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Metal Print : The Giant Factotum amusing himself, published by Hannah Humphrey in 1797
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The Giant Factotum amusing himself, published by Hannah Humphrey in 1797
NCO190489 The Giant Factotum amusing himself, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: William Pitt (1759-1806) playing cup and ball with a globe in the House of Commons; ); English, out of copyright
Media ID 22339936
© Bridgeman Images
Alarm Bench Breeches Coins Controlling Cravat Crushing Dominating Enormous Gallery Gigantic Honouring Mammoth Member Of Parliament Mighty Monstrous Papers Political Satire Power Powerful Prime Minister Skinny Supporter Thin Towering Dwarfing Toying
16"x20" (51x41cm) Metal Print
Bring a touch of historical whimsy into your home with our Media Storehouse Metal Prints featuring James Gillray's iconic etching, "The Giant Factotum amusing himself." Published by Hannah Humphrey in 1797, this hand-coloured print depicts the titular character from Thomas Rowlandson's comic opera, taking a break from his labors with a pipe and a book. This stunning reproduction, courtesy of Bridgeman Images from Fine Art Finder, is printed on high-quality metal for a vibrant, long-lasting display. Add a unique and intriguing conversation piece to your decor with this captivating piece of historical art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Giant Factotum amusing himself
EDITORS COMMENTS
is a captivating and thought-provoking print that takes us back to the political landscape of 18th-century England. Created by James Gillray and published by Hannah Humphrey in 1797, this hand-coloured etching offers a satirical commentary on the immense power wielded by William Pitt, the Prime Minister at the time. In this visually striking image, we see Pitt portrayed as an enormous giant towering over his fellow politicians in the House of Commons. With bulging pockets and supporters bowing before him, he exudes an air of dominance and control. Pitt's mammoth figure steps on and tramples over members of the opposition while playing with a cup and ball toy featuring a globe – symbolizing his influence both domestically and internationally. The cartoonish exaggeration employed by Gillray highlights not only Pitt's physical size but also his political might. The thinness of other figures emphasizes their vulnerability in comparison to his overwhelming presence. As he stands triumphantly over the Speaker's chair, papers scattered beneath him, there is an undeniable sense of fear among those who oppose him. This piece serves as a reminder that even within democratic institutions like Parliament, power can be concentrated in one individual capable of crushing dissenting voices. Through its clever use of caricature and satire, "The Giant Factotum amusing himself" invites viewers to reflect on themes such as political manipulation, authority abuse, and public accountability – issues that remain relevant today despite being rooted in history
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