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Metal Print : Extremadura and Castilla la Nueva, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Extremadura and Castilla la Nueva, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1776 by Antonio Zatta, Private Collection



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Extremadura and Castilla la Nueva, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Extremadura and Castilla la Nueva, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0023

Media ID 33185735

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed


16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of Extremadura and Castilla la Nueva, an enchanting engraving by G. Zuliani from Tome I of the "Newest Atlas," published in Venice in 1776 by Antonio Zatta. This captivating piece, from the esteemed Alinari collection, showcases the rich history and beauty of these Spanish regions. The metal print technique adds depth and dimension to the intricate lines and details of the original engraving, making it a stunning addition to any home or office. Bring a piece of the past into your present with this beautiful work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Abstract art

> Arts > Cubist sculptures > Abstract art > Modern art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Modern art


EDITORS COMMENTS
This print showcases an exquisite engraving titled "Extremadura and Castilla la Nueva" by G. Zuliani, taken from Tome I of the renowned "Newest Atlas" published in Venice back in 1776 by Antonio Zatta. Housed within a private collection in Florence, this artwork beautifully captures the essence of the Renaissance-Baroque styles and periods that defined Europe during the eighteenth century. The engraving itself is a testament to the mastery of Zuliani's craft, showcasing intricate details and precise lines that bring to life these two regions of Spain. With its allegorical nature, this piece serves as both a geographical or topographical map and an instrument for understanding history. It symbolizes not only the physical territory it represents but also embodies abstract concepts such as communication and cultural exchange. Dating back over two centuries ago, this artwork holds immense historical significance. It offers us a glimpse into the modern history of nations, peoples, and territories during that time period. The scene depicted transports us to 18th-century Spain with its rich landscapes and architectural wonders. As we delve into this remarkable piece, we are reminded of how art has always been intertwined with means of communication throughout history. Through drawing and graphics like these engravings by Zuliani, artists have conveyed complex ideas while simultaneously capturing beauty on paper. With its timeless appeal transcending generations, this engraving continues to be admired today for its contribution to cartography and our understanding of geography. Its presence evokes admiration for both artistic skill and historical context – truly exemplifying why renaissance-baroque styles remain cherished even in our contemporary world. Photographed in 2009 by Alinari – experts in preserving visual heritage – this image allows us to appreciate every detail without compromising quality or authenticity.

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