Rudolph Collection (#3)

English gentleman receiving a letter from his family
English gentleman in nightgown and cap receiving a letter from his family. Servant and maid tending the fireplace. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson

English gentleman and ladies listening to a harpist at a ball in a stately home. Two lovers flirt in a corner, and four people play cards in another room

English gentleman writing a begging letter in a decrepit parlour with lawyer and loanshark looking on. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William

Father Time showing men and women scenes from life
Allegorical illustration of Father Time with scythe, globe and hourglass showing men and women scenes from life. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson

Regency gentleman riding a horse down hill, while a couple fall off a horse in the background. How to Ride Genteel and Agreable Down Hill

The Royal Observatory or Flamsteed House, Greenwich Park. Designed by Sir Christopher Wren and Robert Hooke. Handcoloured copperplate engraving after an illustration by Thomas Hosmer Shepherd

Mrs. Palmers Villa or Asgill House, Richmond, view from the River Thames. Palladian villa in the Tuscan style by Sir Robert Taylor for Lord Mayor of London Charles Asgill

Stoke House, Windsor, seat of Egyptologist Richard William Howard Vyse, built by architect James Wyatt with gardens landscaped by Capability Brown

Richings House, Iver, Buckinghamshire, seat of member of parliament John Sullivan. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of Arts

Herd of deer in front of Trentham Hall, seat of Granville Leveson-Gower, Marquis of Stafford. House and gardens designed by architect Henry Holland

Neoclassical mausoleum at Trentham Hall, seat of Granville Leveson-Gower, Marquis of Stafford. Designed by architect Charles Heathcote Tatham

Deepdene, Surrey, the seat of banker Thomas Hope
Deepdene, Surrey, the seat of banker and author Thomas Hope. House and gardens remodeled by Regency architect William Atkinson

The Rookery, Westcott, Surrey, seat of banker Richard Fuller. Built and landscaped by Daniel Malthus, father of economist and scholar Thomas Robert Malthus

Park entrance to Sion House or Syon House, Isleworth, seat of the Duke of Northumberland, with gardens designed by Capability Brown

John Blades upper showroom of ornamental glass and chandeliers, Ludgate Hill, London. Crystal and cut glass manufacturer. Handcoloured copperplate engraving after an illustration by John Gendall

Sion House or Syon House, Isleworth, seat of the Duke of Northumberland, in gardens designed by Capability Brown. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph

Chiswick House, 1823
Chiswick House, Palladian villa designed by architect William Kent and built by Richard Boyle, 3rd Earl of Burlington. Garden front

The New Street (Regent Street) looking toward the Quadrant, designed by John Nash, London. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1822

The Hermitage, Frogmore, Windsor. Thatched cottage folly designed by Princess Elizabeth. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of

The Ruins, Windsor, a Gothic pile built by John Wyatt for the king. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of Arts, London, 1823

Cranburn or Cranbourne Lodge, 1823
Cranburn or Cranbourne Lodge, keepers lodge on the royal hunting grounds of Cranbourne Chase. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns

His majestys cottage, Windsor Great Park, as seen from the lawn. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1823

Plan and elevation of a Regency Era, Gothic style domestic chapel. Floorplan shows raised pews for the estate owner A, slightly raised pews for the stewards, and low pews for the domestic workers

Front entrance to his majestys cottage, Windsor Great Park. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1823

Views of the spa town of Bad Liebenstein, Germany, 1817. The schloss or hotel with the ruins on top of the mountain, nearer view of the hotel with 72 rooms, and house of Louise Eleonore

Plan and elevation of a Regency Era bailiffs cottage. Floorplan shows two parlors and kitchen. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1817

Bethlem psychiatric hospital or Bedlam in 1816
Bethlem Royal Hospital or Bedlam Hospital in St. Georges Fields, Southwark, 1816. Now the Imperial War Museum. Designed by surveyor James Lewis in the neoclassical style with portico

Plan and elevation of a Regency thatched cottage, cottage orne. Floorplan shows drawing room, parlor, library, kitchen, scullery, store and greenhouse

Plan and elevation of a Regency neoclassical villa. Floorplan shows dining room, drawing room, music room, library, hall, staircase, conservatory and passage

Vauxhall Bridge on the River Thames in 1817
Vauxhall Bridge, initially named Regent Bridge, over the River Thames, London. built in 1816. Nine-span bridge designed by engineer James Walker with cast iron arches and stone piers

Plan and elevation of a Regency neoclassical ice house. Plans show bunker with double wall for drainage A and B, porches a and b, airtraps c, drain mouth with grating d

Plan and elevation of a Regency cottage. Floorplan shows best parlor, common parlor, kitchen and scullery. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1817

Plan and elevation of a Regency artists villa. Floorplan shows entrance hall A, anteroom B, picture gallery C, painting room D, drawing room F, dining room G, pantry K, servants entrance L

Westminster Penitentiary viewed from the River Thames, 1817. A red brick quadrangle with towers, a chapel, including wings for male and female prisoners

Plan and elevation of a Regency villa. Floorplan shows drawing rooms, dinner room and study.. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1817

Stick figures, Dot and Line, dancing and fainting
Dottator et Lineator Loquitor. Stick figures Dot and Line dancing the poussette, hornpipe, and then fainting and being led out drunk

Plan and elevation of the Savoy buildings, London, 1736
Plan and elevation of the Savoy, between the Strand and the Thames River, from a view taken in the year 1736 by George Vertue

John Rennies design for Waterloo Bridge, 1816
John Rennies design for Waterloo Bridge, with elevation and plans for the superstructure and foundations. Copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

Plan and elevation of a Regency ornate cottage, cottage ornee. Floorplan shows dining room, drawing room, kitchen, scullery, larder, hall and coatroom

Plan and elevation of a Regency vicarage house. Floorplan shows dining parlor, dining rooms, study, kitchen, scullery, larder, closet, porch, hall and staircase

The Banqueting House, Whitehall, London. Designed by the architect Inigo Jones in the Palladian style with Corinthian and Ionic columns below a balustrade

Designs for garden seats in parks or landscaped gardens. Indian umbrella-style seat at top and fabric marquee over a folding iron frame below

Leopold George Christian Frederick, Duke of Saxony, Prince of Saxe-Coburg-Saalfeld. Copperplate engraving by Henry Meyer after a portrait by Alfred Edward Chalon from Rudolph Ackermanns Repository of

Plan and elevation of a Regency gardeners cottage. Floorplan shows parlor, scullery and seed room on one floor, , bedrooms and closet on another

The New Custom House on the River Thames, London. Designed by architect David Laing built in Portland stone with Ionic superstructure supported to a basement and finished with an attic

Plan and elevation of a Gothic conservatory. Large greenhouse with glass roof and high windows. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

Plan and elevation for a Regency dairy. Floorplan shows conservatory and servants room. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

The judgement of Brutus on his sons. From a picture by Guillaume Guillon-Lethi??re exhibited in Bullocks Museum, London. Copperplate engraving by Pinelli from Rudolph Ackermanns Repository of Arts

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"Rudolph: A Captivating Tale of Talent, Triumph, and Timeless Elegance" In the world of dance, the names Margot Fonteyn and Rudolph Nureyev are synonymous with grace and artistry. Their partnership on stage was nothing short of magical, captivating audiences around the globe. But there is another Rudolph who left his mark in history - Rudolph Steiner. Known for his contributions to education and spirituality, Steiner's philosophies continue to inspire many even today. Traveling back in time to Devon, we find ourselves at Oxton House, where Rev. John Beaumont Swete resided. This picturesque estate served as a sanctuary for contemplation and reflection. Another grand residence in Devon was Pynes House, built in 1825. Its stately presence stood as a testament to architectural excellence during that era. Shifting our focus across the Atlantic Ocean, we encounter Wilma Rudolph - an American track and field athlete whose determination knew no bounds. Her victorious moment at the Summer Olympic Games in Rome remains etched in sporting history forever. The name it also brings forth images of Hollywood glamour - none other than the legendary heartthrob Rudolph Valentino. His smoldering looks captivated audiences worldwide during cinema's golden age. However, not all associations with this name are glamorous or romantic. An English gentleman found himself on trial in France during the 18th century – a tale shrouded in mystery that continues to intrigue historians today. Returning once more to Valentino's legacy but from a different perspective – through mail correspondence bearing his iconic image – we glimpse into an era when communication took on new forms yet retained its charm. Stepping into military regalia takes us back to 1844 when the Grenadier Guards proudly displayed their ensign under which they valiantly served their country – a symbol of honor and duty personified by Rudolph.