Metal Print : Land of the Cherokees with the western part of North Carolina and Virginia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

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Land of the Cherokees with the western part of North Carolina and Virginia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Land of the Cherokees with the western part of North Carolina and Virginia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0063

Media ID 33187627

© Alinari Archives, Florence

American Indians Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Native Populations Of The Americas Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed Ethnography And Folklore Population And Nationality

16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of the Land of the Cherokees, featuring an intricately detailed engraving by G. Zuliani from the "Newest Atlas" published in Venice in 1778. This vintage map showcases the western part of North Carolina and Virginia, offering a unique glimpse into the history of the Cherokee lands. Our high-quality Metal Prints are not only beautiful works of art but also durable and long-lasting, making them a perfect addition to any home or office. Bring history to life with this stunning and authentic piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

> Arts > Portraits > Abstract art > Fine art gallery

EDITORS COMMENTS
This print showcases the "Land of the Cherokees with the western part of North Carolina and Virginia" an engraving created by G. Zuliani in 1778. This masterpiece is taken from Tome I of the "Newest Atlas" published in Venice, Italy, by Antonio Zatta. The artwork belongs to a private collection in Florence and exemplifies the exquisite craftsmanship of eighteenth-century Renaissance-Baroque styles. The image transports us back to a time when cartography was both a science and an art form, capturing not only geographical details but also conveying allegorical and abstract concepts. This particular map represents more than just land boundaries; it symbolizes the rich history and cultural significance of Native American populations, specifically the Cherokee people. As we explore this intricate piece, we are reminded of how maps have always been essential instruments for communication and documentation throughout human history. They provide invaluable insights into geography, anthropology, ethnography, folklore, population dynamics, and nationalities. Zuliani's artistic prowess shines through as he beautifully depicts North American Indians within their natural surroundings during Europe's first millennium. The scene evokes a sense of wonderment as we contemplate how these cultures communicated across vast distances without modern means. The renaissance-baroque influences evident in this engraving further enhance its aesthetic appeal. It serves as a testament to European artistic movements that flourished during this period while simultaneously acknowledging America's indigenous heritage. Alinari's photograph captures every minute detail with precision while preserving the essence of this historical artwork from two centuries ago. Through this image reproduction, viewers can appreciate not only its visual beauty but also gain insight into our shared pasts—a reminder that art transcends time and connects us all across continents and eras.

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