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Poster Print : Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection

Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the 'Newest Atlas' published in Venice by Antonio Zatta, Private Collection




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Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection

Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785 ca.. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0012

Media ID 33189741

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


18x24 inch Poster Print

Discover the rich history and cultural diversity of Asian Russia with our exquisite poster prints from Media Storehouse. This captivating engraving, originally from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, showcases Asian Russia divided into its provinces as depicted by the skilled hand of engraver G. Zuliani. The intricate detail and vintage charm of this Alinari reproduction is a stunning addition to any home or office, transporting you back in time. Bring a piece of historical cartography into your space and ignite your curiosity with this beautiful poster print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Abstract Art > Painting > Related Images

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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta. The artwork, dating back to approximately 1785, depicts Asian Russia meticulously divided into its provinces. With its Renaissance-Baroque style and period influence, this piece embodies the artistic essence of eighteenth-century Europe. The intricate details within this engraving are a testament to Zuliani's exceptional craftsmanship. Each province is intricately outlined and labeled, providing a comprehensive understanding of the region's geography. This map serves as both an instrument and document that conveys vital information about the territory it represents. Beyond its practical purpose, this artwork also possesses allegorical elements that transcend mere cartography. It symbolizes the power of communication and human connection across vast distances—a concept beautifully expressed through lines on paper. As we delve deeper into this masterpiece, we are transported back in time to witness how maps served as crucial means of communication during the first and second millenniums AD. They were not merely tools for navigation but also windows into different cultures and civilizations. Displayed against a backdrop of Florence Engraving Eighteenth Century aesthetics, this print encapsulates the fusion between artistry and functionality prevalent during that era. Its timeless appeal continues to captivate viewers even today. Through Alinari's lens in 2009, we can appreciate every stroke made by Zuliani over two centuries ago—each line representing countless hours spent perfecting his craft. This photograph allows us to cherish not only the beauty but also the historical significance embedded within this remarkable work of art.

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