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Metal Print : Cairo: House called Beyt El-Emyr (a little dilapidated), pub

Cairo: House called Beyt El-Emyr (a little dilapidated), pub



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Cairo: House called Beyt El-Emyr (a little dilapidated), pub

Cairo: House called Beyt El-Emyr (a little dilapidated); from L Art Arabe d apres les Monuments de Kaire; pub. 1877 (chromolithograph). Study shows an exquisite example of a Moucharabyeh or Mashrabiya, an architectural element which is characteristic of Arabic residences, it is a type of projecting oriel window enclosed with carved wood latticework; a woman is seen leaning out looking down; from L Art Arabe d apres les Monuments de Kaire; illustrations of Islamic art, architecture, woodwork, tiling, interiors, furnitute etc.; E mile Prisse d Avennes (1807-1879) was a French archeologist, Egyptologist, architect and writer of the nineteenth century

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Media ID 18269750

© Historica Graphica Collection / Heritage-Images

Cairo Domestic Egyptology Emile Prisse Davennes 1807 79 Geometric Design Jali Moslem Muslim North Africa Orientalism Colour Lithograph Historica Graphica Collection


16"x20" (51x41cm) Metal Print

Step into the enchanting world of Old Cairo with our Media Storehouse Metal Print featuring the iconic image of Beyt El-Emyr, a charming yet dilapidated house nestled among the historic monuments. This beautifully preserved 1877 chromolithograph, published by L Art Arabe, transports you back in time. Our high-quality Metal Prints are known for their vibrant colors, rich details, and long-lasting durability. Bring the timeless allure of Cairo into your home or office and create a unique, artistic statement with this captivating piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Cairo

> Africa > Egypt > Related Images

> Animals > Mammals > Muridae > Little Wood Mouse

> Architecture > Country > Africa

> Architecture > Country > France

> Architecture > Pubs

> Architecture > Styles > Egyptian Architecture

> Architecture > Styles > Islamic Architecture

> Arts > Artists > P > Emile Prisse d'Avennes

> Historic > Monuments and landmarks > Architectural heritage


EDITORS COMMENTS
This print showcases the beauty and charm of Cairo's historic architecture. The image captures a house called Beyt El-Emyr, which may appear slightly dilapidated but still exudes an undeniable allure. Published in 1877 as a chromolithograph, this print is part of "L'Art Arabe d'après les Monuments de Kaire" a collection that celebrates Islamic art, architecture, woodwork, tiling, interiors, furniture, and more. The focal point of the photograph is an exquisite example of a Moucharabyeh or Mashrabiya – an architectural element synonymous with Arabic residences. This particular feature is a type of projecting oriel window enclosed with intricately carved wood latticework. As we gaze upon the scene captured by Emile Prisse d'Avennes – French archaeologist and Egyptologist – we see a woman leaning out from one such window. Her presence adds life to the composition as she gazes downward into the bustling streets below. The geometric designs adorning the Mashrabiya create mesmerizing patterns that enhance its aesthetic appeal while reflecting traditional Islamic motifs. This print not only offers us glimpses into Cairo's rich cultural heritage but also serves as a testament to Prisse d'Avennes' passion for documenting historical monuments across North Africa. It invites us to appreciate both the artistic mastery behind these architectural wonders and their significance within Muslim culture.

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