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Premium Framed Print : The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
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The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311718 The Upstairs Drawing Room at Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: built for John Barrett (d.1526) in early 16th century; remodelled 1744-77 by Thomas Lennard Barrett, Lord Dacre, in the Gothic Revival style; Flemish early Renaissance woodwork at entrance to the hall; photographed 1920; demolished 1957;); © Country Life
Media ID 32269252
© © Country Life / Bridgeman Images
Destroyed Interior Decor Neo Gothic Tudor Architecture
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the elegance and grandeur of The Upstairs Drawing Room at Belhus, Essex. Taken from Giles Worsley's renowned book "England's Lost Houses" this image showcases the exquisite craftsmanship and architectural beauty of a bygone era. Belhus, originally built for John Barrett in the early 16th century, underwent a remarkable transformation during its remodel between 1744-1777 by Thomas Lennard Barrett, Lord Dacre. The Gothic Revival style is evident throughout the room, with intricate details that transport us back to a time of opulence and splendor. The photograph also highlights the Flemish early Renaissance woodwork at the entrance to the hall, adding an extra layer of historical significance to this magnificent space. It serves as a poignant reminder of how these lost houses were once symbols of wealth and power. Sadly, Belhus met its demise in 1957 when it was demolished. However, through this photograph captured in 1920 by an English photographer from Country Life magazine, we are able to glimpse into its former glory. The neo-gothic trompe l'oeil wallpaper adds depth and character to the room while reflecting Tudor architecture influences. A striking neo-classical mirror stands proudly against one wall, further enhancing the sense of grandeur within this space. This stunning print allows us to appreciate not only Worsley's talent as a photographer but also his dedication to preserving England's architectural heritage through his work on "England's
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