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Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772. Creator: Carel Frederik Reimer
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Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772. Creator: Carel Frederik Reimer
Reception of the envoys of the King of Kandy by Governor Imam [sic] Falck, 1772. Iman Willem Falck, Governor of Zeylan (Dutch Ceylon, now Sri Lanka), hosts dignataries from the court of Kirti Sri Rajasinha of Kandy in the Great Reception Hall of the Governor's House in Colombo. Afbeelding der plegtige Audientie verleent door Zyn Weledele, Grootagbaare de Heer Gouverneur en Directeur van't Eyland Ceylon, etc. etc: aan't jaarlykse Gesandschap van den Koning van Candia, te Colombo
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Media ID 36330923
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Administrator Ambassador Ambassadors Attache Bare Feet Candle Candles Ceylon Ceylonese Chairs Chandelier Chandeliers Colombo Sri Lanka South Asia Colonial Administrator Commissary Diplomat East Meets West Feet Foot Governor Imperialism Imperialist International Relations Looking Glass Meeting Mirror Mirrors Servant Servants Sri Lanka Barefoot Hindoostan Imperialists Metaphor Watercolour Paint
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EDITORS COMMENTS
This 18th-century painting, titled "Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772," offers a glimpse into the rich cultural exchange between the Dutch East Indies and the Kingdom of Kandy in Sri Lanka. The painting, created by Carel Frederik Reimer, depicts Iman Willem Falck, the Dutch Governor of Ceylon, warmly welcoming a delegation from the court of Kirti Sri Rajasinha, the King of Kandy. The scene unfolds in the grand reception hall of the Governor's House in Colombo. The room is adorned with ornate furniture, including chairs with intricate designs, a large chandelier casting a warm glow over the scene, and a looking glass reflecting the elegantly dressed attendees. The Governor, dressed in formal attire, sits on a raised chair, while the Ceylonese envoys, barefoot as a sign of respect, stand before him. The painting is a testament to the complex web of international relations that existed during this period. The Dutch, representing the European imperialist powers, and the Ceylonese, representing the indigenous monarchies of the East, come together in this meticulously composed image. The use of light and color adds to the overall effect, with the candles casting long shadows and the men's faces illuminated by the light from the chandelier. The painting also serves as a reminder of the colonial past and the impact of European imperialism on the Eastern world. The meeting between the Dutch and Ceylonese dignitaries represents the clash and fusion of cultures, with the East meeting the West in a delicate dance of power and diplomacy.
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