Metal Print : Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

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Metal Prints from Fondazione Alinari per la Fotografia

Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0002

Media ID 33186323

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed

16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of Arabia, featuring an engraving by G. Zuliani from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. This stunning vintage map showcases the Petrea Desert and Felice regions with intricate detail and precision. Each Metal Print is expertly crafted using high-quality metal sheets, ensuring a vibrant and long-lasting display. Bring a touch of history and elegance to your home or office with this unique and captivating piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Animals > Mammals > Muridae > Desert Mouse

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Abstract art

> Arts > Cubist sculptures > Abstract art > Modern art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

EDITORS COMMENTS
This print showcases an exquisite engraving titled "Arabia divided into the Petrea Desert and Felice" by G. Zuliani, taken from Tome IV of the renowned "Newest Atlas" published in Venice in 1784 by Antonio Zatta. Housed in a private collection, this artwork represents a fascinating blend of Renaissance-Baroque styles and periods. The intricate details of this engraving transport us back to the eighteenth century, offering a glimpse into the history and geography of Arabia. The artist's skillful rendering brings to life the vast expanse of the Petrea Desert juxtaposed with the region known as Felice. Through careful strokes, Zuliani captures both the abstract concept and symbol of territorial division within this ancient land. As we delve deeper into this masterpiece, it becomes evident that cartography serves as a means of communication across time and space. This geographical or topographical map not only provides valuable information about Arabia but also acts as an instrument for understanding its complex history. The significance of this artwork extends beyond its aesthetic appeal; it sheds light on Europe's exploration during the first and second millennium A. D. , highlighting their quest for knowledge about distant lands such as Saudi Arabia. It stands as a testament to humanity's curiosity and desire to comprehend different peoples, territories, and cultures. Intriguingly captured in 2009 by Alinari, this photograph preserves not just an image but also encapsulates centuries' worth of human progress in writing, communication, graphics, drawing instruments, documents - all intertwined with our ever-evolving understanding of geography. With each glance at this remarkable piece from Florence Engraving Eighteenth Century Collection by Alinari (not affiliated with any commercial use), we are reminded that art has always been intricately linked to our exploration and comprehension of our world's diverse tapestry throughout history.

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