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Metal Print : Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection
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Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection
Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785 ca.. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0012
Media ID 33189741
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of Asian Russia, featuring an intricately detailed engraving by G. Zuliani from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta. This stunning piece showcases the provinces of Asian Russia as they appeared in the late 18th century. With its rich history and cultural significance, this rare and beautiful work of art is sure to make a bold and sophisticated addition to any home or office decor. Each Metal Print is meticulously crafted using high-quality materials and state-of-the-art printing techniques to ensure a vibrant and long-lasting display. Bring a piece of historical cartography into your space and transport yourself to a time of exploration and discovery with our Asian Russia Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta. The artwork, dating back to approximately 1785, depicts Asian Russia meticulously divided into its provinces. With its Renaissance-Baroque style and period influence, this piece embodies the artistic essence of eighteenth-century Europe. The intricate details within this engraving are a testament to Zuliani's exceptional craftsmanship. Each province is intricately outlined and labeled, providing a comprehensive understanding of the region's geography. This map serves as both an instrument and document that conveys vital information about the territory it represents. Beyond its practical purpose, this artwork also possesses allegorical elements that transcend mere cartography. It symbolizes the power of communication and human connection across vast distances—a concept beautifully expressed through lines on paper. As we delve deeper into this masterpiece, we are transported back in time to witness how maps served as crucial means of communication during the first and second millenniums AD. They were not merely tools for navigation but also windows into different cultures and civilizations. Displayed against a backdrop of Florence Engraving Eighteenth Century aesthetics, this print encapsulates the fusion between artistry and functionality prevalent during that era. Its timeless appeal continues to captivate viewers even today. Through Alinari's lens in 2009, we can appreciate every stroke made by Zuliani over two centuries ago—each line representing countless hours spent perfecting his craft. This photograph allows us to cherish not only the beauty but also the historical significance embedded within this remarkable work of art.
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