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Metal Print : Draft of Albrecht Durers dedication to Bilibald Pirckheimer, c1523. Artist: Albrecht Durer

Draft of Albrecht Durers dedication to Bilibald Pirckheimer, c1523. Artist: Albrecht Durer



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Draft of Albrecht Durers dedication to Bilibald Pirckheimer, c1523. Artist: Albrecht Durer

Draft of Albrecht Durers dedication to Bilibald Pirckheimer, c1523. Draft of the dedication to Pirckheimer, probably written in 1523, of his Four Books of Human Proportions, published, after his death, at Nurnberg in 1528. This draft differs from the dedication as ultimately printed, and a deleting line has been drawn through it with a pen from top to bottom. It ends abruptly, and only the first of the two existing pages is here reproduced. The detached signature is from a letter from Durer to Pirkheimer, relative to a painting of the Virgin, written from Venice and dated 23rd September 1506. From the fourth Series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I-V. (London, 1899)

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Media ID 14910430

© The Print Collector / Heritage-Images

Albert Durer Albrecht Albrecht Durer Bilibald Bilibald Pirckheimer Correspondence Dedication Durer Facsimile Letter Pirckheimer Proportion Signature Willibald Willibald Pirckheimer Print Collector3


16"x20" (51x41cm) Metal Print

Experience the timeless beauty of art history with our Media Storehouse Metal Prints. Featuring the captivating draft of Albrecht Dürer's dedication to Bilibald Pirckheimer, created around 1523, this exquisite print showcases the mastery and intricacy of Dürer's hand. Our high-quality metal prints are vibrant, durable, and offer a contemporary twist to traditional art display. Bring this piece of history into your home or office and let the story of Dürer and Pirckheimer unfold before your eyes.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > Albrecht Durer > Fine art prints

> Arts > Artists > Albrecht Durer > Renaissance art

> Arts > Artists > Albrecht Durer

> Arts > Artists > D > Albrecht Durer

> Europe > Germany > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
This print showcases a draft of Albrecht Durer's dedication to Bilibald Pirckheimer, dating back to around 1523. The dedication was intended for his Four Books of Human Proportions, which were published in Nurnberg in 1528 after the artist's passing. This particular draft differs from the final printed version, as evident by the pen-drawn line crossing through it from top to bottom. Interestingly, this incomplete draft abruptly ends and only one of the two existing pages is reproduced here. Adding further intrigue to this historical artifact is a detached signature found on a letter written by Durer himself to Pirckheimer. The letter pertains to a painting of the Virgin and bears the date of September 23rd, 1506, originating from Venice. As an exquisite example of Renaissance artistry and craftsmanship, this facsimile offers us a glimpse into Durer's creative process and correspondence with his German counterpart. The vibrant colors and intricate handwriting showcased in this manuscript reflect both the artistic prowess and attention to detail that defined Durer's work. Preserved within these lines are centuries worth of history; they speak volumes about not just the artistic genius behind them but also shed light on personal connections forged between artists during that era. This remarkable piece serves as a testament to Durer's enduring legacy as one of Germany's most celebrated artists from the sixteenth century.

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