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Metal Print : A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated
Metal Prints from Fine Art Finder
A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated
FLO4718115 A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius
Media ID 38467568
© © Florilegius / Bridgeman Images
Blowjob Bored Boredom Bretagne Britannique Britanniques Charity Clerge Default Dessin Satirique Ennui Fumeur Fumeuse Grande Hogarthian Human Passions Delineated Hypocrisy John Collier John Necklace Liquor Moeurs Morals Old Woman Ordre Religieux Pauper Pauvre Pauvrete Pretre Ragged Rich Sentiment Smoker Societe Thomas Sanders Timothy Bobbin To Get Bored Tobacco Pipe Vicar Vice Vieillard Visage 18eme Siecle Emotions Femme Grande Bretagne Homme Old Man Religious Role
16"x24" (61x41cm) Metal Print
Add a touch of satire to your space with our Metal Prints from Media Storehouse! This stunning piece, 'A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin', is reproduced from Bridgeman Images' Fine Art Finder collection. With its copperplate finish and striking subject matter, this metal print is sure to spark conversation in any room.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this striking image, we see a plump and wealthy vicar, indulging in his tobacco pipe and liquor, callously ignoring the pleas of a poor old woman. The contrast between the opulence of the clergyman and the destitution of the elderly woman is stark, highlighting themes of hypocrisy and indifference.
The satirical illustration by Timothy Bobbin (John Collier) captures the essence of human passions delineated - greed, apathy, and social inequality. The engraving by Thomas Sanders brings to life this scathing commentary on societal norms in 18th century England.
As we gaze upon this scene from centuries past, we are reminded of the timeless struggles faced by those at opposite ends of the economic spectrum. The vicar's disregard for charity and compassion serves as a poignant reminder that wealth does not always equate to virtue.
This image challenges us to reflect on our own actions towards those less fortunate than ourselves. Are we like the rich vicar, turning a blind eye to suffering? Or do we strive to embody kindness and generosity in our interactions with others?
Let this print serve as a powerful reminder that true wealth lies not in material possessions, but in acts of kindness and empathy towards our fellow human beings.
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