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Metal Print : DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel



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DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7531973

1844 Amos Apparatus Demon Distill Evil Giles Massachusetts Moonshine Salem Science


16"x20" (51x41cm) Metal Print

Step into the past with our captivating Metal Print of 'Distillery, 1844: Demons at Work.' This intriguing wood engraving, created in 1844, depicts a fictional account of a Salem, Massachusetts distillery, allegedly run by church deacon Amos Giles. The image, a reprint from a polemic of 1835 by Salem minister George B. Cheever, was infamously sued for libel by the local deacon who owned the distillery. This Metal Print brings history to life with its vivid details and stunning visual storytelling. Add this unique piece to your home or office decor and start a conversation about the intriguing tales of the past.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
In this print titled "DISTILLERY, 1844" we are transported back in time to witness a scene of alleged demonic activity within a distillery operated by church deacon Amos Giles in Salem, Massachusetts. The wood engraving, created in 1844 and reproduced from a fictional polemic written by Salem minister George B. Cheever in 1835, offers a glimpse into the controversial events surrounding this establishment. The intricate details of the engraving bring to life an eerie atmosphere as dark forces seem to be at work amidst the brewing process. The image portrays demons lurking around the apparatus used for distillation, emphasizing their malevolent presence within this seemingly ordinary setting. This print holds historical significance as it reflects not only on the existence of such establishments during that era but also on societal conflicts and legal battles that ensued. It is worth noting that Deacon Giles had successfully sued Cheever for libel over his fictional account. Through this artwork, we gain insight into the complex relationship between religion and vices like alcohol production during nineteenth-century America. It serves as a reminder of how deeply intertwined moral values were with daily life and how even respected members of society could find themselves embroiled in controversy. Granger Art on Demand has provided us with an intriguing visual artifact that invites contemplation about our past while shedding light on cultural dynamics and human nature itself.

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