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Metal Print : Head study for "Arindal and Daura", around 1820/1855. Creator: Johann Peter Krafft. Head study for "Arindal and Daura", around 1820/1855. Creator: Johann Peter Krafft

Head study for 'Arindal and Daura', around 1820 / 1855. Creator: Johann Peter Krafft. Head study for 'Arindal and Daura', around 1820 / 1855. Creator: Johann Peter Krafft



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Head study for "Arindal and Daura", around 1820/1855. Creator: Johann Peter Krafft. Head study for "Arindal and Daura", around 1820/1855. Creator: Johann Peter Krafft

Head study for "Arindal and Daura", around 1820/1855

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Media ID 35145897

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1820s 1830s 1840s 1850s Art Movement Austrian Gallery Belvedere Belvedere Biedermeier Biedermeier Period Biedermeier Realism Chalk On Paper Classicism Expression Facial Expression James Macpherson Johann Peter Krafft Krafft Johann Peter Macpherson James Ossian Peter Krafft Poem Realist Studies Style Artistic Movement


16"x20" (51x41cm) Metal Print

Bring timeless beauty into your home with our exquisite Metal Prints featuring the captivating head study of "Arindal and Daura" by Johann Peter Krafft. Dated around 1820/1855, this masterpiece showcases the artist's exceptional skill and attention to detail. Each Metal Print is meticulously crafted to preserve the rich colors and intricate textures of the original artwork, resulting in a stunning, vibrant piece that is sure to be a conversation starter. Order now and transform your space into a gallery, showcasing this remarkable work of art from the past.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Realism

> Arts > Artists > K > Johann Peter Krafft

> Arts > Artists > Y > Art Young

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Street art graffiti > Realism > Realism art gallery

> Europe > Austria > Posters

> Europe > Austria > Related Images


EDITORS COMMENTS
This head study by Johann Peter Krafft, titled "Head study for Arindal and Daura," dates back to the 1820s or 1850s. The Austrian artist, known for his contributions to the Biedermeier movement, skillfully captured the expressive faces of two women in this chalk on paper drawing. The women, identified as Arindal and Daura, are depicted with intense facial expressions, their eyes conveying a depth of emotion that draws the viewer in. The monochrome palette adds to the timeless and classic feel of the artwork, transporting us back to the 19th century. Biedermeier realism is characterized by its focus on the everyday and the ordinary, and this study embodies that spirit. The artist's mastery of the medium is evident in the intricate details of the women's features, from the delicate contours of their faces to the subtle textures of their hair. The women's identities are not explicitly stated in historical records, but some art historians have suggested a connection to the literature of the time. James MacPherson's "Ossian's Poetry" and the "Songs of Selma" have been proposed as possible inspirations. Regardless of the specific source of inspiration, this study stands as a testament to Krafft's artistic talent and the enduring appeal of Biedermeier realism. This head study is now part of the esteemed collection at the Austrian Gallery Belvedere in Vienna, where it continues to captivate and inspire visitors from around the world.

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