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Metal Print : The Brine Maidens of Suma, from the series "A Brocade of Eastern Manners...", c. 1783/84. Creator: Torii Kiyonaga. The Brine Maidens of Suma, from the series "A Brocade of Eastern Manners...", c. 1783/84. Creator: Torii Kiyonaga

The Brine Maidens of Suma, from the series 'A Brocade of Eastern Manners...', c. 1783 / 84. Creator: Torii Kiyonaga. The Brine Maidens of Suma, from the series 'A Brocade of Eastern Manners...', c. 1783 / 84. Creator: Torii Kiyonaga



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The Brine Maidens of Suma, from the series "A Brocade of Eastern Manners...", c. 1783/84. Creator: Torii Kiyonaga. The Brine Maidens of Suma, from the series "A Brocade of Eastern Manners...", c. 1783/84. Creator: Torii Kiyonaga

The Brine Maidens of Suma, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)", c. 1783/84

Heritage Images features heritage image collections

Media ID 36200751

© Heritage Art/Heritage Images

Attendant Beach Beach Maidens Brine Maiden Brinemaiden Kiyonaga Torii Looking Back Maiden Maidens Oban Salt Maidens Seashore Sekiguchi Shinsuke Shiokumi Shore Shoulder Pole Torii Kiyonaga Torii School Color Woodblock Print


16"x24" (61x41cm) Metal Print

Bask in the exquisite beauty of Torii Kiyonaga's iconic woodblock print, "The Brine Maidens of Suma" from the series "A Brocade of Eastern Manners." This stunning artwork, created in the late 18th century, showcases five brine maidens, their bodies glistening with sea salt, as they gracefully pose against a serene Suma seascape. Kiyonaga's masterful use of color and composition invites you to explore the rich details of this captivating scene. Elevate your home or office decor with this timeless piece of Japanese art, expertly reproduced as a sleek and durable metal print. Experience the allure of the past, brought to life in modern brilliance.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Torii Kiyonaga

> Arts > Artists > T > Kiyonaga Torii

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
Torii Kiyonaga's 'The Brine Maidens of Suma' from the series 'A Brocade of Eastern Manners' (Fuzoku Azuma no nishiki), created around 1783-84, is a captivating color woodblock print that showcases the beauty and elegance of traditional Japanese culture. The image features two brine maidens, dressed in their distinctive attire, standing on the shores of Suma in Hyogo, Japan. The brine maidens, also known as shiokumi or sekiguchi shinsuke, were women who worked at the salt fields along the coast. Their unique costumes, consisting of black kimonos with red accents and shoulder poles, were designed to protect them from the sun and the harsh conditions of their work. The maidens are depicted looking back over their shoulders, perhaps taking a moment to enjoy the serene beauty of the seashore before returning to their labor. The print is a prime example of the ukiyo-e artistic style, which flourished in Japan during the eighteenth and nineteenth centuries. Ukiyo-e translates to 'pictures of the floating world,' and this style focused on capturing the ephemeral beauty of everyday life. Kiyonaga's masterful use of color and composition in 'The Brine Maidens of Suma' invites viewers to appreciate the rich heritage and traditions of Japan during this period. This stunning work of art is now part of the permanent collection at the Art Institute of Chicago, where it continues to inspire and educate visitors about the artistic school of Torii and the broader context of Japanese art and culture.

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