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Probably Avalokitésvara (Guanyin), the Bodhisattva of Mercy (image 2 of 2), between c.700 and c.800. Creator: Unknown

Probably Avalokitésvara (Guanyin), the Bodhisattva of Mercy (image 2 of 2), between c.700 and c.800. Creator: Unknown


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Probably Avalokitésvara (Guanyin), the Bodhisattva of Mercy (image 2 of 2), between c.700 and c.800. Creator: Unknown

Probably Avalokitesvara (Guanyin), the Bodhisattva of Mercy (image 2 of 2), between c.700 and c.800

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Media ID 36343743

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7th Century 8th Century Avalokiteshvara Avalokitesvara Bodhisattva Bosatsu Buddhist Buddhists Cave Caves Figurine Guan Yin Guanyin Hand Carved Handicraft Handicrafts Henan Kannon Kuan Yin Limestone Mercy Padmapani Statuette Tang Dynasty Typical Longmen Grottoes


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> Historic > Ancient artifacts and relics > Chinese antiquities

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> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings


EDITORS COMMENTS
This exquisite carving depicts Probably Avalokiteshvara, also known as Guanyin or Kuan Yin, the Bodhisattva of Mercy, from the 7th to 8th centuries. The figure is believed to have originated in China during the Tang Dynasty, possibly from the Longmen Grottoes in Henan province. The Bodhisattva is depicted in a graceful posture, with one hand in a gesture of reassurance and the other holding a lotus flower, symbolizing enlightenment and purity. The figure is hand-carved from limestone and displays intricate details, such as the delicate folds of the robe and the expressive facial features. Guanyin is a highly revered deity in Buddhism, known for her compassion and ability to grant wishes. She is often depicted with multiple arms, each holding various objects, such as a bowl, a pearl, or a lotus. However, in this sculpture, she is shown in a more simplified form, with only two hands. This understated yet powerful representation of the Bodhisattva is a testament to the artistic skill and spiritual depth of the ancient Chinese artists. This figure is now part of the collection of the Los Angeles County Museum of Art (LACMA), where it is displayed as part of their Asian art collection. The sculpture is a reminder of the rich cultural heritage of Asia and the enduring influence of Buddhism on art and spirituality.

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