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Neoclassicism Collection (page 8)

Neoclassicism, a prominent artistic movement that emerged in the mid-18th century, left an indelible mark on London's architectural landscape

Background imageNeoclassicism Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: 'Venus orders Psyche to fetch the Waters of the Styx', 1792, oil on canvas

"Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas
6343071 " Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas. by Gianni, Felice (1760-1823); Private Collection; (add.info)

Background imageNeoclassicism Collection: He is Free (Il est Libre), c. 1798 (watercolour on paper)

He is Free (Il est Libre), c. 1798 (watercolour on paper)
7244691 He is Free (Il est Libre), c. 1798 (watercolour on paper) by Lequeu, Jean-Jacques (1757-1826); 49 x 36.6 cm; Bibliotheque Nationale, Paris, France; Photo © Fine Art Images

Background imageNeoclassicism Collection: Apollo crowning Himself, 1781-82 (marble)

Apollo crowning Himself, 1781-82 (marble)
6343099 Apollo crowning Himself, 1781-82 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollo che si incorona, 1781-2, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)

Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)
6343059 Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicism Collection: Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)

Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)
6343058 Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicism Collection: Cupid and Psyche, detail, 1800-03 (marble)

Cupid and Psyche, detail, 1800-03 (marble)
6343037 Cupid and Psyche, detail, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343030 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageNeoclassicism Collection: Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)
6343014 Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imageNeoclassicism Collection: Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)
6343013 Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imageNeoclassicism Collection: Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageNeoclassicism Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicism Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: Zappeion of Athens, Interior Peristyle column, 1874-1888 (photo)

Zappeion of Athens, Interior Peristyle column, 1874-1888 (photo)
AIS5336739 Zappeion of Athens, Interior Peristyle column, 1874-1888 (photo) by Hansen, Theophil von (1813-91); Athens, Greece; (add.info.: Zappeion of Athens. Interior Peristyle column)

Background imageNeoclassicism Collection: Young Girl (marble)

Young Girl (marble)
5894156 Young Girl (marble) by Cappelli, Giovanni (1814-85); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol: inv)

Background imageNeoclassicism Collection: Teaching to Ignorant, 1795 (plaster)

Teaching to Ignorant, 1795 (plaster)
6343155 Teaching to Ignorant, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Cristo closing Socrates Eyes, 1790-92 (plaster)

Cristo closing Socrates Eyes, 1790-92 (plaster)
6343153 Cristo closing Socrates Eyes, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Critone chiude gli occhi di Socrate, 1790-92)

Background imageNeoclassicism Collection: Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster)

Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster)
6343149 Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Background imageNeoclassicism Collection: Dance of Alcinous Children, detail, 1790-92 (plaster)

Dance of Alcinous Children, detail, 1790-92 (plaster)
6343147 Dance of Alcinous Children, detail, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageNeoclassicism Collection: Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble)

Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble)
6343136 Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble) by Ceccarini, Giovanni (1790-1861); Palazzo Comunale, Frascati

Background imageNeoclassicism Collection: Cupid and Psyche, 1800-03 (marble)

Cupid and Psyche, 1800-03 (marble)
6343040 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: Cupid and Psyche, 1800-03 (marble)

Cupid and Psyche, 1800-03 (marble)
6343036 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: 'Hebe', 1800-5, marble statue

"Hebe", 1800-5, marble statue
6343035 " Hebe", 1800-5, marble statue. by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Ebe, 1819, di Bertel Thorvaldsen (1770 - 1844)

Background imageNeoclassicism Collection: Hebe, detail, 1800-05 (marble)

Hebe, detail, 1800-05 (marble)
6343033 Hebe, detail, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo

Background imageNeoclassicism Collection: Domenico Cimarosa, 1822 (marble)

Domenico Cimarosa, 1822 (marble)
6343024 Domenico Cimarosa, 1822 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info.: Domenico Cimarosa, 1822, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageNeoclassicism Collection: Theseus fighint against the Centaur Eurytion, 1804-5 (plaster)

Theseus fighint against the Centaur Eurytion, 1804-5 (plaster)
6343015 Theseus fighint against the Centaur Eurytion, 1804-5 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Teseo in lotta con il centauro Eirition)

Background imageNeoclassicism Collection: Flora, detail of the rear part, 1838-40 (marble)

Flora, detail of the rear part, 1838-40 (marble)
6343006 Flora, detail of the rear part, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869)

Background imageNeoclassicism Collection: Young Dancer, detail of the leg, before 1845 (marble)

Young Dancer, detail of the leg, before 1845 (marble)
6343003 Young Dancer, detail of the leg, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Background imageNeoclassicism Collection: Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble)

Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble)
6342999 Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageNeoclassicism Collection: Dancing Terpsichore (Dancer), detail, 1820 (marble)

Dancing Terpsichore (Dancer), detail, 1820 (marble)
6342998 Dancing Terpsichore (Dancer), detail, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageNeoclassicism Collection: 'The Graces and Cupid', detail, 1820-22 (Carrara marble)

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageNeoclassicism Collection: The three Graces, 1812-17 (marble)

The three Graces, 1812-17 (marble)
6342986 The three Graces, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822)

Background imageNeoclassicism Collection: The three Graces, detail of the feet, 1812-17 (marble)

The three Graces, detail of the feet, 1812-17 (marble)
6342982 The three Graces, detail of the feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicism Collection: Teaching to Ignorant, detail, 1795 (plaster)

Teaching to Ignorant, detail, 1795 (plaster)
6342966 Teaching to Ignorant, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795)

Background imageNeoclassicism Collection: Interior of Roman Building with Figures, c. 1880 (oil on canvas)

Interior of Roman Building with Figures, c. 1880 (oil on canvas)
3545817 Interior of Roman Building with Figures, c.1880 (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 66x106.7 cm; J. Paul Getty Museum, Los Angeles, USA

Background imageNeoclassicism Collection: University College, Gower Street, Bloomsbury, London (b / w photo)

University College, Gower Street, Bloomsbury, London (b / w photo)
7200905 University College, Gower Street, Bloomsbury, London (b/w photo) by McLeish, Donald (1879-1950); Private Collection; (add.info.: University College, Gower Street, Bloomsbury, London)

Background imageNeoclassicism Collection: Patriarcato palace, Lorenzo Santi, 1847, Venice, Italy photo taken in 2020 (photo)

Patriarcato palace, Lorenzo Santi, 1847, Venice, Italy photo taken in 2020 (photo)
6321690 Patriarcato palace, Lorenzo Santi, 1847, Venice, Italy photo taken in 2020 (photo) by Santi, Lorenzo (1783-1839); © Mark Edward Smith

Background imageNeoclassicism Collection: Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster)

Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster)
6343143 Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Background imageNeoclassicism Collection: Colossal Bust of Leopoldo Cicognara, 1818-22 (marble)

Colossal Bust of Leopoldo Cicognara, 1818-22 (marble)
6343135 Colossal Bust of Leopoldo Cicognara, 1818-22 (marble) by Canova, Antonio (1757-1822); Palazzo Bonacossi, Ferrara, Italy; (add.info.: Busto colossale di Leopoldo Cicognara, 1818-22)

Background imageNeoclassicism Collection: Napoleon, 1804-09 (Carrara marble)

Napoleon, 1804-09 (Carrara marble)
6343109 Napoleon, 1804-09 (Carrara marble) by Canova, Antonio (1757-1822); Pazzo Cusani, Milan, Italy; (add.info.: Napoleone, 1804-09, di Antonio Canova (1757 - 1822), marmo di Carrara.); Ghigo Roli

Background imageNeoclassicism Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343034 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageNeoclassicism Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble)
6343021 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Musei Civici Del Castello Visconteo

Background imageNeoclassicism Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble)
6343020 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble) by Thorvaldsen

Background imageNeoclassicism Collection: Princess Leopoldina Esterhazy while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, 1805-18 (marble)
6343011 Princess Leopoldina Esterhazy while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info.: La Principessa Leopoldina Esterhazy nell atto di dipingere)

Background imageNeoclassicism Collection: Flora, 1838-40 (marble)

Flora, 1838-40 (marble)
6343004 Flora, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo.); Ghigo Roli

Background imageNeoclassicism Collection: Young Dancer, before 1845 (marble)

Young Dancer, before 1845 (marble)
6343002 Young Dancer, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)




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Neoclassicism, a prominent artistic movement that emerged in the mid-18th century, left an indelible mark on London's architectural landscape. The Marylebone Town Hall stands as one of the most eminent neoclassical design in the city, its grandeur and elegance captivating all who lay eyes upon it. In the realm of music, neoclassicism found expression through Tartinis Dream and his hauntingly beautiful Devil's Trill Sonata. These compositions transported listeners to a realm where classical forms merged with innovative techniques, creating a harmonious blend of tradition and modernity. The art world also embraced neoclassicism with open arms. A striking portrait captures Madame Clicquot alongside her daughter, showcasing their grace and poise amidst a backdrop reminiscent of ancient times. Similarly, Joseph Bologne's portrait exudes charisma and nobility as he gazes confidently into the distance. Feuerbach's masterpiece "Miriam" transports viewers to biblical times, depicting a scene filled with emotion and spirituality. Meanwhile, Hieronymus Bosch's iconic "Garden of Earthly Delights" invites us into a surreal world teeming with symbolism and imagination. Even architecture became imbued with neoclassical influences; Saint Louis IX Chapel showcases intricate cardboard windows that pay homage to this timeless style. Lequeu's thought-provoking artwork challenges societal norms by presenting women as mothers in his piece titled "Et nous aussi nous serons meres car. . " History comes alive through visual representations like Gerard's depiction of the Battle of Austerlitz—a pivotal moment etched forever in our collective memory. Thomas Couture brings Roman feasts back to life on canvas while Eclipse gallops across time as an emblematic dark chestnut racehorse captured by an artist’s brush. Upton House stands proudly as another testament to neoclassical architecture—its façade radiating sophistication amidst the mid-19th-century backdrop.