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Metal Print : Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
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Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
ICA4922755 Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910)); Photo eCaricadoc; French, out of copyright
Media ID 22874558
© Caricadoc / Bridgeman Images
Cardinal Carnival Circus Cupidite Disguising Eveque Mandolin Marianne Seduction Serenade Spectator Weight And Measurement Woman Symbol A Journal Caricadoc Journalism Newspapers
16"x24" (61x41cm) Metal Print
Bring a touch of timeless satire into your home with the Media Storehouse Metal Print featuring the cover of "Le Grelot," numbero 1061, from Bridgeman Images. This vibrant and colorful anticlerical print, titled "Satirique en Couleurs," was published around 1891. The image, depicting a commentary on religion, cupidity, and the Ralliement, is a captivating addition to any art collection. Our high-quality Metal Prints are known for their vivid colors, long-lasting durability, and sleek modern design. Order yours today and experience the beauty and intrigue of this historic piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Fine Art Finder
> Artists
> Achille Lemot
> Fine Art Finder
> Artists
> Edouard Guillaumin Pepin
EDITORS COMMENTS
The print captures the vibrant and satirical cover of "Le Grelot" numbero 1061, a French journal known for its colorful satire. Created in 1891, the illustration by Edouard Guillaumin (Pepin) depicts a scene filled with symbolism and social commentary. At first glance, we see Marianne, the symbol of France, standing tall amidst a crowd that includes cardinals and bishops. The image highlights the theme of anticlericalism and religious hypocrisy prevalent during that time. The clergy is portrayed as greedy and hypocritical figures who hide their true intentions behind their robes. Intriguingly, a musician playing the mandolin serenades Marianne from an open window. This element adds an air of seduction to the scene while also suggesting that music has the power to captivate even those in positions of authority. The composition is rich with details that invite interpretation: from references to political rallying ("Ralliement") to questions about wealth and greed ("Cupidite/Avarice"). It is evident that this artwork aimed to provoke thought and challenge societal norms. Overall, this print offers us a glimpse into late 19th-century France through its clever caricatures and intricate storytelling. It reminds us how art can be used as a powerful tool for social critique while showcasing Guillaumin's skillful craftsmanship in capturing complex themes within one striking image.
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