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Metal Print : The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)

The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)



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The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)

XZL149497 The Court at Brighton a la Chinese, 1816 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: satirises the Prince Regents passion for Chinoiserie which culminated in the building of Brighton Pavilion; seen here instructing Lord Amherst to get fresh patterns of Chinese deformities to finish the decorations of g. Pavilion ; royal family dressed as mandarins; ); English, out of copyright

Media ID 12727766

© www.bridgemanart.com

Dragon Extravagance George Iv Greed Isabella Lord Amherst Lord Eldon Lord Ellenborough Overweight Prince Leopold Princess Charlotte Queen Charlotte George Prince Of Wales


16"x20" (51x41cm) Metal Print

Bring a touch of history and elegance to your home with Media Storehouse's Metal Prints featuring "The Court at Brighton a la Chinese, 1816" by George Cruikshank from Bridgeman Art. This hand-coloured engraving, originally published by Fine Art Finder, captures the charming scene of The Court at Brighton as depicted through Chinese artistic influences. The intricate details and vibrant colors are beautifully preserved in this high-quality metal print, making it a stunning addition to any room. Experience the rich history and artistry of the past in a contemporary and stylish way with Media Storehouse's Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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The Court at Brighton a la Chinese, 1816

EDITORS COMMENTS
is a captivating hand-coloured engraving by George Cruikshank that offers a satirical glimpse into the eccentricities of the Prince Regent and his love for all things Chinoiserie. The artwork depicts the royal family dressed as mandarins, highlighting their extravagant and indulgent lifestyle. In this comical scene, we see the Prince Regent instructing Lord Amherst to procure fresh patterns of "Chinese deformities" to adorn the grand decorations of the Brighton Pavilion. This playful jab at colonial exploitation reflects both the prince's fascination with Eastern aesthetics and his excessive greed. The image showcases various notable personages from left to right: Queen Charlotte, Lord Eldon, Lord Ellenborough, Isabella (presumably Princess Charlotte), George Prince of Wales (later King George IV), Princess Charlotte herself, Prince Leopold, Lord Amherst, and finally Marquis and Marchioness of Hertford. Each character is depicted with exaggerated features or symbols associated with China such as dragons and gold. Cruikshank's brilliant satire not only mocks the prince's weight but also exposes societal extravagance during this era. Through this print, viewers are invited to reflect on themes of power dynamics, cultural appropriation, and excess within high society. This fascinating piece can be found in a private collection today but remains an important historical artifact that sheds light on British artistry during early 19th-century England.

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