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Mouse Mat : DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel




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DISTILLERY, 1844. Demons at work in a distillery allegedly operated by church deacon Amos Giles of Salem, Massachusetts: wood engraving, 1844, from a reprint of a fictional polemic of 1835 by Salem minister George B. Cheever, for which a local deacon who owned a distillery had successfully sued for libel

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7531973

1844 Amos Apparatus Demon Distill Evil Giles Massachusetts Moonshine Salem Science


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 17.9cm (9.3" x 7")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
In this print titled "DISTILLERY, 1844" we are transported back in time to witness a scene of alleged demonic activity within a distillery operated by church deacon Amos Giles in Salem, Massachusetts. The wood engraving, created in 1844 and reproduced from a fictional polemic written by Salem minister George B. Cheever in 1835, offers a glimpse into the controversial events surrounding this establishment. The intricate details of the engraving bring to life an eerie atmosphere as dark forces seem to be at work amidst the brewing process. The image portrays demons lurking around the apparatus used for distillation, emphasizing their malevolent presence within this seemingly ordinary setting. This print holds historical significance as it reflects not only on the existence of such establishments during that era but also on societal conflicts and legal battles that ensued. It is worth noting that Deacon Giles had successfully sued Cheever for libel over his fictional account. Through this artwork, we gain insight into the complex relationship between religion and vices like alcohol production during nineteenth-century America. It serves as a reminder of how deeply intertwined moral values were with daily life and how even respected members of society could find themselves embroiled in controversy. Granger Art on Demand has provided us with an intriguing visual artifact that invites contemplation about our past while shedding light on cultural dynamics and human nature itself.

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