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Metal Print : The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)

The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)



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The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)

NCO193109 The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: figure with Liberty Cap on pike;)

Media ID 33068928

© Bridgeman Images

Amputee Bonnet Rouge Broom Charles James Fox Chasing Edmund Burke Expense Extravagance Feathers Fleeing Funds Generosity George Iv Gesturing Gillray James 1757 1815 Glasses Hanoverian James Gillray Looking Away Lord North Magnanimity Obsequious Opposition Plume Plump Political Satire Prince Of Wales Prince Regent Prinnie Radical Reformer Regal Regency Architecture Rotund Sacks Sash Scraping Spectacle Wooden Leg Bestowing Fawning Lord Thurlow


16"x20" (51x41cm) Metal Print

Bring timeless elegance to your home with Media Storehouse's Metal Prints featuring The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787. These exquisite hand-coloured etchings by James Gillray, courtesy of New College, are now available as stunning metal prints. The intricate details and vibrant colors of these iconic images are beautifully preserved in this premium print format, making them a must-have for art enthusiasts and collectors alike. Add a touch of history and sophistication to any room with these unique and captivating prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > American School

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Mammals > Muridae > House Mouse

> Animals > Mammals > Nesomyidae > Fat Mouse

> Architecture > Colleges

> Architecture > Country > England

> Architecture > Country > Georgia

> Architecture > Country > Wales

> Architecture > Drawings

> Architecture > Great Houses

> Architecture > Styles > Georgian Architecture

> Architecture > Styles > Regency Architecture


The Prince at Grass and The Prince in Clover

EDITORS COMMENTS
is a captivating hand-coloured etching published by S. W. Fores in 1787, created by the talented artist James Gillray. This satirical cartoon, part of the collection courtesy of the Warden and Scholars of New College, Oxford, offers a scathing critique on various aspects of English society during that time. The image portrays an array of symbolic elements that shed light on the political climate and societal issues prevalent in 18th-century England. A figure wearing a Liberty Cap atop a pike stands prominently, representing freedom and rebellion against oppressive rule. Meanwhile, Lord North, depicted as overweight and disinterested, looks away while chasing funds. The cartoon also highlights the construction of Carlton House and its extravagant nature under the reign of the Prince Regent. The prince himself is portrayed as rotund with feathers adorning his hat, robes flowing extravagantly around him. He is shown receiving money while fleeing from his responsibilities as a reformer. Gillray's sharp wit extends to other figures within the artwork: Lord Thurlow kissing backside obsequiously; sailors fawning over their prince; crony politicians staring blindly at the sun; all symbolizing corruption within British politics. This print serves not only as an artistic masterpiece but also as a powerful commentary on power dynamics and societal flaws during this era. It reminds us that even centuries later, satire remains an effective tool for social criticism and introspection.

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