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Metal Print : Ono no Komachi Washing the Copybook (Soshiarai Komachi), 1735-40 (hand-coloured woodblock print; hosoban)

Ono no Komachi Washing the Copybook (Soshiarai Komachi), 1735-40 (hand-coloured woodblock print; hosoban)



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Ono no Komachi Washing the Copybook (Soshiarai Komachi), 1735-40 (hand-coloured woodblock print; hosoban)

5859586 Ono no Komachi Washing the Copybook (Soshiarai Komachi), 1735-40 (hand-coloured woodblock print; hosoban) by Kiyomasu II, Torii (1706-63); 29.6 x 16 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Torii Kiyomasu II)

Media ID 33396558

© Bridgeman Images

5 Five People 5 People 5 Persons Art Fine Art Calligraphed Calligraphic Calligraphy Edo Period Edo Period 1603 1868 External View Building Five Persons Home Front Japanese Print Outdoor Setting Tokugawa Period Ukiyo E War Effort War Production Woman At Work Working Woman 18e Siecle 18th Century 18th Centuries Art Style Asiae External View Several People Several Persons


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of traditional Japanese art into your home with Media Storehouse's Metal Prints. Our high-quality prints feature intricate details from this exquisite hand-coloured woodblock print, "Ono no Komachi Washing the Copybook (Soshiarai Komachi)" by Kiyomasu II, Torii (1706-63). This masterpiece, originally housed at The Art Institute of Chicago, showcases the grace and elegance of Ono no Komachi as she meticulously washes her copybook. Our Metal Prints are not just beautiful works of art, but also durable and long-lasting, making them a perfect addition to any room in your house. Experience the richness of Japanese culture with Media Storehouse's Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Giovanni Francesco (1610-62) Romanelli

> Fine Art Finder > Artists > Torii Kiyomasu II

> Arts > Artists > K > Torii Kiyomasu

> Asia > Japan > Related Images


EDITORS COMMENTS
This print titled "Ono no Komachi Washing the Copybook (Soshiarai Komachi)" by Kiyomasu II, Torii takes us back to 18th century Japan. The hand-coloured woodblock print, measuring 29.6 x 16 cm, showcases the exquisite artistry of Torii Kiyomasu II. The image depicts a scene from everyday life during this period. In the foreground, we see Ono no Komachi diligently washing a copybook with utmost care and precision. Her focused expression and graceful posture reflect her dedication to her task. This portrayal of a working woman highlights the importance of women's contributions in society. Surrounding Ono no Komachi are several people engaged in various activities. Their presence adds depth and context to the artwork, giving us a glimpse into Japanese culture at that time. Calligraphy plays an essential role in this piece as well, with intricate writing adorning the background and enhancing its aesthetic appeal. The vibrant colors used in this woodblock print bring life to every detail captured by Kiyomasu II's skilled hands. The use of color further emphasizes the beauty and elegance present throughout Japanese art history. This artwork belongs to the ukiyo-e genre, which translates to "pictures of the floating world". Ukiyo-e prints were highly popular during this era for their depiction of daily life scenes and landscapes. As we admire this masterpiece from The Art Institute of Chicago's collection, we are transported back centuries ago when Japan was undergoing significant social changes and artistic advancements. It serves as a reminder not only of our shared human experiences but also celebrates cultural diversity through visual storytelling.

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