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Tudor Collection (page 100)

Step back in time and immerse yourself in the captivating world England

Background imageTudor Collection: View in the Kitchen Court of St. Jamess Palace (w / c on paper)

View in the Kitchen Court of St. Jamess Palace (w / c on paper)
XCF271648 View in the Kitchen Court of St. Jamess Palace (w/c on paper) by Buckler, John (1770-1851); Private Collection; English, out of copyright

Background imageTudor Collection: Principal Court of St. Jamess Palace (w / c on paper)

Principal Court of St. Jamess Palace (w / c on paper)
XCF271635 Principal Court of St.Jamess Palace (w/c on paper) by Buckler, John (1770-1851); Private Collection; English, out of copyright

Background imageTudor Collection: Reading a letter to Queen Elizabeth I (engraving) (b / w photo)

Reading a letter to Queen Elizabeth I (engraving) (b / w photo)
XJF283121 Reading a letter to Queen Elizabeth I (engraving) (b/w photo) by English School; Private Collection; (add.info.: Queen Elizabeth I (1533-1603); Roger Ascham (1515-68); ); English

Background imageTudor Collection: The Queen in her Litter, from The Progresses of Queen Elizabeth 1 1788

The Queen in her Litter, from The Progresses of Queen Elizabeth 1 1788
XJF283120 The Queen in her Litter, from The Progresses of Queen Elizabeth 1 1788, by John Nichols (engraving) (b/w photo) by English School; Private Collection; (add.info)

Background imageTudor Collection: Hunsdon House (litho) (b / w photo)

Hunsdon House (litho) (b / w photo)
XJF283119 Hunsdon House (litho) (b/w photo) by English School; Private Collection; (add.info.: Queen Elizabeth 1 (1538-1603) granted the house to Sir Henry Carey in 1558/59; ); English

Background imageTudor Collection: Henry VIII bestowing the charter on the Barber Surgeons (litho)

Henry VIII bestowing the charter on the Barber Surgeons (litho)
XJF271055 Henry VIII bestowing the charter on the Barber Surgeons (litho) by English School, (16th century); Private Collection; (add.info.: King Henry VIII of England (1491-1547)); English

Background imageTudor Collection: Henry VIII Playing a Harp with his Fool Wil Somers, from the Kings Psalter

Henry VIII Playing a Harp with his Fool Wil Somers, from the Kings Psalter
XCF271054 Henry VIII Playing a Harp with his Fool Wil Somers, from the Kings Psalter (oil on panel) by English School, (16th century); British Museum, London

Background imageTudor Collection: The Dead Cart, engraved by Davenport, 1st July 1835 (engraving) (b / w photo)

The Dead Cart, engraved by Davenport, 1st July 1835 (engraving) (b / w photo)
XJF270045 The Dead Cart, engraved by Davenport, 1st July 1835 (engraving) (b/w photo) by Cruikshank, George (1792-1878) (after); Private Collection; English, out of copyright

Background imageTudor Collection: Portrait of Elizabeth I (w / c on vellum)

Portrait of Elizabeth I (w / c on vellum)
XCF270027 Portrait of Elizabeth I (w/c on vellum) by Oliver, Isaac (c.1565-1617); Victoria & Albert Museum, London, UK; (add.info.: Queen Elizabeth I (1533-1603)); French, out of copyright

Background imageTudor Collection: Frontispiece of Pedantius, comedy by Edward Forsett produced in Cambridge in 1581

Frontispiece of Pedantius, comedy by Edward Forsett produced in Cambridge in 1581
XJF268713 Frontispiece of Pedantius, comedy by Edward Forsett produced in Cambridge in 1581 (woodcut) by English School, (16th century); Private Collection; (add.info)

Background imageTudor Collection: View of Lambeth Palace from the Thames, 1837 (w / c on paper)

View of Lambeth Palace from the Thames, 1837 (w / c on paper)
XCF267420 View of Lambeth Palace from the Thames, 1837 (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; English, out of copyright

Background imageTudor Collection: Portrait of Henry VIII (engraving)

Portrait of Henry VIII (engraving)
KW276228 Portrait of Henry VIII (engraving) by English School, (19th century) (after); Private Collection; (add.info.: Henry (1491-1547); King of England; ); Ken Welsh; English, out of copyright

Background imageTudor Collection: Martyrdom and burning, from The New and Complete Book of Martyrs, by Paul Wright

Martyrdom and burning, from The New and Complete Book of Martyrs, by Paul Wright
XJF275592 Martyrdom and burning, from The New and Complete Book of Martyrs, by Paul Wright (engraving) (b/w photo) by English School

Background imageTudor Collection: The Burning of John Fishcock and the martyrdom of Robert Glover, from The New

The Burning of John Fishcock and the martyrdom of Robert Glover, from The New
XJF275591 The Burning of John Fishcock and the martyrdom of Robert Glover, from The New and Complete Book of Martyrs, by Paul Wright (engraving) (b/w photo) by English School

Background imageTudor Collection: Elizabeth I drawn by W. Derby and engraved by T. A. Dean (litho) (b / w photo)

Elizabeth I drawn by W. Derby and engraved by T. A. Dean (litho) (b / w photo)
XJF265859 Elizabeth I drawn by W.Derby and engraved by T.A.Dean (litho) (b/w photo) by Oliver, Isaac (c.1565-1617) (after); Private Collection; (add.info.: Elizabeth I (1533-1603)

Background imageTudor Collection: Portrait of Thomas Vicary (d. 1561) (oil on panel) (b / w photo)

Portrait of Thomas Vicary (d. 1561) (oil on panel) (b / w photo)
XJF265596 Portrait of Thomas Vicary (d.1561) (oil on panel) (b/w photo) by English School, (16th century); Private Collection; (add.info)

Background imageTudor Collection: Musicians of Henry VIII (pen and ink on paper) (b / w photo)

Musicians of Henry VIII (pen and ink on paper) (b / w photo)
XJF274313 Musicians of Henry VIII (pen and ink on paper) (b/w photo) by Holbein, Hans (1497/8-1543) (school of); Banqueting House, Whitehall, London

Background imageTudor Collection: 2653564; out of copyright

2653564; out of copyright

Background imageTudor Collection: The Play called the foure PP, c. 1530 (woodcut)

The Play called the foure PP, c. 1530 (woodcut)
XJF2653546 The Play called the foure PP, c. 1530 (woodcut) by English School, (16th century); Private Collection; (add.info)

Background imageTudor Collection: Portrait of Anne Waltham, 1572 (oil on panel)

Portrait of Anne Waltham, 1572 (oil on panel)
XCF272239 Portrait of Anne Waltham, 1572 (oil on panel) by Quesnel, Francois (1543-1619); Collection of Earl Spencer, Althorp, Northamptonshire, UK; French, out of copyright

Background imageTudor Collection: All Souls College, Oxford University, 1675 (engraving) (b / w photo)

All Souls College, Oxford University, 1675 (engraving) (b / w photo)
XJF270068 All Souls College, Oxford University, 1675 (engraving) (b/w photo) by Loggan, David (1633/35-92) (after); Private Collection; (add.info.: Collegium Omnium Animarum)

Background imageTudor Collection: Portrait of Elizabeth of York, 1841 (colour engraving)

Portrait of Elizabeth of York, 1841 (colour engraving)
XCF270026 Portrait of Elizabeth of York, 1841 (colour engraving) by English School, (19th century) (after); Private Collection; (add.info)

Background imageTudor Collection: William Cecil, 1st Baron Burghley (engraving)

William Cecil, 1st Baron Burghley (engraving)
XJF2639711 William Cecil, 1st Baron Burghley (engraving) by Rogers, William (c.1545-1610); Private Collection; (add.info.: William Cecil, 1st Baron Burghley (1520 or 1521-1598)

Background imageTudor Collection: 2654834; out of copyright

2654834; out of copyright

Background imageTudor Collection: A view of London about the year 1560 (engraving)

A view of London about the year 1560 (engraving)
XJF2639697 A view of London about the year 1560 (engraving) by English School, (18th century); Private Collection; (add.info.: Reduced from a large print belonging to Sir Hans Sloane)

Background imageTudor Collection: 2634704; out of copyright

2634704; out of copyright

Background imageTudor Collection: Queen Elizabeth I (1533-1603) from Illustrations of English and Scottish History

Queen Elizabeth I (1533-1603) from Illustrations of English and Scottish History
KW259460 Queen Elizabeth I (1533-1603) from Illustrations of English and Scottish History Volume I (engraving) by Williams, J.L

Background imageTudor Collection: Queen Mary (1516-58) from Illustrations of English and Scottish History Volume I

Queen Mary (1516-58) from Illustrations of English and Scottish History Volume I
KW259457 Queen Mary (1516-58) from Illustrations of English and Scottish History Volume I (engraving) by Williams, J.L. (c.1815-77) (after); Private Collection; (add.info)

Background imageTudor Collection: Edward VI (1537-53) from Illustrations of English and Scottish History Volume I

Edward VI (1537-53) from Illustrations of English and Scottish History Volume I
KW259456 Edward VI (1537-53) from Illustrations of English and Scottish History Volume I (engraving) by Williams, J.L. (c.1815-77) (after); Private Collection; (add.info)

Background imageTudor Collection: Henry VIII (1491-1547) from Illustrations of English and Scottish History Volume I

Henry VIII (1491-1547) from Illustrations of English and Scottish History Volume I
KW259454 Henry VIII (1491-1547) from Illustrations of English and Scottish History Volume I (engraving) by Williams, J.L. (c.1815-77) (after); Private Collection; Ken Welsh; English, out of copyright

Background imageTudor Collection: Henry VII (1457-1509) from Illustrations of English and Scottish History Vol I

Henry VII (1457-1509) from Illustrations of English and Scottish History Vol I
KW259453 Henry VII (1457-1509) from Illustrations of English and Scottish History Vol I (engraving) by Williams, J.L. (c.1815-77) (after); Private Collection; (add.info)

Background imageTudor Collection: 2604226; out of copyright

2604226; out of copyright

Background imageTudor Collection: The Dukes of Northumberland and Suffolk praying Lady Jane Grey to accept the Crown

The Dukes of Northumberland and Suffolk praying Lady Jane Grey to accept the Crown
BAL25923 The Dukes of Northumberland and Suffolk praying Lady Jane Grey to accept the Crown by Cipriani, Giovanni Battista (1727-85); Victoria & Albert Museum, London

Background imageTudor Collection: The Coronation Procession of King Edward VI (1537-53) in 1547 (w / c on paper) (detail

The Coronation Procession of King Edward VI (1537-53) in 1547 (w / c on paper) (detail
XCF258691 The Coronation Procession of King Edward VI (1537-53) in 1547 (w/c on paper) (detail of 2916) by English School

Background imageTudor Collection: Map of Westminster from Speculum Britannia, 1593 (engraving) (b / w photo)

Map of Westminster from Speculum Britannia, 1593 (engraving) (b / w photo)
XJF258687 Map of Westminster from Speculum Britannia, 1593 (engraving) (b/w photo) by Norden, John (1548-c.1625); Private Collection; English, out of copyright

Background imageTudor Collection: London Bridge and its Surroundings at about the year 1600, from Old London Illustrated

London Bridge and its Surroundings at about the year 1600, from Old London Illustrated
XJF258653 London Bridge and its Surroundings at about the year 1600, from Old London Illustrated, a Series of Drawings illustrating London in the XVIth Century

Background imageTudor Collection: An Unknown Man, 1543 (gouache on card trimmed in gold)

An Unknown Man, 1543 (gouache on card trimmed in gold)
XYC258603 An Unknown Man, 1543 (gouache on card trimmed in gold) by Holbein the Younger, Hans (1497/8-1543); 4.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; German, out of copyright

Background imageTudor Collection: Portrait of William, First Lord Paget (engraving) (b / w photo)

Portrait of William, First Lord Paget (engraving) (b / w photo)
XJF250751 Portrait of William, First Lord Paget (engraving) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: William Paget)

Background imageTudor Collection: Le Champ de Drap d Or, engraved by James Basire (1730-1802) c

Le Champ de Drap d Or, engraved by James Basire (1730-1802) c
XYC249795 Le Champ de Drap d Or, engraved by James Basire (1730-1802) c.1774 (etching & engraving) by Edwards, Edward (1738-1806) (after); Yale Center for British Art

Background imageTudor Collection: Portrait of Anne of Cleves (1515-57) 1539 (oil on canvas)

Portrait of Anne of Cleves (1515-57) 1539 (oil on canvas)
XIR24939 Portrait of Anne of Cleves (1515-57) 1539 (oil on canvas) by Holbein the Younger, Hans (1497/8-1543); 65x48 cm; Louvre, Paris, France; (add.info.: fourth wife of Henry VIII; ); German

Background imageTudor Collection: John Fletcher (1579-1625) (litho)

John Fletcher (1579-1625) (litho)
KW237051 John Fletcher (1579-1625) (litho) by English School, (17th century) (after); Private Collection; Ken Welsh; English, out of copyright

Background imageTudor Collection: Portrait of Henry VIII (1491-1547) (oil on panel)

Portrait of Henry VIII (1491-1547) (oil on panel)
XBP228999 Portrait of Henry VIII (1491-1547) (oil on panel) by Holbein the Younger, Hans (1497/8-1543); Private Collection; Photo eBoltin Picture Library; German, out of copyright

Background imageTudor Collection: King Francois I (1494-1547) (engraving)

King Francois I (1494-1547) (engraving)
KW232414 King Francois I (1494-1547) (engraving) by French School, (16th century) (after); Private Collection; Ken Welsh; French, out of copyright

Background imageTudor Collection: Queen Elizabeth I (1533-1603) (litho)

Queen Elizabeth I (1533-1603) (litho)
KW232413 Queen Elizabeth I (1533-1603) (litho) by English School, (16th century) (after); Private Collection; (add.info.: daughter of Henry VIII (1491-1547) and Anne Boleyn (1507-36);

Background imageTudor Collection: Portrait of a Man, 1593 (oil on panel)

Portrait of a Man, 1593 (oil on panel)
XYC232009 Portrait of a Man, 1593 (oil on panel) by Peake, Robert, the Elder (c.1551-1619); 113.1x89.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageTudor Collection: William Powlett (1475-1572) 1st Marquess of Winchester, c. 1560-70 (oil on panel)

William Powlett (1475-1572) 1st Marquess of Winchester, c. 1560-70 (oil on panel)
XYC230554 William Powlett (1475-1572) 1st Marquess of Winchester, c.1560-70 (oil on panel) by English School, (16th century); 35.9x24.8 cm; Yale Center for British Art, Paul Mellon Collection

Background imageTudor Collection: The famouse West Indian voyadge made by the Englishe Fleete of 23 shippes and barkes

The famouse West Indian voyadge made by the Englishe Fleete of 23 shippes and barkes
XYC245521 The famouse West Indian voyadge made by the Englishe Fleete of 23 shippes and barkes wherin weare gotten the townes of St. Iago, Sto Domingo, Cartagena and St

Background imageTudor Collection: Thomas Cranmers (1489-1556) last testimony (engraving)

Thomas Cranmers (1489-1556) last testimony (engraving)
KW212280 Thomas Cranmers (1489-1556) last testimony (engraving) by English School, (19th century); Private Collection; (add.info.: helped King Henry VIII in divorcing wives; ); Ken Welsh; English




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Step back in time and immerse yourself in the captivating world England. From the iconic Armada portrait of Queen Elizabeth I, showcasing her regal power and strength, to the enchanting landscapes of Chesterfield, this era is a treasure trove of history. Delve into the scandalous life of Anne Boleyn, whose beauty and charisma captured King Henry VIII's heart. Witness the grandeur and complexity of their relationship as you explore portraits depicting them together, along with their three wives and children. The tumultuous reigns of these monarchs shaped not only England but also its place on the global stage. Discover maritime history through The Mary Rose, a magnificent warship that met an unfortunate fate at sea. Its excavation brought forth a wealth of artifacts that offer glimpses into everyday life during this period. Nunney Castle stands as a testament to Tudor architecture's elegance and resilience. Marvel at its well-preserved ruins while imagining life within its walls centuries ago. Elizabeth I, known for her intelligence and political prowess, is immortalized in George Gower's stunning portrait. Her reign marked an era of cultural flourishing known as the Elizabethan Golden Age. Travel north to Sheffield in Yorkshire where W. Fairbank's meticulous plan showcases the town's layout during late Tudor times. Observe how it has evolved over centuries yet still retains echoes from this remarkable period. Kenilworth Castle beckons with its majestic presence—a symbol of power owned by Robert Dudley, Earl of Leicester—whose close relationship with Queen Elizabeth I sparked rumors throughout courtly circles. Lastly, gaze upon Henry VIII himself—the larger-than-life king who left an indelible mark on English history through his six marriages and religious reforms. Rebecca - Elizabeth I captures our imagination with her striking resemblance to one another—an intriguing connection between two powerful women separated by time but united by strength and determination.