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Photographic Print : The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792
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The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792
NCO190498 The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); 24.8x35.2 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Lord Thurlow (1731-1806) compared to Cardinal Wolsey (c.1475-1530); removed from office in 1792; William Pitt (1759-1806) pulling chair out beneath him; George III (1738-1820) grabbing royal purse; ); English, out of copyright
Media ID 22932448
© Bridgeman Images
Clinging Downfall Exertion Hanoverian Lord Chancellor Political Satire Prime Minister Sovereign Straining Tug Of War Tugging Demise
10"x8" Photo Print
Experience the rich historical depth of the past with our exquisite offering from the Media Storehouse range of Photographic Prints. This captivating piece, titled "The Fall of the Wolsey of the Woolsack," published by Hannah Humphrey in 1792, is an intriguing hand-coloured etching by the renowned satirical artist, James Gillray. Witness the dramatic scene of Cardinal Wolsey's downfall, as depicted in this iconic work from the Fine Art Finder collection by Bridgeman Images. Add this stunning print to your home or office to bring a touch of history and timeless artistry to your space.
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Estimated Image Size (if not cropped) is 25.4cm x 17.9cm (10" x 7")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Fall of the Wolsey of the Woolsack
EDITORS COMMENTS
is a captivating and thought-provoking print that offers a satirical glimpse into the political landscape of 18th-century England. Created by James Gillray in 1792, this hand-coloured etching showcases his exceptional talent for political caricature. The image portrays Lord Thurlow, likened to Cardinal Wolsey, experiencing a dramatic downfall from power. William Pitt, the Prime Minister at the time, slyly pulls out Thurlow's chair while George III greedily grabs hold of the royal purse. The tension between these figures is palpable as they engage in a symbolic tug-of-war for control. Gillray's attention to detail is evident in every aspect of this artwork. From Thurlow's strained expression and flailing robes to George III clinging onto his sovereign authority, each element adds depth and meaning to the composition. The artist masterfully captures both physical exertion and emotional turmoil within this single frame. As viewers delve deeper into "The Fall of the Wolsey of the Woolsack" they are invited to reflect on themes such as power struggles, loyalty, and betrayal within politics. This engraving serves as an enduring testament to Gillray's ability to blend sharp wit with artistic skill. Courtesy of New College Oxford's collection, this historical gem continues to captivate audiences today with its timeless relevance and biting social commentary. It stands as a reminder that even centuries later, political satire remains an influential force
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