-1825); 42x35 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Return with your shield - or on it
7301585 Return with your shield - or on it. by Alix, Pierre Michel (1762-1817); Private Collection; (add.info.: Return with your shield - or on it)

Ugo Foscolo, 1813 (oil on canvas)
6343064 Ugo Foscolo, 1813 (oil on canvas) by Fabre, Francois Xavier (1766-1837); Biblioteca Nazionale Centrale, Florence, Italy; (add.info.: by Francois - Xavier Fabre (1776 - 1837)); Ghigo Roli

Leonidas to Thermopyls Episode of the Battle of the Thermopyls in 480 BC - oil on canvas, 1814
LRI4571428 Leonidas to Thermopyls Episode of the Battle of the Thermopyls in 480 BC - oil on canvas, 1814 by David, Jacques Louis (1748-1825); Louvre, Paris

Study for The Roses of Heliogabalus, c. 1888 (oil on canvas)
7085082 Study for The Roses of Heliogabalus, c.1888 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); Private Collection; (add.info)

Virgil Reading the "Aeneid"to Augustus, Octavia, and Livia, 1790 (oil on canvas)
5860644 Virgil Reading the " Aeneid" to Augustus, Octavia, and Livia, 1790 (oil on canvas) by Wicar, Jean Baptiste Joseph (1762-1834); 111.1--142.6 cm; The Art Institute of Chicago, IL

Monsieur Tortoni, c. 1820 (oil on canvas)
5860588 Monsieur Tortoni, c.1820 (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); 92--72.8 cm; The Art Institute of Chicago, IL

Mrs. Hugh Morgan and Her Daughter, c. 1771 (oil on canvas)
5860554 Mrs. Hugh Morgan and Her Daughter, c.1771 (oil on canvas) by Kauffmann, Angelica (1741-1807); 63.2x76.3 cm; The Art Institute of Chicago, IL

Portrait of the Architect Giuseppe Valadier, c. 1795 (oil on canvas)
5860692 Portrait of the Architect Giuseppe Valadier, c.1795 (oil on canvas) by Labruzzi, Pietro (1739-1805); 64.3--52.5 cm; The Art Institute of Chicago, IL

The Sabines interposing between their Roman husbands (right) and their Sabine brothers (left)
JLJ4688856 The Sabines interposing between their Roman husbands (right) and their Sabine brothers (left) showing them their children - Painting by Jacques-Louis (Jacques Louis) David (1748-1825)

Perseus with the Head of Medusa, 1804-6 (marble)
3493041 Perseus with the Head of Medusa, 1804-6 (marble) by Canova, Antonio (1757-1822); 242.6 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: In Greek mythology)

The Madeleine church in, Paris, 1900-10 (postcard)
3561077 The Madeleine church in, Paris, 1900-10 (postcard) by Ivry, Pierre Contant d (1698-1777); (add.info.: Paris, France 1900-1910 ca)

The Grand Canal and The Church of Sant Antonio Taumaturgo, Trieste, 1825-1849 (photo)
7268879 The Grand Canal and The Church of Sant Antonio Taumaturgo, Trieste, 1825-1849 (photo) by Nobile, Pietro (1774-1854); (add.info.: The Grand Canal - of Trieste, Italy)

The Sudden Death of Count Nicola Muraview, Foreign Minister in Petersburg (colour litho)
2798326 The Sudden Death of Count Nicola Muraview, Foreign Minister in Petersburg (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Madame Francois Buron, 1769 (oil on canvas)
5860642 Madame Francois Buron, 1769 (oil on canvas) by David, Jacques Louis (1748-1825); 66.3--55.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Jacques Louis David (1748-1825))

Abigail Inskeep Bradford, 1803-08 (oil on canvas)
5861904 Abigail Inskeep Bradford, 1803-08 (oil on canvas) by Peale, Rembrandt (1778-1860); 68.6x55.9 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Rembrandt Peale (1778-1860))

Death of Meleager (black pencil on paper)
XIR414622 Death of Meleager (black pencil on paper) by David, Jacques Louis (1748-1825); 15.2x21.1 cm; Louvre (Cabinet de dessins), Paris

Portrait of the Maistre Sisters, 1796 (oil on canvas)
5861569 Portrait of the Maistre Sisters, 1796 (oil on canvas) by Gros, Antoine Jean (1771-1835); 43.2--31.2 cm; The Art Institute of Chicago, IL

Death of Meleager (pen & brown ink & grey wash & pierre noire on paper)
XIR414620 Death of Meleager (pen & brown ink & grey wash & pierre noire on paper) by David, Jacques Louis (1748-1825); 13.9x21.3 cm; Louvre (Cabinet de dessins), Paris

Andromache mourning Hector, 1783
PWI82870 Andromache mourning Hector, 1783 by David, Jacques Louis (1748-1825); 58x43 cm; Pushkin Museum, Moscow, Russia; © Peter Willi

Full length classically draped female standing by a tree, being scaled by a snake, 1780-1800 (Pencil)
7261627 Full length classically draped female standing by a tree, being scaled by a snake, 1780-1800 (Pencil) by Head, Guy (1753-1800); 22.2x18 cm; Maidstone Museum and Art Gallery, Kent

Giuseppe Jappelli, Gera Villa, Conegliano, Veneto, Italy, 2010 (photo)
6344402 Giuseppe Jappelli, Gera Villa, Conegliano, Veneto, Italy, 2010 (photo) by Jappelli, Giuseppe (1783-1852); Conegliano Cathedral, Veneto, Italy; (add.info.: 1827); © Mark Edward Smith

A Lover Crowning his Mistress, 1733 (oil on canvas)
XIR221401 A Lover Crowning his Mistress, 1733 (oil on canvas) by Vien, Joseph-Marie, the Elder (1716-1809); 335x202 cm; Louvre, Paris, France; (add.info.: by Joseph-Marie Vien the Elder (1716-1809))

The French Citizen (pen & ink and w / c on paper)
XIR240256 The French Citizen (pen & ink and w/c on paper) by David, Jacques Louis (1748-1825); 30.2x20.2 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Portrait of a man with a hand in the air. Musee Granet, Aix en provence
JEB4960074 Portrait of a man with a hand in the air. Musee Granet, Aix en provence by David, Jacques Louis (1748-1825); Musee Granet, Aix-en-Provence

A Distant Idyll (oil on canvas)
7088838 A Distant Idyll (oil on canvas) by Winter, Charles Allen (1869-1942); 89.5x111.1 cm; Private Collection

Expectancy (oil on canvas)
7085140 Expectancy (oil on canvas) by Altson, Aby (1866-1948); 76.2x38.2 cm; Private Collection

Postcard depicting Saint Aubin Cathedral, Namur, c. 1900 (litho)
1720160 Postcard depicting Saint Aubin Cathedral, Namur, c. 1900 (litho) by Belgian School, (20th century); (add.info.: Namur (Belgium) : Saint Aubin cathedral, postcard, c. 1900)

Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
3086887 Aretino in the Studio of Tintoretto, 1848 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Metropolitan Museum of Art, New York

Apollino (Young Apollo), detail, c. 1797 (marble)
6343104 Apollino (Young Apollo), detail, c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Socrates bidding Farewell to his Family, 1787-90 (plaster)
6343151 Socrates bidding Farewell to his Family, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate si congeda dalla propria famiglia)

Apollino (Young Apollo), c. 1797 (marble)
6343101 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

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Neoclassicism, a prominent artistic movement that emerged in the mid-18th century, left an indelible mark on London's architectural landscape. The Marylebone Town Hall stands as one of the most eminent neoclassical design in the city, its grandeur and elegance captivating all who lay eyes upon it. In the realm of music, neoclassicism found expression through Tartinis Dream and his hauntingly beautiful Devil's Trill Sonata. These compositions transported listeners to a realm where classical forms merged with innovative techniques, creating a harmonious blend of tradition and modernity. The art world also embraced neoclassicism with open arms. A striking portrait captures Madame Clicquot alongside her daughter, showcasing their grace and poise amidst a backdrop reminiscent of ancient times. Similarly, Joseph Bologne's portrait exudes charisma and nobility as he gazes confidently into the distance. Feuerbach's masterpiece "Miriam" transports viewers to biblical times, depicting a scene filled with emotion and spirituality. Meanwhile, Hieronymus Bosch's iconic "Garden of Earthly Delights" invites us into a surreal world teeming with symbolism and imagination. Even architecture became imbued with neoclassical influences; Saint Louis IX Chapel showcases intricate cardboard windows that pay homage to this timeless style. Lequeu's thought-provoking artwork challenges societal norms by presenting women as mothers in his piece titled "Et nous aussi nous serons meres car. . " History comes alive through visual representations like Gerard's depiction of the Battle of Austerlitz—a pivotal moment etched forever in our collective memory. Thomas Couture brings Roman feasts back to life on canvas while Eclipse gallops across time as an emblematic dark chestnut racehorse captured by an artist’s brush. Upton House stands proudly as another testament to neoclassical architecture—its façade radiating sophistication amidst the mid-19th-century backdrop.