Metal Print : Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

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Metal Prints from Fondazione Alinari per la Fotografia

Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Maryland, southern New Jersey, Delaware and the eastern part of Virginia and North Carolina, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0064

Media ID 33185883

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Seaeighteenth Century Territory Abstract Concept And Symbol Concept Or Subject Expressed

16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of Maryland, southern New Jersey, Delaware, and the eastern part of Virginia and North Carolina, as depicted in the engraving by G. Zuliani from Tome I of the "Newest Atlas" published in Venice in 1778. This historic map, part of the esteemed collection by Antonio Zatta and held in the private archives of Alinari, showcases the intricate details of the region during an era of exploration and discovery. Our high-quality Metal Print preserves the intricate lines and vibrant colors of the original engraving, making it a stunning addition to any home or office decor. Transport yourself back in time with this beautiful piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

> Arts > Portraits > Abstract art > Fine art gallery

EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork depicts a detailed map encompassing Maryland, southern New Jersey, Delaware, and the eastern part of Virginia and North Carolina. The intricate lines and delicate strokes of this Renaissance-Baroque style engraving transport us back to the eighteenth century Europe. It is a testament to the remarkable craftsmanship and artistry prevalent during that era. As we gaze upon this historical masterpiece, we are reminded of the significance of cartography as a means of communication throughout history. This geographical or topographical map serves not only as an instrument but also as a document representing territories and their boundaries. Beyond its practical purpose, this artwork holds deeper meaning through its allegorical representation. It symbolizes the abstract concept of territory and highlights our innate desire for exploration and understanding our surroundings. The juxtaposition between the ancient technique employed by Zuliani in 1778 with the modern photograph captured in 2009 adds another layer to this composition. It bridges two distinct periods - first millennium A. D. , when cartography emerged as an essential discipline, and second millennium A. D. , when advancements in technology revolutionized how we perceive geography. This print is housed within a private collection Florence Engraving Eighteenth Century which preserves these valuable artifacts for future generations to appreciate. Its presence evokes curiosity about our past while reminding us that even centuries-old works can continue to inspire awe today. Alinari's photography beautifully captures every detail of this extraordinary artwork without compromising its essence or historical significance. Through their lens, they have immortalized Zuliani's talent while allowing us to experience his creation anew.

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