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Photographic Print : Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
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Cover of "Le Grelot", numbero 1061, Satirique en Couleurs
ICA4922755 Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", numbero 1061, Satirique en Couleurs, 1891_8_9: Pour avoir de bonne galette - Anticlericalisme, Religion - Cupidite/Avarice, Ralliement, Clerical Hypocrisy - Marianne, Charles Lavigerie Mgr (1825-1892), Cardinaux, Eveques - Illustration by Edouard Guillaumin (Pepin) (184min) (18449 2-1910)); Photo eCaricadoc; French, out of copyright
Media ID 22874558
© Caricadoc / Bridgeman Images
Cardinal Carnival Circus Cupidite Disguising Eveque Mandolin Marianne Seduction Serenade Spectator Weight And Measurement Woman Symbol A Journal Caricadoc Journalism Newspapers
11"x8.5" Photo Print
Bring a touch of historical satire into your home with the Media Storehouse range of Photographic Prints. This captivating image is taken from "Le Grelot," number 1061, a satirical publication from 1891. The cover, titled "Satirique en Couleurs," features an anticlerical and humorous take on the themes of Religion, Cupidity/Avarice, and Ralliement. This exquisite print, sourced from Bridgeman Images through Fine Art Finder, is a stunning addition to any art collection, evoking a sense of nostalgia and intrigue. Experience the rich history and vibrant colors of this fascinating piece, now available as a high-quality photographic print.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 18.6cm x 27.9cm (7.3" x 11")
Estimated Product Size is 21.6cm x 27.9cm (8.5" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Edouard Guillaumin Pepin
EDITORS COMMENTS
The print captures the vibrant and satirical cover of "Le Grelot" numbero 1061, a French journal known for its colorful satire. Created in 1891, the illustration by Edouard Guillaumin (Pepin) depicts a scene filled with symbolism and social commentary. At first glance, we see Marianne, the symbol of France, standing tall amidst a crowd that includes cardinals and bishops. The image highlights the theme of anticlericalism and religious hypocrisy prevalent during that time. The clergy is portrayed as greedy and hypocritical figures who hide their true intentions behind their robes. Intriguingly, a musician playing the mandolin serenades Marianne from an open window. This element adds an air of seduction to the scene while also suggesting that music has the power to captivate even those in positions of authority. The composition is rich with details that invite interpretation: from references to political rallying ("Ralliement") to questions about wealth and greed ("Cupidite/Avarice"). It is evident that this artwork aimed to provoke thought and challenge societal norms. Overall, this print offers us a glimpse into late 19th-century France through its clever caricatures and intricate storytelling. It reminds us how art can be used as a powerful tool for social critique while showcasing Guillaumin's skillful craftsmanship in capturing complex themes within one striking image.
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