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Metal Print : Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table. Title page with calligraphy and vignette drawn by Tim Bobbin (John Collier) (1708-1786)
Metal Prints from Fine Art Finder
Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table. Title page with calligraphy and vignette drawn by Tim Bobbin (John Collier) (1708-1786)
FLO4718276 Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table. Title page with calligraphy and vignette drawn by Tim Bobbin (John Collier) (1708-1786) and engraved by Thomas Sanders from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table. Title page with calligraphy and vignette drawn by Tim Bobbin (John Collier) (1708-1786) and engraved by Thomas Sanders from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius
Media ID 38428312
© © Florilegius / Bridgeman Images
Bretagne Britannique Britanniques Calligraphie Calligraphy Default Depression Dessin Satirique Disgust Ecriture Filature Gentleman Grande Hogarthian Human Passions Delineated Inspiration John Collier John Necklace Knit Knitting Moeurs Morals Panel Societe Sommeil Spindle Spinning Spinning Wheel Thomas Sanders Tim Bobbin Timothy Bobbin Title Page Tricot Tristesse Vice Vignette Visage Whisper 18eme Siecle Crap Femme Grande Bretagne Homme Knitting Needle
16"x24" (61x41cm) Metal Print
Elevate your space with the captivating 'Man in Wig' metal print from Media Storehouse's collection of fine art reproductions. This striking piece, featuring John Collier's 18th-century illustration, showcases a man surrounded by whispers and intrigue, juxtaposed against a dejected woman spinning yarns. A title page with elegant calligraphy and vignette adds an air of sophistication to this unique metal print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This intriguing print captures a scene of deception and despair in 18th century Britain. A man in a wig sits at a table, flanked by two whispering figures who seem to be plotting something sinister. Meanwhile, a woman with a spinning wheel and knitting needles looks dejected and downtrodden at another table.
The title page features exquisite calligraphy and vignette drawn by the talented Tim Bobbin (John Collier), showcasing his satirical style that was popular during this era. Engraved by Thomas Sanders, this piece is from the book "Human Passions Delineated" published in Manchester in 1773.
The intricate details of this artwork reveal the complexities of human emotions and interactions. The expressions on the faces of the characters convey disgust, sadness, and perhaps even betrayal. The use of caricature adds an element of humor to the scene, highlighting societal vices and shortcomings.
Overall, this print is not just a visual masterpiece but also a reflection of the moral values and social dynamics prevalent in 18th century Britain. It serves as a reminder of how art can capture timeless truths about human nature and behavior.
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