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Metal Print : British bulldog sinking its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), Boer War propaganda (chromolitho)

British bulldog sinking its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), Boer War propaganda (chromolitho)



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British bulldog sinking its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), Boer War propaganda (chromolitho)

6031963 British bulldog sinking its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), Boer War propaganda (chromolitho) by English School, (20th century); Private Collection; (add.info.: British bulldog sinking its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), Boer War propaganda.); Look and Learn / Valerie Jackson Harris Collection

Media ID 23279392

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Allegorical Figure Attacked Biting Boer War Boers British Empire Bulldog Fierce Julius Caesar Oom Paul Paul Kruger Propaganda Quotations South African Republic Transvaal Twelth Night Ephemera Shakespeare William Shakspeare Tenacious


16"x20" (51x41cm) Metal Print

Boldly bring history to life with our Media Storehouse Metal Prints featuring this iconic image of a British bulldog fiercely sinking its teeth into Paul Kruger, President of the South African Republic during the Boer War. This captivating chromolitho print, originally created by the English School, is a powerful representation of the propaganda art from this historic period. Add a touch of history and character to your space with this intriguing and thought-provoking piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > English School

> Africa > South Africa > Related Images

> Animals > Mammals > Dogs (Domestic) > Utility > English Bulldog

> Arts > Artists > S > William Shakespeare

> People > Politicians


EDITORS COMMENTS
This chromolitho print depicts a powerful symbol of British strength and tenacity during the Boer War. In this allegorical image, a British bulldog sinks its teeth into the leg of Paul Kruger, President of the South African Republic (Transvaal), representing the fierce determination of the British Empire to assert its dominance. The artist skillfully portrays the dog's ferocity as it fiercely attacks Kruger, who is depicted as a prominent political leader. The biting satire serves as propaganda for the war effort, emphasizing Britain's resolve in facing their adversaries. The caricature-like qualities add an element of humor to this historical piece while conveying a serious message about imperialism and power dynamics. The use of animals in political cartoons was common during this period, allowing for subtle commentary on complex issues. This striking image also incorporates references to William Shakespeare's works with quotations from Julius Caesar and Twelfth Night woven throughout. This clever inclusion adds depth to the artwork by drawing parallels between historic conflicts and those portrayed in literature. Overall, this print captures both historical events and cultural influences prevalent in early 20th-century Britain. It stands as a testament to how art can be used not only for aesthetic purposes but also as a tool for political expression and propaganda dissemination during times of conflict.

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