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Mouse Mat : Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec
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Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec
Brandes in Her Dressing Room, c.1895, (1946). Portrait of French comedienne JosUphine Brunschwig, also known as Marthe BrandTHs (1862-1930). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
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Media ID 14989112
© The Print Collector
Chase Dressing Room Edward T Edward T Chase Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Lautrec Toulouse Lautrec Toulouse Lautrec Monfa Impressionist
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.2cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph, titled "Brandes in Her Dressing Room, c. 1895" transports us back to the vibrant world of 19th-century French theatre. Created by renowned artist Henri de Toulouse-Lautrec in 1946, this portrait captures the essence of JosUphine Brunschwig, a celebrated French comedienne known as Marthe BrandTHs. In this intimate scene, we find ourselves peering into Brandes' private sanctuary - her dressing room. The monochrome palette adds a timeless quality to the image while emphasizing the dramatic lighting that illuminates her delicate features. As we gaze at her contemplative expression, it becomes evident that she is preparing herself mentally for an upcoming performance. Toulouse-Lautrec's mastery lies not only in his ability to capture physical likeness but also in his talent for conveying emotion through his subjects' eyes and gestures. Through subtle brushstrokes and careful composition, he invites us to share in Brandes' anticipation and perhaps catch a glimpse of the vulnerability beneath her theatrical persona. This print serves as a precious window into both art history and cultural heritage. It allows us to witness firsthand the allure of late 19th-century Parisian theater – its glamour, its passion, and its dedication to storytelling through performance. As we admire this exquisite piece from Edward T. Chase's collection "The Etchings of the French Impressionists and Their Contemporaries" let us be transported back in time to an era
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