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Mouse Mat : Edward Harley, 2nd Earl of Oxford, c. 1719 (oil on canvas)
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Edward Harley, 2nd Earl of Oxford, c. 1719 (oil on canvas)
1765230 Edward Harley, 2nd Earl of Oxford, c.1719 (oil on canvas) by Dahl, Michael the Elder (1656-1743) (studio of); 84x68.5 cm; Society of Antiquaries of London, UK; (add.info.: Edward Harley (1689?1741) succeeded his father as 2nd earl of Oxford and Mortimer in 1724. He was elected a Fellow of the Royal Society in 1727. He was the close friend and patron of George Vertue, engraver for the Society of Antiquaries of London.)
Media ID 25148312
© Bridgeman Images
Antiquarian Antiquary Dahl Earl Fellow George Vertue Royal Society Michael Dahl
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the dignified presence of Edward Harley, the 2nd Earl of Oxford, in all his aristocratic splendor. Painted by Michael Dahl or his studio around 1719, this oil on canvas print showcases the remarkable talent and attention to detail that characterized Dahl's work. Edward Harley was not only a prominent figure in society but also an esteemed antiquarian. As a member of the Society of Antiquaries of London, he dedicated himself to preserving and studying historical artifacts and ancient relics. His passion for antiquities is evident in this painting as he stands amidst a backdrop adorned with various objects from different eras. The artist skillfully portrays Edward Harley's regal features, emphasizing his noble lineage through every brushstroke. Clad in luxurious attire befitting his status, he exudes an air of authority and sophistication. The turban adorning his head adds an exotic touch to the composition, hinting at his wide-ranging interests beyond British shores. Edward Harley's close friendship with George Vertue is worth noting as well. Vertue served as an engraver for the Society of Antiquaries and owed much of his success to Harley's patronage. Their collaboration undoubtedly contributed greatly to both their personal legacies within their respective fields. As we gaze upon this magnificent piece from Bridgeman Images' collection, we are transported back in time to witness the grandeur and intellectual pursuits that defined Edward Harley's life—an extraordinary man whose influence extended far beyond mere aristocracy.
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