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Metal Print : None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)

None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)



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None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)

1078621 None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving) by Stephens, Henry Louis (1821-86) (after); Collection of the New-York Historical Society, USA; (add.info.: shows William Cullen Bryant, as an editor, encouraging freedom of trade. Published in Punchinello, December 3, 1870
); eNew York Historical Society; American, out of copyright

Media ID 22493408

© New York Historical Society / Bridgeman Images

Care Economic Economy Editor Feeding Free Trade Nursing Pennsylvania Punchinello William Cullen Bryant


16"x24" (61x41cm) Metal Print

Bring timeless art into your modern home with Media Storehouse Metal Prints. Our high-quality prints feature the captivating wood engraving "None the Better for Too Much Nursing" by George Wevill, engraved in 1870. This exquisite work, originally created by Henry Louis Stephens after Bridgeman Images from Fine Art Finder (1078621), showcases the classic image of a mother and her baby. The intricate details and rich textures of this vintage engraving are beautifully preserved in our metal prints, making it a stunning addition to any room. Elevate your decor and add a touch of history to your space with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > Scotland > Moray > Cullen

> Humour > Cartoon

> Humour > Children

> Humour > Postcard

> Humour > Related Images

> North America > United States of America > New York > Related Images

> North America > United States of America > Pennsylvania > Related Images


EDITORS COMMENTS
The captivating print titled "None the Better for Too Much Nursing" takes us back to 1870, showcasing a wood engraving by George Wevill. The image depicts William Cullen Bryant, an influential editor of his time, advocating for freedom of trade. Published in Punchinello on December 3rd that year, this satirical cartoon humorously highlights the concept of economic care and its impact on society. In this thought-provoking artwork, we see a man holding a baby while being attended to by a doctor. The scene symbolizes the delicate balance between domestic responsibilities and economic progress. With subtle caricatured elements, the artist emphasizes America's struggle with free trade policies during that era. The composition cleverly captures the essence of American society at that time - one where individuals like Bryant played significant roles in shaping public opinion through their editorial influence. Through this powerful visual narrative, we are reminded of the importance of satire as it provides commentary on social issues. This remarkable piece is part of the collection held by New-York Historical Society in the United States. Its historical significance lies not only in its artistic value but also in its representation of American ideals and debates surrounding economics and trade during this period.

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