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Metal Print : The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792

The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792



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The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792

NCO190498 The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); 24.8x35.2 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Lord Thurlow (1731-1806) compared to Cardinal Wolsey (c.1475-1530); removed from office in 1792; William Pitt (1759-1806) pulling chair out beneath him; George III (1738-1820) grabbing royal purse; ); English, out of copyright

Media ID 22932448

© Bridgeman Images

Clinging Downfall Exertion Hanoverian Lord Chancellor Political Satire Prime Minister Sovereign Straining Tug Of War Tugging Demise


16"x20" (51x41cm) Metal Print

Experience the rich history of art with our exquisite Metal Prints featuring "The Fall of the Wolsey of the Woolsack," a captivating hand-coloured etching published by Hannah Humphrey in 1792. This iconic work by renowned satirist James Gillray is brought to life through our premium metal print technology, offering vibrant colours and stunning detail. Immerse yourself in the intrigue of this historical moment as depicted in this iconic print from Bridgeman Images, now available through Fine Art Finder.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Artists > T > James Thurlow

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Politics > William Pitt

> Popular Themes > Politics


The Fall of the Wolsey of the Woolsack

EDITORS COMMENTS
is a captivating and thought-provoking print that offers a satirical glimpse into the political landscape of 18th-century England. Created by James Gillray in 1792, this hand-coloured etching showcases his exceptional talent for political caricature. The image portrays Lord Thurlow, likened to Cardinal Wolsey, experiencing a dramatic downfall from power. William Pitt, the Prime Minister at the time, slyly pulls out Thurlow's chair while George III greedily grabs hold of the royal purse. The tension between these figures is palpable as they engage in a symbolic tug-of-war for control. Gillray's attention to detail is evident in every aspect of this artwork. From Thurlow's strained expression and flailing robes to George III clinging onto his sovereign authority, each element adds depth and meaning to the composition. The artist masterfully captures both physical exertion and emotional turmoil within this single frame. As viewers delve deeper into "The Fall of the Wolsey of the Woolsack" they are invited to reflect on themes such as power struggles, loyalty, and betrayal within politics. This engraving serves as an enduring testament to Gillray's ability to blend sharp wit with artistic skill. Courtesy of New College Oxford's collection, this historical gem continues to captivate audiences today with its timeless relevance and biting social commentary. It stands as a reminder that even centuries later, political satire remains an influential force

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