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Photographic Print : The Giant Factotum amusing himself, published by Hannah Humphrey in 1797
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The Giant Factotum amusing himself, published by Hannah Humphrey in 1797
NCO190489 The Giant Factotum amusing himself, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: William Pitt (1759-1806) playing cup and ball with a globe in the House of Commons; ); English, out of copyright
Media ID 22339936
© Bridgeman Images
Alarm Bench Breeches Coins Controlling Cravat Crushing Dominating Enormous Gallery Gigantic Honouring Mammoth Member Of Parliament Mighty Monstrous Papers Political Satire Power Powerful Prime Minister Skinny Supporter Thin Towering Dwarfing Toying
10"x8" Photo Print
Experience the captivating allure of history with our exquisite Media Storehouse range of Photographic Prints. This magnificent piece, "The Giant Factotum amusing himself, published by Hannah Humphrey in 1797" by James Gillray, is a testament to the wit and artistry of the past. Hand-colored etching, published by New College, showcases the iconic image of The Giant Factotum entertaining himself, a satirical commentary on power and authority during the late 18th century. Bring this intriguing piece of history into your home or office and ignite conversations with its timeless charm. Courtesy of Bridgeman Images from Fine Art Finder.
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Estimated Image Size (if not cropped) is 18.2cm x 25.4cm (7.2" x 10")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Giant Factotum amusing himself
EDITORS COMMENTS
is a captivating and thought-provoking print that takes us back to the political landscape of 18th-century England. Created by James Gillray and published by Hannah Humphrey in 1797, this hand-coloured etching offers a satirical commentary on the immense power wielded by William Pitt, the Prime Minister at the time. In this visually striking image, we see Pitt portrayed as an enormous giant towering over his fellow politicians in the House of Commons. With bulging pockets and supporters bowing before him, he exudes an air of dominance and control. Pitt's mammoth figure steps on and tramples over members of the opposition while playing with a cup and ball toy featuring a globe – symbolizing his influence both domestically and internationally. The cartoonish exaggeration employed by Gillray highlights not only Pitt's physical size but also his political might. The thinness of other figures emphasizes their vulnerability in comparison to his overwhelming presence. As he stands triumphantly over the Speaker's chair, papers scattered beneath him, there is an undeniable sense of fear among those who oppose him. This piece serves as a reminder that even within democratic institutions like Parliament, power can be concentrated in one individual capable of crushing dissenting voices. Through its clever use of caricature and satire, "The Giant Factotum amusing himself" invites viewers to reflect on themes such as political manipulation, authority abuse, and public accountability – issues that remain relevant today despite being rooted in history
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