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Petticoat Collection (#5)

"Dancing to the infectious beats of Cy Lauries jazz band in a dimly lit cellar, tucked away in Soho, London

Background imagePetticoat Collection: Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style

Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style taffeta dress
5856338 Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style taffeta dress and a blue silk cap.; (add.info)

Background imagePetticoat Collection: Costume of a Mexican lady, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's '

Costume of a Mexican lady, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes
FLO4656438 Costume of a Mexican lady, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865

Background imagePetticoat Collection: Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862

Background imagePetticoat Collection: The Social Science Congress at New York: conversazione in the Assembly Rooms, Blake-street, 1864

The Social Science Congress at New York: conversazione in the Assembly Rooms, Blake-street, 1864. Creator: Unknown
The Social Science Congress at New York: conversazione in the Assembly Rooms, Blake-street, 1864. From "Illustrated London News", 1864

Background imagePetticoat Collection: Paris fashions for October, 1864. Creator: Unknown

Paris fashions for October, 1864. Creator: Unknown
Paris fashions for October, 1864. Fig. 1. Evening Dress. Robe of white alpaca, ornamented with black lace insertion...Muslin chemisette, with collar and cuffs of embroidered muslin

Background imagePetticoat Collection: Cutting the first turf of the Carnarvon and Llanberis Railway, 1864. Creator: Unknown

Cutting the first turf of the Carnarvon and Llanberis Railway, 1864. Creator: Unknown
Cutting the first turf of the Carnarvon and Llanberis Railway, 1864. The railway...will not only afford great accommodation to...travellers

Background imagePetticoat Collection: Paris fashions for March, 1864. Creator: Unknown

Paris fashions for March, 1864. Creator: Unknown
Paris fashions for March, 1864. From "Illustrated London News", 1864

Background imagePetticoat Collection: 'Face to Face': Effie Blount's Explanation, 1862. Creator: Unknown

"Face to Face": Effie Blount's Explanation, 1862. Creator: Unknown
"Face to Face": Effie Blount's Explanation, 1862. Illustration to a short story by John Saunderss. From "Illustrated London News", 1862

Background imagePetticoat Collection: A Pictorial: the First Syllable, 1864. Creator: Mason Jackson

A Pictorial: the First Syllable, 1864. Creator: Mason Jackson
A Pictorial: the First Syllable, 1864. Christmas entertainment. From "Illustrated London News", 1864

Background imagePetticoat Collection: Paris fashions for December, 1862. Creator: Unknown

Paris fashions for December, 1862. Creator: Unknown
Paris fashions for December, 1862. Fig. 1. Evening Dress. Robe of stout corded apple-green taffety...with a guipure on a white ground; the sleeves are also trimmed with a similar transparent guipure

Background imagePetticoat Collection: Paris fashions for November, 1864. Creator: Unknown

Paris fashions for November, 1864. Creator: Unknown
Paris fashions for November, 1864. Fig. 1. Morning Dress. This is altogether an "at home" costume, the colour of the dress being generally light, over a gay-coloured jupe

Background imagePetticoat Collection: Paris fashions for August, 1864. Creator: Unknown

Paris fashions for August, 1864. Creator: Unknown
Paris fashions for August, 1864. Fig. 1. Walking Dress. Robe and paletot of grey foulard, with three rows of dark violet silk and passementerie trimming on the skirt; round the edge of the paletot

Background imagePetticoat Collection: Paris fashions for February, 1864. Creator: Unknown

Paris fashions for February, 1864. Creator: Unknown
Paris fashions for February, 1864. Fig. 1. Walking Dress. Dark brown silk robe, trimmed round the bottom of the skirt with a wide band of black velvet

Background imagePetticoat Collection: The Dowager Queen Lovisa Ulrika of Sweden, 1775. Creator: Lorens Pasch the Younger

The Dowager Queen Lovisa Ulrika of Sweden, 1775. Creator: Lorens Pasch the Younger
The Dowager Queen Lovisa Ulrika of Sweden, 1775

Background imagePetticoat Collection: Isabella of Bourbon. First Queen of King Philip IV, 1614-1660. Creator: Diego Velasquez

Isabella of Bourbon. First Queen of King Philip IV, 1614-1660. Creator: Diego Velasquez
Isabella of Bourbon. First Queen of King Philip IV, 1614-1660

Background imagePetticoat Collection: Miss Lindahl, portrait photograph, 1918 Oct. 1. Creator: Arnold Genthe

Miss Lindahl, portrait photograph, 1918 Oct. 1. Creator: Arnold Genthe
Miss Lindahl, portrait photograph, 1918 Oct. 1. Possibly a portrait of Swedish actress Anna Lindahl

Background imagePetticoat Collection: Woman's Robe à la Française or afternoon dress and petticoat, France, c.1760. Creator: Unknown

Woman's Robe à la Française or afternoon dress and petticoat, France, c.1760. Creator: Unknown
Woman's Robe a la Francaise or afternoon dress and petticoat, France, c.1760

Background imagePetticoat Collection: Scarborough Spa - from a sketch by Miss Claxton, 1858. Creator: Unknown

Scarborough Spa - from a sketch by Miss Claxton, 1858. Creator: Unknown
Scarborough Spa - from a sketch by Miss Claxton, 1858. Resort on the coast of Yorkshire. Apart from the excellent qualities of its mineral waters

Background imagePetticoat Collection: The Towcester Flower Show, 1858. Creator: Unknown

The Towcester Flower Show, 1858. Creator: Unknown
The Towcester Flower Show, 1858. The pleasant little market-town of Towcester, in Northamptonshire, has recently been enlivened by a floral and horticultural exhibition, by a cattle show

Background imagePetticoat Collection: Scene from 'The Rose of Castile', at Drury Lane Theatre, 1858. Creator: Smyth

Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. Creator: Smyth
Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. London stage production. This lively and pretty opera, certainly the chef-d'oeuvre of our most popular English composer

Background imagePetticoat Collection: Fashions for October, 1858. Creator: Unknown

Fashions for October, 1858. Creator: Unknown
Fashions for October, 1858. 1. Dress in the new style called a six lis. It has a double skirt - the upper one consisting of six breadths of silk of two different kinds...The corsage is three-quarter

Background imagePetticoat Collection: Meeting of the Worcestershire Archery Society in the Grounds of Lea Castle, Wolverley... 1858

Meeting of the Worcestershire Archery Society in the Grounds of Lea Castle, Wolverley... 1858. Creator: Unknown
Meeting of the Worcestershire Archery Society in the Grounds of Lea Castle, Wolverley, near Kidderminster, 1858. Women shooting with bow and arrow

Background imagePetticoat Collection: Fashions for September, 1858. Creator: Unknown

Fashions for September, 1858. Creator: Unknown
Fashions for September, 1858. We may here describe a few dresses worn during the fetes at Cherbourg by ladies of distinguished rank

Background imagePetticoat Collection: Fashions for August - Promenade or Carriage Costume, and Ball Dress, 1858. Creator: Unknown

Fashions for August - Promenade or Carriage Costume, and Ball Dress, 1858. Creator: Unknown
Fashions for August - Promenade or Carriage Costume, and Ball Dress, 1858. Dress of very rich Azof-green silk, with two skirts

Background imagePetticoat Collection: Fashions for August - Country or Seaside Dress, 1858. Creator: Unknown

Fashions for August - Country or Seaside Dress, 1858. Creator: Unknown
Fashions for August - Country or Seaside Dress, 1858. Round hat of leghorn, with a very broad brim, inclining downward on the forehead, so as to shade the face from the sun

Background imagePetticoat Collection: Fashions for July, 1858. Creator: Unknown

Fashions for July, 1858. Creator: Unknown
Fashions for July, 1858. Fig. 1: Dress of green silk, with quilles or sides trimmings of black passementerie...The corsage, which is pointed at the waist

Background imagePetticoat Collection: Mowing, Shearing, and Cottagers Flower Show, at Coleshill Park - the Distribution of the... 1858

Mowing, Shearing, and Cottagers Flower Show, at Coleshill Park - the Distribution of the... 1858. Creator: Unknown
Mowing, Shearing, and Cottagers Flower Show, at Coleshill Park - the Distribution of the Prizes, 1858. For fourteen years the noble owner of Coleshill

Background imagePetticoat Collection: The Queen's Visit to Birmingham - Her Majesty Planting an Oak in the Grounds of Warwick Castle

The Queen's Visit to Birmingham - Her Majesty Planting an Oak in the Grounds of Warwick Castle, 1858. The Queen, taking the Earl of Warwick's arm

Background imagePetticoat Collection: Scene at the Volunteer Review in Hyde Park, 1860. Creator: Unknown

Scene at the Volunteer Review in Hyde Park, 1860. Creator: Unknown
Scene at the Volunteer Review in Hyde Park, [London], 1860. Crowds watching military manoeuvres....before reaching this centre of the line, where the Queen was stationed

Background imagePetticoat Collection: Costumes de Différent Pays, Laitiere des Environs de Bordeaux, c1797

Costumes de Différent Pays, Laitiere des Environs de Bordeaux, c1797. Creators: Jacques Grasset de Saint-Sauveur
Costumes de Different Pays, Laitiere des Environs de Bordeaux, c1797

Background imagePetticoat Collection: Woman's cage crinolettes (with bustles), England, between 1872 and 1875. Creator: Unknown

Woman's cage crinolettes (with bustles), England, between 1872 and 1875. Creator: Unknown
Woman's cage crinolettes (with bustles), England, between 1872 and 1875

Background imagePetticoat Collection: Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785

Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785. Creator: Unknown
Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785

Background imagePetticoat Collection: Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785

Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785. Creator: Unknown
Woman's striped silk sack-back jacket (caraco), Europe, c.1760, altered c.1780. Petticoat: c.1785

Background imagePetticoat Collection: Woman's Robe à l'anglaise ensemble (gown, petticoat, fichu); hat; and shoes, Robe: 1780-1790

Woman's Robe à l'anglaise ensemble (gown, petticoat, fichu); hat; and shoes, Robe: 1780-1790. Creator: Unknown
Woman's Robe a l'anglaise ensemble (gown, petticoat, fichu); hat; and shoes, Robe: 1780-1790. Petticoat: 1780s; Hat: Shoes: c.1770

Background imagePetticoat Collection: Robe à la française (gown and petticoat), Europe, c.1725. Stomacher: c.1735. Creator: Unknown

Robe à la française (gown and petticoat), Europe, c.1725. Stomacher: c.1735. Creator: Unknown
Robe a la francaise (gown and petticoat), Europe, c.1725. Stomacher: c.1735

Background imagePetticoat Collection: Crinoline: Bustle cage crinoline, England, 1862-1870. Creator: Unknown

Crinoline: Bustle cage crinoline, England, 1862-1870. Creator: Unknown
Crinoline: Bustle cage crinoline, England, 1862-1870. Corset: c.1865-75; Chemise: c.1850-70; Shoes: c.1870

Background imagePetticoat Collection: Pair of woman's sleeve plumpers, England, between 1830 and 1835. Creator: Unknown

Pair of woman's sleeve plumpers, England, between 1830 and 1835. Creator: Unknown
Pair of woman's sleeve plumpers, England, between 1830 and 1835

Background imagePetticoat Collection: Portrait of Maria Elisabeth Adolphine Waller-Schill, 1866. Creator: Louis Chantal

Portrait of Maria Elisabeth Adolphine Waller-Schill, 1866. Creator: Louis Chantal
Portrait of Maria Elisabeth Adolphine Waller-Schill, 1866. The drawing dates from the year of Maria Schill's marriage to M.J. Waller

Background imagePetticoat Collection: Cremorne Gardens - the Maypole Dance, 1858. Creator: Unknown

Cremorne Gardens - the Maypole Dance, 1858. Creator: Unknown
Cremorne Gardens - the Maypole Dance, 1858. Pleasure gardens in Chelsea, London. This delightful place of public resort was...the centre of great attraction, and was crowded by a brilliant company

Background imagePetticoat Collection: Paris Fashions for the New Year, 1860. Creator: Unknown

Paris Fashions for the New Year, 1860. Creator: Unknown
Paris Fashions for the New Year, 1860. 1. Morning Toilet. Double-skirted taffety dress; the under skirt is plain, and the upper one largely rounded off at the lower corners

Background imagePetticoat Collection: Isabella II (1830-1904), reg. Queen of Spain, married to King Francis of Spain, c19th century

Isabella II (1830-1904), reg. Queen of Spain, married to King Francis of Spain, c19th century. Creator: Anon
Isabella II (1830-1904), reg. Queen of Spain, married to King Francis of Spain, c19th century

Background imagePetticoat Collection: Costumes de Différents Pays, Indienne de Quito, c1797. Creators: Jacques Grasset de Saint-Sauveur

Costumes de Différents Pays, Indienne de Quito, c1797. Creators: Jacques Grasset de Saint-Sauveur, LF Labrousse
Costumes de Differents Pays, Indienne de Quito, c1797

Background imagePetticoat Collection: Tiens, ce n'est rien que des peintures!... 1855. Creator: Honore Daumier

Tiens, ce n'est rien que des peintures!... 1855. Creator: Honore Daumier
Tiens, ce n'est rien que des peintures!... 1855. Pun on the French word toile which can mean canvas or cloth. - Tiens, ce n'est rien que des peintures

Background imagePetticoat Collection: Fashions for December, 1858. Creator: Unknown

Fashions for December, 1858. Creator: Unknown
Fashions for December, 1858. Dress of green droguet, spotted with black velvet. The dress has two skirts and both have side trimmings, formed of rows of black velvet...The corsage

Background imagePetticoat Collection: Voyons...Ai-je l'air assez homme comme ça?, 1856. Creator: Honore Daumier

Voyons...Ai-je l'air assez homme comme ça?, 1856. Creator: Honore Daumier
Voyons...Ai-je l'air assez homme comme ca?, 1856. Woman cross-dressing in order to be able to enter the stock exchange. Let's see...Do I look manly enough like this? From Les Boursicotieres

Background imagePetticoat Collection: La Guirlande, album Mensuel d'Art et de la Litterature, 1919-1920: Woman in Pink Dress in Garden

La Guirlande, album Mensuel d'Art et de la Litterature, 1919-1920: Woman in Pink Dress in Garden, 1919-1920. A woman walks in a garden with butterflies

Background imagePetticoat Collection: Paris Fashions for October, 1860. Creator: Unknown

Paris Fashions for October, 1860. Creator: Unknown
Paris Fashions for October, 1860. 1. Walking Dress...of light green taffety, ample in the skirt...above the flounces there is a narrow edging

Background imagePetticoat Collection: The Paris Fashions for September, 1860. Creator: Unknown

The Paris Fashions for September, 1860. Creator: Unknown
The Paris Fashions for September, 1860. 1. Morning Dress. Jaconet peignoir, with two narrow flounces; on the upper part of each flounce is a quilling...[with] a blue silk ribbon




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"Dancing to the infectious beats of Cy Lauries jazz band in a dimly lit cellar, tucked away in Soho, London. The vibrant energy Lane Market in the 1940s fills the air, as shoppers browse through stalls on Wentworth Street. Victor Stiebel's exquisite dresses grace the display windows, capturing the essence of elegance and style. Transporting us back to the bustling streets Lane in the 1930s, where traders passionately barter for their wares. A timeless scene captured by David Wright's iconic Pin-Up Girl artwork - a symbol of femininity and allure. Petticoat Lane Market remains an integral part of London's East End, with its rich history and diverse offerings. It witnessed lively jive and jitterbug dances during the 1950s, as couples energetically embraced these popular dance styles at parties that echoed with laughter and joy. Yet amidst this celebration, reminders lingered from past struggles; anti-suffrage sentiments expressed through slogans like "Votes for Women Never. " However, even within such resistance, women found ways to express themselves boldly - like a pin-up adorned in gold mules or donning a petticoat with confidence. Reflecting further back into time reveals an elegant woman dressed in a ball gown adorned with a mask - her attire reminiscent of grand masquerade balls held in 1788. Each layer of her petticoat adds depth to her ensemble while concealing mysteries beneath. The word 'petticoat' carries stories woven together by threads from different eras - tales filled with music, fashion trends evolving at markets brimming with life and color. It represents resilience against opposition while embracing feminine power and self-expression throughout history.