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Metal Print : Edward Harley, 2nd Earl of Oxford, c. 1719 (oil on canvas)

Edward Harley, 2nd Earl of Oxford, c. 1719 (oil on canvas)



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Edward Harley, 2nd Earl of Oxford, c. 1719 (oil on canvas)

1765230 Edward Harley, 2nd Earl of Oxford, c.1719 (oil on canvas) by Dahl, Michael the Elder (1656-1743) (studio of); 84x68.5 cm; Society of Antiquaries of London, UK; (add.info.: Edward Harley (1689?1741) succeeded his father as 2nd earl of Oxford and Mortimer in 1724. He was elected a Fellow of the Royal Society in 1727. He was the close friend and patron of George Vertue, engraver for the Society of Antiquaries of London.)

Media ID 25148312

© Bridgeman Images

Antiquarian Antiquary Dahl Earl Fellow George Vertue Royal Society Michael Dahl


16"x20" (51x41cm) Metal Print

Bring historical elegance into your home with our Media Storehouse Metal Prints featuring the captivating portrait of Edward Harley, 2nd Earl of Oxford, circa 1719. This exquisite oil on canvas painting, created by Michael Dahl in his studio, showcases the nobleman's refined charm and sophistication. Our high-quality metal prints are known for their vibrant colors, rich details, and long-lasting durability. Each print is carefully crafted using advanced printing techniques to ensure a stunning, museum-quality finish. Add a touch of timeless beauty and historical significance to your decor with this impressive piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Anglo-Dutch School

> Fine Art Finder > Men 18th Century

> Arts > Artists > D > Michael Dahl

> Arts > Artists > V > George Vertue

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Paintings


EDITORS COMMENTS
This portrait captures the dignified presence of Edward Harley, the 2nd Earl of Oxford, in all his aristocratic splendor. Painted by Michael Dahl or his studio around 1719, this oil on canvas print showcases the remarkable talent and attention to detail that characterized Dahl's work. Edward Harley was not only a prominent figure in society but also an esteemed antiquarian. As a member of the Society of Antiquaries of London, he dedicated himself to preserving and studying historical artifacts and ancient relics. His passion for antiquities is evident in this painting as he stands amidst a backdrop adorned with various objects from different eras. The artist skillfully portrays Edward Harley's regal features, emphasizing his noble lineage through every brushstroke. Clad in luxurious attire befitting his status, he exudes an air of authority and sophistication. The turban adorning his head adds an exotic touch to the composition, hinting at his wide-ranging interests beyond British shores. Edward Harley's close friendship with George Vertue is worth noting as well. Vertue served as an engraver for the Society of Antiquaries and owed much of his success to Harley's patronage. Their collaboration undoubtedly contributed greatly to both their personal legacies within their respective fields. As we gaze upon this magnificent piece from Bridgeman Images' collection, we are transported back in time to witness the grandeur and intellectual pursuits that defined Edward Harley's life—an extraordinary man whose influence extended far beyond mere aristocracy.

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