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Metal Print : Cotton scarf sample from Nurrapore in Sind, from The Collection of the Textile
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Cotton scarf sample from Nurrapore in Sind, from The Collection of the Textile
HMP394663 Cotton scarf sample from Nurrapore in Sind, from The Collection of the Textile Manufacturers of India, by John Forbes Watson, published in 1866 (mixed media) by Pakistani School, (19th Century); Harris Museum and Art Gallery, Preston, Lancashire, UK; (add.info.: John Forbes Watson (1827-92) published eighteen volumes containing seven hundred samples of textiles from what was then known as India but which today includes most of South East Asia; most of the samples were taken from the Paris Exposition Universelle of 1855; Forbes Watson worked as a Reporter on the Products of India at the India Museum; the scarf is called a kass in Sindh; ); eHarris Museum and Art Gallery; Pakistani, out of copyright
Media ID 22920072
© Harris Museum and Art Gallery / Bridgeman Images
Geometric Repeating Pattern Textile Industry
16"x24" (61x41cm) Metal Print
Bring the rich history of textiles to your home with Media Storehouse's Metal Prints. This stunning image showcases a cotton scarf sample from Nurrapore in Sind, captured from The Collection of the Textile Manufacturers of India, published in 1866. The intricate patterns and vibrant colors of this Pakistani School textile, as documented by John Forbes Watson, are beautifully preserved in our high-quality metal prints. Add a touch of timeless elegance and cultural depth to any room with this unique and captivating piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a vibrant cotton scarf sample from Nurrapore in Sind, dating back to the 19th century. The exquisite craftsmanship and intricate design of this textile masterpiece are truly awe-inspiring. Published in 1866 by John Forbes Watson, an eminent figure in the textile industry, this piece is part of his renowned collection known as "The Collection of the Textile Manufacturers of India". Comprising eighteen volumes with over seven hundred samples, Watson's collection offers a comprehensive glimpse into the rich heritage and artistic traditions of South East Asia. Many of these samples were acquired from the Paris Exposition Universelle held in 1855. The scarf, locally referred to as a kass in Sindh, features a mesmerizing repeating pattern that combines geometric shapes with an explosion of vivid colors. Its striking visual appeal makes it not only suitable for men's garments but also serves as a testament to the skill and creativity inherent within Pakistani textiles. Currently housed at the Harris Museum and Art Gallery in Preston, Lancashire, UK, this remarkable artifact continues to captivate viewers with its timeless beauty. As we admire this stunning work through Bridgeman Images' lens, let us appreciate its historical significance and celebrate the enduring legacy of Asian textile artistry.
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