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Swiss Guards and French Soldiers at the Vatican, (1930). Artist: Constantin Guys

Swiss Guards and French Soldiers at the Vatican, (1930). Artist: Constantin Guys


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Swiss Guards and French Soldiers at the Vatican, (1930). Artist: Constantin Guys

Swiss Guards and French Soldiers at the Vatican, (1930). Illustration from The Painter of Victorian Life, a study of Constantin Guys with an introduction and a translation of Baudelaires Peintre de la Vie Moderne, by P G Konody, (The Studio Ltd, London, 1930)

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Media ID 14918818

© The Print Collector / Heritage-Images

Constantin Constantin Ernest Adolphe Hyacinthe Constantin Guys Guy Constantinus Guys Guys Constantinus Konody Paul G Paul G Konody Paul G Paul George Paul George Paul George Konody Swiss Guard Swiss Guards Vatican


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> Arts > Artists > G > Constantin Guys

> Arts > Artists > Related Images

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Still life artwork > Fine art

> Europe > France > Military

> Europe > Italy > Lazio > Rome

> Europe > Italy > Posters

> Europe > Switzerland > Posters


EDITORS COMMENTS
This photo print, titled "Swiss Guards and French Soldiers at the Vatican" captures a powerful moment in history. Taken in 1930 by artist Constantin Guys, this image showcases the convergence of two distinct military forces within the sacred walls of the Vatican. The composition is striking, with Swiss Guards clad in their iconic uniforms standing tall alongside French soldiers. The contrast between their attire reflects both their individual national identities and their shared purpose as protectors. Their presence at such a significant location symbolizes the intersection of religion and warfare during that time period. Through this photograph, we are transported back to the 19th century when war was an ever-present reality for many countries. The solemn expressions on these men's faces hint at the weight they carry as defenders of their respective nations. The monochrome palette adds depth to this historical snapshot, emphasizing its timeless quality. It serves as a reminder of how art can capture moments frozen in time, allowing us to reflect on past events and appreciate those who have fought for our freedom. This remarkable print is part of "The Painter of Victorian Life" a study by P. G Konody that explores Constantin Guys' work through an introduction and translation by Baudelaire's Peintre de la Vie Moderne. Its inclusion in this collection further solidifies its significance within art history.

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