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Photographic Print : The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)
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The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)
XZL149497 The Court at Brighton a la Chinese, 1816 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: satirises the Prince Regents passion for Chinoiserie which culminated in the building of Brighton Pavilion; seen here instructing Lord Amherst to get fresh patterns of Chinese deformities to finish the decorations of g. Pavilion ; royal family dressed as mandarins; ); English, out of copyright
Media ID 12727766
© www.bridgemanart.com
Dragon Extravagance George Iv Greed Isabella Lord Amherst Lord Eldon Lord Ellenborough Overweight Prince Leopold Princess Charlotte Queen Charlotte George Prince Of Wales
10"x8" Photo Print
Experience the captivating charm of the past with Media Storehouse's exquisite range of Photographic Prints. This stunning offering showcases "The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)" by George Cruikshank, available exclusively through Bridgeman Art. Originally published in 1816, this intriguing image captures the essence of the exotic and whimsical, as depicted in the popular Chinese-inspired craze of the Regency era. Bring the rich history and vibrant colors of this hand-coloured engraving into your home or office, and elevate your space with a touch of timeless beauty. Order your print today and immerse yourself in the world of Fine Art Finder.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 25.4cm x 18.5cm (10" x 7.3")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Court at Brighton a la Chinese, 1816
EDITORS COMMENTS
is a captivating hand-coloured engraving by George Cruikshank that offers a satirical glimpse into the eccentricities of the Prince Regent and his love for all things Chinoiserie. The artwork depicts the royal family dressed as mandarins, highlighting their extravagant and indulgent lifestyle. In this comical scene, we see the Prince Regent instructing Lord Amherst to procure fresh patterns of "Chinese deformities" to adorn the grand decorations of the Brighton Pavilion. This playful jab at colonial exploitation reflects both the prince's fascination with Eastern aesthetics and his excessive greed. The image showcases various notable personages from left to right: Queen Charlotte, Lord Eldon, Lord Ellenborough, Isabella (presumably Princess Charlotte), George Prince of Wales (later King George IV), Princess Charlotte herself, Prince Leopold, Lord Amherst, and finally Marquis and Marchioness of Hertford. Each character is depicted with exaggerated features or symbols associated with China such as dragons and gold. Cruikshank's brilliant satire not only mocks the prince's weight but also exposes societal extravagance during this era. Through this print, viewers are invited to reflect on themes of power dynamics, cultural appropriation, and excess within high society. This fascinating piece can be found in a private collection today but remains an important historical artifact that sheds light on British artistry during early 19th-century England.
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