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Photographic Print : None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)

None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)




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None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving)

1078621 None the Better for Too Much Nursing, engraved by George Wevill, 1870 (wood engraving) by Stephens, Henry Louis (1821-86) (after); Collection of the New-York Historical Society, USA; (add.info.: shows William Cullen Bryant, as an editor, encouraging freedom of trade. Published in Punchinello, December 3, 1870
); eNew York Historical Society; American, out of copyright

Media ID 22493408

© New York Historical Society / Bridgeman Images

Care Economic Economy Editor Feeding Free Trade Nursing Pennsylvania Punchinello William Cullen Bryant


12"x8" Photo Print

Experience the timeless charm of Victorian art with our Media Storehouse range of Photographic Prints featuring "None the Better for Too Much Nursing," a captivating wood engraving by George Wevill, 1870. This exquisite work, originally engraved by Henry Louis Stephens after a design by Wevill, showcases the wit and social commentary of the era. Add this beautiful piece to your home decor or office space as a conversation starter and a reminder of the rich history of art and storytelling. Order your print today and bring a piece of the past into your present.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henry Louis (after) Stephens

> Fine Art Finder > Artists > Karel Skreta

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > Scotland > Moray > Cullen

> Humour > Cartoon

> Humour > Children

> Humour > Postcard

> Humour > Related Images

> North America > United States of America > New York > Related Images

> North America > United States of America > Pennsylvania > Related Images


EDITORS COMMENTS
The captivating print titled "None the Better for Too Much Nursing" takes us back to 1870, showcasing a wood engraving by George Wevill. The image depicts William Cullen Bryant, an influential editor of his time, advocating for freedom of trade. Published in Punchinello on December 3rd that year, this satirical cartoon humorously highlights the concept of economic care and its impact on society. In this thought-provoking artwork, we see a man holding a baby while being attended to by a doctor. The scene symbolizes the delicate balance between domestic responsibilities and economic progress. With subtle caricatured elements, the artist emphasizes America's struggle with free trade policies during that era. The composition cleverly captures the essence of American society at that time - one where individuals like Bryant played significant roles in shaping public opinion through their editorial influence. Through this powerful visual narrative, we are reminded of the importance of satire as it provides commentary on social issues. This remarkable piece is part of the collection held by New-York Historical Society in the United States. Its historical significance lies not only in its artistic value but also in its representation of American ideals and debates surrounding economics and trade during this period.

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