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Metal Print : The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b / w photo)



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The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

CLF311718 The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: built for John Barrett (d.1526) in early 16th century; remodelled 1744-77 by Thomas Lennard Barrett, Lord Dacre, in the Gothic Revival style; Flemish early Renaissance woodwork at entrance to the hall; photographed 1920; demolished 1957;); © Country Life

Media ID 32269252

© © Country Life / Bridgeman Images

Destroyed Interior Decor Neo Gothic Tudor Architecture


16"x20" (51x41cm) Metal Print

Experience the elegance of English heritage with our Media Storehouse Metal Print of The Upstairs Drawing Room at Belhus, Essex. This stunning black and white photograph, taken by English photographer Giles Worsley for England's Lost Houses published by Bridgeman Images in 2002, transports you back in time. The intricate details of the room's ornate decor and the warm, inviting atmosphere are beautifully preserved in this metal print, making it a perfect addition to any home or office. With its vibrant colors and long-lasting durability, this metal print is sure to impress and inspire.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Architecture - British Isles

> Fine Art Finder > Artists > English Photographer

> Animals > Mammals > Muridae > House Mouse

> Architecture > Country > England

> Architecture > Drawings

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Gothic Architecture

> Architecture > Styles > Neo-Gothic Architecture

> Architecture > Styles > Tudor Architecture

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Thomas Barrett

> Arts > Realistic drawings > Still life artwork > Fine art


EDITORS COMMENTS
This photograph captures the elegance and grandeur of The Upstairs Drawing Room at Belhus, Essex. Taken from Giles Worsley's renowned book "England's Lost Houses" this image showcases the exquisite craftsmanship and architectural beauty of a bygone era. Belhus, originally built for John Barrett in the early 16th century, underwent a remarkable transformation during its remodel between 1744-1777 by Thomas Lennard Barrett, Lord Dacre. The Gothic Revival style is evident throughout the room, with intricate details that transport us back to a time of opulence and splendor. The photograph also highlights the Flemish early Renaissance woodwork at the entrance to the hall, adding an extra layer of historical significance to this magnificent space. It serves as a poignant reminder of how these lost houses were once symbols of wealth and power. Sadly, Belhus met its demise in 1957 when it was demolished. However, through this photograph captured in 1920 by an English photographer from Country Life magazine, we are able to glimpse into its former glory. The neo-gothic trompe l'oeil wallpaper adds depth and character to the room while reflecting Tudor architecture influences. A striking neo-classical mirror stands proudly against one wall, further enhancing the sense of grandeur within this space. This stunning print allows us to appreciate not only Worsley's talent as a photographer but also his dedication to preserving England's architectural heritage through his work on "England's

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