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Metal Print : Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773
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Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773
FLO4718005 Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius
Media ID 38467682
© © Florilegius / Bridgeman Images
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16"x20" (51x41cm) Metal Print
Add a touch of whimsical humor to your space with our Metal Prints featuring the iconic 'Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan' engraving by Timothy Bobbin. This satirical illustration, originally published in John Haywood's 1773 book 'Human Passions Delineated', is now available as a stunning metal print through our Media Storehouse range. Perfect for those who appreciate the absurd and enjoy bringing a smile to their faces.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This copperplate engraving captures a humorous and satirical scene from the 18th century, depicting Drunken farmer Jones in a comical exchange with old squinty-eyed Nan. In this illustration by Timothy Bobbin (John Collier), we see Farmer Jones eagerly buying the entire stock of wooden tools from Nan, who appears to be quite pleased with the transaction.
The intricate details in this artwork showcase the essence of satire and caricature prevalent during that era. The exaggerated expressions on both characters' faces add to the whimsical nature of the scene, while also shedding light on societal issues such as vice and alcoholism.
As Farmer Jones eagerly loads up his basket with wooden tools, including ladles and agricultural implements, one can't help but chuckle at the absurdity of it all. The contrast between his drunken state and Nan's shrewd expression creates a dynamic tension that is both amusing and thought-provoking.
This engraving serves as a reminder of the rich history of British artistry and satire, capturing a moment in time where humor intersected with social commentary. It is a testament to the talent of artists like John Collier (Timothy Bobbin) who were able to skillfully blend wit and criticism into their work for generations to enjoy.
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