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Metal Print : The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
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The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V, who would not sanction Roberts marriage to his second wife, Bertha, Princess of Burgundy, on the grounds that they were cousins. From the Musee d Orsay, Paris, France
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Media ID 14867550
© Art Media / Heritage-Images
10th Century Adoring Adult Adverse Bishop Cherishing Clergyman Cleric Comforting Cousin Departing Despair Discontent Discontentment Disgruntled Dissatisfied Distress Distressed Doorway Excommunication Exiting Expulsion Fondness Front View Full Body Heartache Hopeless Human Being Husband Illustration And Painting Indoor Jean Paul Jean Paul Laurens Judgement Judgment Kinfolk King Of France Laurens Leaving Lover Men And Women Person Priest Punishment Reacting Regard Rejected Rejecting Rejection Relative Robert Ii Sorrow Spouse Tapestry Tenth Century Throne Unfavorable Unhappiness Unsatisfied Whole Body Bertha Determining Roman Catholicism
16"x24" (61x41cm) Metal Print
Bring historical artistry into your home with our Media Storehouse Metal Prints. Featuring the iconic painting "The Excommunication of Robert the Pious" by Jean-Paul Laurens (1837-1921), this masterpiece captures a pivotal moment in history. In 1875, Jean-Paul Laurens depicted the temporary excommunication of King Robert II of France (972-1031) by Pope Gregory V. Our high-quality metal prints are vibrant, long-lasting, and add a touch of sophistication to any space. Experience the beauty and depth of this timeless artwork like never before.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Excommunication of Robert the Pious, 1875
EDITORS COMMENTS
by Jean-Paul Laurens captures a pivotal moment in French history. The painting depicts King Robert II, known as "The Pious" facing the consequences of his forbidden love for his second wife, Bertha. Pope Gregory V has excommunicated him due to their familial relationship as cousins. In this powerful scene, set within the grandeur of a palace interior, we witness the anguish and despair on the faces of both Robert and Bertha. The couple sits together on a throne while a distressed clergyman stands nearby, symbolizing their rejection by the Church. Laurens skillfully portrays not only their emotional turmoil but also highlights societal expectations and religious constraints that governed medieval Europe. Through his use of color and oil medium, he evokes a sense of sorrow and hopelessness surrounding this doomed union. This painting serves as an illustration of human struggle against societal norms and religious dogma during the 10th century. It reminds us that even monarchs were subject to judgment and punishment for defying established conventions. Displayed at Musee d'Orsay in Paris, France, this artwork allows viewers to contemplate themes such as love versus duty, personal desires conflicting with social obligations, and ultimately reflects upon our own understanding of marriage and faith throughout history.
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