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Neoclassicism Collection (page 7)

Neoclassicism, a prominent artistic movement that emerged in the mid-18th century, left an indelible mark on London's architectural landscape

Background imageNeoclassicism Collection: The French Citizen (pen & ink and w / c on paper)

The French Citizen (pen & ink and w / c on paper)
XIR240256 The French Citizen (pen & ink and w/c on paper) by David, Jacques Louis (1748-1825); 30.2x20.2 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageNeoclassicism Collection: Portrait of a man with a hand in the air. Musee Granet, Aix en provence

Portrait of a man with a hand in the air. Musee Granet, Aix en provence
JEB4960074 Portrait of a man with a hand in the air. Musee Granet, Aix en provence by David, Jacques Louis (1748-1825); Musee Granet, Aix-en-Provence

Background imageNeoclassicism Collection: A Distant Idyll (oil on canvas)

A Distant Idyll (oil on canvas)
7088838 A Distant Idyll (oil on canvas) by Winter, Charles Allen (1869-1942); 89.5x111.1 cm; Private Collection

Background imageNeoclassicism Collection: Expectancy (oil on canvas)

Expectancy (oil on canvas)
7085140 Expectancy (oil on canvas) by Altson, Aby (1866-1948); 76.2x38.2 cm; Private Collection

Background imageNeoclassicism Collection: Postcard depicting Saint Aubin Cathedral, Namur, c. 1900 (litho)

Postcard depicting Saint Aubin Cathedral, Namur, c. 1900 (litho)
1720160 Postcard depicting Saint Aubin Cathedral, Namur, c. 1900 (litho) by Belgian School, (20th century); (add.info.: Namur (Belgium) : Saint Aubin cathedral, postcard, c. 1900)

Background imageNeoclassicism Collection: Aretino in the Studio of Tintoretto, 1848 (oil on canvas)

Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
3086887 Aretino in the Studio of Tintoretto, 1848 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Metropolitan Museum of Art, New York

Background imageNeoclassicism Collection: Apollino (Young Apollo), detail, c. 1797 (marble)

Apollino (Young Apollo), detail, c. 1797 (marble)
6343104 Apollino (Young Apollo), detail, c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Socrates bidding Farewell to his Family, 1787-90 (plaster)

Socrates bidding Farewell to his Family, 1787-90 (plaster)
6343151 Socrates bidding Farewell to his Family, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate si congeda dalla propria famiglia)

Background imageNeoclassicism Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343101 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Postcard depicting Namur Town Hall, c. 1900 (litho)

Postcard depicting Namur Town Hall, c. 1900 (litho)
1720158 Postcard depicting Namur Town Hall, c. 1900 (litho) by Belgian School, (20th century); (add.info.: Namur (Belgium) : town hall, postcard, c. 1900)

Background imageNeoclassicism Collection: Eustache Le Sueur (engraving)

Eustache Le Sueur (engraving)
1720042 Eustache Le Sueur (engraving) by French School, (17th century); (add.info.: Eustache Le Sueur or Lesueur (19 November 1617 - 30 April 1655)

Background imageNeoclassicism Collection: Law Courts, Caen, 1787 (engraving)

Law Courts, Caen, 1787 (engraving)
1721361 Law Courts, Caen, 1787 (engraving) by French School, (18th century); (add.info.: Caen, France : law courts, engraving, 1787)

Background imageNeoclassicism Collection: The Death of Socrates, 18th century (engraving)

The Death of Socrates, 18th century (engraving)
5310311 The Death of Socrates, 18th century (engraving) by David, Jacques Louis (1748-1825) (after); (add.info.: Engraving after the painting titled The Death of Socrates by Jacques-Louis David)

Background imageNeoclassicism Collection: Cafe Hause, designed by Lorenzo Santi, Venice, Italy (photo)

Cafe Hause, designed by Lorenzo Santi, Venice, Italy (photo)
6371514 Cafe Hause, designed by Lorenzo Santi, Venice, Italy (photo) by Santi, Lorenzo (1783-1839); (add.info.: Built in 1816-1817); © Mark Edward Smith

Background imageNeoclassicism Collection: Socrates drinks the cup of hemlock, 1787-90 (plaster)

Socrates drinks the cup of hemlock, 1787-90 (plaster)
6343154 Socrates drinks the cup of hemlock, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate beve la cicuta, 1787-90)

Background imageNeoclassicism Collection: Crito closing Socrates Eyes, 1790-92 (plaster)

Crito closing Socrates Eyes, 1790-92 (plaster)
6343152 Crito closing Socrates Eyes, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Critone chiude gli occhi di Socrate, 1790-92)

Background imageNeoclassicism Collection: Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)

Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)
6343150 Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Background imageNeoclassicism Collection: Dance of Alcinous Children, 1790-02 (plaster)

Dance of Alcinous Children, 1790-02 (plaster)
6343144 Dance of Alcinous Children, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageNeoclassicism Collection: Justice, 1792 (plaster)

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicism Collection: Charity, 1792 (plaster)

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicism Collection: Francis I of Austria, 1781-82 (marble)

Francis I of Austria, 1781-82 (marble)
6343116 Francis I of Austria, 1781-82 (marble) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Francesco I d Austria, 1822 di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343103 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343102 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: 'Hebe as cupbearer of Jupiters Eagle', 1790 (oil on canvas)

"Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas)
6343073 " Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas) by Landi, Gaspare (1756-1830); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Ebe)

Background imageNeoclassicism Collection: Pope Pius VII, detail of the mozzetta, 1804-5 (marble)

Pope Pius VII, detail of the mozzetta, 1804-5 (marble)
6343027 Pope Pius VII, detail of the mozzetta, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII)

Background imageNeoclassicism Collection: Pope Pius VII, 1804-5 (marble)

Pope Pius VII, 1804-5 (marble)
6343026 Pope Pius VII, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII, 1804-5)

Background imageNeoclassicism Collection: The three Graces, detail of legs and feet, 1812-17 (marble)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: Feeding the Hungry, detail, 1795 (plaster)

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageNeoclassicism Collection: Feeding the Hungry, 1795 (plaster)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageNeoclassicism Collection: Young Girl (marble)

Young Girl (marble)
5894155 Young Girl (marble) by Cappelli, Giovanni (1814-85); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol: inv)

Background imageNeoclassicism Collection: Death of Priam, 1787-90 (plaster)

Death of Priam, 1787-90 (plaster)
6343148 Death of Priam, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Morte di Priamo, 1787-90, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Dance of Alcinous Children, detail, 1790-02 (plaster)

Dance of Alcinous Children, detail, 1790-02 (plaster)
6343145 Dance of Alcinous Children, detail, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageNeoclassicism Collection: Hope, 1792 (plaster)

Hope, 1792 (plaster)
6343140 Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Speranza, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicism Collection: Antonio Canova 1809-10 (marble)

Antonio Canova 1809-10 (marble)
6343134 Antonio Canova 1809-10 (marble) by Monti, Gaetano Matteo (1776-1847); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Antonio Canova, 1809-10, di Gatano Matteo Monti (1776 - 1847)

Background imageNeoclassicism Collection: Flora, detail, 1838-40 (marble)

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Background imageNeoclassicism Collection: Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

Background imageNeoclassicism Collection: The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicism Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicism Collection: The Graces and Cupid, 1820-22 (Carrara marble)

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageNeoclassicism Collection: The three Graces, detail of the embrace, 1812-17 (marble)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: 'Venus orders Psyche to fetch the Waters of the Styx', 1792, oil on canvas

"Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas
6343071 " Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas. by Gianni, Felice (1760-1823); Private Collection; (add.info)

Background imageNeoclassicism Collection: He is Free (Il est Libre), c. 1798 (watercolour on paper)

He is Free (Il est Libre), c. 1798 (watercolour on paper)
7244691 He is Free (Il est Libre), c. 1798 (watercolour on paper) by Lequeu, Jean-Jacques (1757-1826); 49 x 36.6 cm; Bibliotheque Nationale, Paris, France; Photo © Fine Art Images

Background imageNeoclassicism Collection: Apollo crowning Himself, 1781-82 (marble)

Apollo crowning Himself, 1781-82 (marble)
6343099 Apollo crowning Himself, 1781-82 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollo che si incorona, 1781-2, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)

Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)
6343059 Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicism Collection: Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)

Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)
6343058 Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy




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Neoclassicism, a prominent artistic movement that emerged in the mid-18th century, left an indelible mark on London's architectural landscape. The Marylebone Town Hall stands as one of the most eminent neoclassical design in the city, its grandeur and elegance captivating all who lay eyes upon it. In the realm of music, neoclassicism found expression through Tartinis Dream and his hauntingly beautiful Devil's Trill Sonata. These compositions transported listeners to a realm where classical forms merged with innovative techniques, creating a harmonious blend of tradition and modernity. The art world also embraced neoclassicism with open arms. A striking portrait captures Madame Clicquot alongside her daughter, showcasing their grace and poise amidst a backdrop reminiscent of ancient times. Similarly, Joseph Bologne's portrait exudes charisma and nobility as he gazes confidently into the distance. Feuerbach's masterpiece "Miriam" transports viewers to biblical times, depicting a scene filled with emotion and spirituality. Meanwhile, Hieronymus Bosch's iconic "Garden of Earthly Delights" invites us into a surreal world teeming with symbolism and imagination. Even architecture became imbued with neoclassical influences; Saint Louis IX Chapel showcases intricate cardboard windows that pay homage to this timeless style. Lequeu's thought-provoking artwork challenges societal norms by presenting women as mothers in his piece titled "Et nous aussi nous serons meres car. . " History comes alive through visual representations like Gerard's depiction of the Battle of Austerlitz—a pivotal moment etched forever in our collective memory. Thomas Couture brings Roman feasts back to life on canvas while Eclipse gallops across time as an emblematic dark chestnut racehorse captured by an artist’s brush. Upton House stands proudly as another testament to neoclassical architecture—its façade radiating sophistication amidst the mid-19th-century backdrop.